Art

A very well-painted Dutch 19th century marine scene. The small boat is full of men who are rowing hard to get to the larger vessels, possibly to either take goods on or off the large...

Two Game Birds - Trompe l'Oeil Style in Pastel on Paper Two birds in a realistic style by LV Seely (19th Century). The birds are hanging by their feet, as if they have just been hun...

William Young (British, late 19th century) Anne Hathaway’s Cottage, Stratford-upon-Avon Oil on canvas, signed lower right Circa 1890 This beaut...

French 19th century Chickens in a landscape Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals (animalier) and engr...

LESLIE E.B. SMYTHE 19th-century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active in paintings in both Scotland and England. ...

Workshop / Circle of Philips Wouwerman (1619-1668) Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms oil on oak panel 12.40 x 14.17 inches (31.5 x 36 cm) wit...

Western Travellers by Rudolf Stone, British late 19th century Signed by the artist on the lower left hand corner Oil painting on wood panel, framed Framed size: 8 x 14 inches Wonder...

French School 18th Century Portrait of a gentleman holding his hat Oil on paper transferred on wood panel 34 x 27 cm In a beautiful vintage wood frame with some lacks in the mould, ...

William Nicholson (1872-1949) Fishing 1897 Original Colour Lithograph Image: 21.0 x 21.0 cm Mount: 39.0 x 36.0 cm William Nicholson was born at Newark in 1872. He left to study in Paris in his late teens for six months at the Academie Julian before returning to England. In 1893 Nicholson married the painter Mabel Pryde and their first son Ben went on to become the famous painter and sculptor. Nicholson concentrated on printmaking with his brother-in-law James Pryde...

Alfred Augustus Glendening Senior (English, 1840–1921) View along the Thames at Bisham Abbey, oil on canvas, circa 1910 Signed Bottom right This beautifully observed riverscape by A...

The children of Robert Williams with their go-cart in the grounds of Bridehead, Dorset *see historical notes below. ATTRIBUTED TO RAMSAY RICHARD REINAGLE (1775-1862, unsigned). oi...

Shipping on the Grand Canal, Venice signed & dated 1910 oil on canvas, unframed canvas: 13 x 18 inches provenance: private collection, Europe condition: basic good condition though w...

Antonio Tempesta (Florence 1555 - Rome 1630) Circle The Conversion of Saint Paul on the Road to Damascus Oil on canvas 112 x 102 cm Framed 125 x 114 cm The scene depicts the e...

The Sheep Shearer by John Edwards (England, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Conditi...

Artist/ School: British School, second half 20th century, signed lower left 'Champion' Title: a copy after de Loutherbourg's 1795 painting of Lord Howe's action of 1 June 1794 in th...

William Page, British 1794-1872 watercolor on board mounted mount: 14 x 15 inches painting: 6.5 x 8 inches provenance: private collection, UK condition: v...

Portrait of a Horse British School, 20th century oil painting on panel, unframed paintings size: 8 x 10 inches condition: excellent provenance: from a private collection here in England A very fine equestrian portrait of this horse. Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

The Highland Family British School, 19th century Circle of Robert Watson (British, 1856-1920), unsigned oil painting on canvas, framed framed: 25 x 45 inches canvas: 20 x 38.5 inches...

A beautifully painted character study of a terrier dating from the Victorian era. Edward Aistrop specialised in such intimate portraits of dogs and clearly held them in great affecti...

English School, c. 1800 Still life of hanging birds Oil on panel Panel size - 8 x 6 in Framed size - 12 1/2 x 10 1/2 in This trompe-l'œil still life is a striking example of illusio...

Large lofty wall hanging 19th century turtle shell with its iconic form and alluring organic variegated color scheme.

James Seymour (1702-1752) & Thomas Spencer (1700-1753) An elegant lady and gentleman hare coursing in an extensive landscape Oil on canvas Canvas Size - 33 x 50 in Framed Size - 41 x...

'Start of the Day, Dorking, Surrey' signed by Joel B. Owen (British, signed and dated 1919) oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private co...

Adolphus Knell (British, circa 1870) Coastal Vessels in Choppy Seas Oil on board, presented in its original gilt frame Signed lower right This atmospheric marine study by Adolphus Kn...

Portrait of Two Dogs English artist, mid 19th century oil on canvas, unframed Canvas: 18 x 14 inches Provenance: Private collection, England Condition: The painting is in good condit...

Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta sin enmarcar la pintura El estado de la obra se puede ver, presenta varias faltas de pintura y precisar...

Highland Cattle at Dusk by WILLIAM LANGLEY (1852-1922 signed oil on canvas, framed framed: 17 x 21 inches canvas: 12.5 x 16.5 inches Provenance: Private collection, previously exhibi...

Letter of the Alphabet A from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good conditions...

Arthur Willett British 1868 -1951. Willett was a renowned landscape artist who settled in Brighton but his paintings of the British countryside and country pursuits are highly sought...

La obra no va firmada El estado de conservación de puede ver, es bastante bueno, solo aconsejaría una limpieza ya que está un poco sucia, pero por lo demas, muy aceptable Se presen...

Artist/ School: Michael Sedgwick, British 20th century, signed and dated 1980. Title: Shipping in Calm Waters Artist/ School: Michael Sedgwick, Brit...

Shipping in Calm Waters Dutch School, 18th century oil painting on wood panel panel: 10 x 12.75 inches framed: 14 x 17 inches condition: very good, minor evidenc...

19th century English landscape with trees, a Harvest Field during Summertime. A wonderful classic English landscape dating from the middle of the 19th century. This style of paintin...

Artist/ School: Robert Hogg 1981, signed and inscribed verso Title: 'Storm Clouds Over Fleetwith PiKe Buttermere' Medium: oil on board, framed Framed: 21 x 30 inches Board: 18 x ...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

Merry Makers in the Tavern French School, 18th century oil on canvas canvas: 8 x 11 inches provenance: private collection, France condition: good and sound condition

Dutch/ Flemish School, early 1800's oil on canvas, framed framed: 19 x 24 inches canvas: 13.5 x 18.5 inches provenance: private collection, France condition: good and sound condition...

Charming Countryside Cottage Scottish School, late 19th/ early 20th century oil on canvas, framed Framed: 24 x 33.5 inches Canvas : 20 x 30.5 inches Provenance: private collection, E...

Edward Patry (1856–1940) I’m Better Now, oil on canvas, circa 1890–1900, in the original frame This tender and exquisitely rendered portrait by Edward Patry captures a moment of qui...

Attributed to Richard Aistrop (British, active 1880–1910) Portrait of a Wire-Haired Jack Russell Terrier Oil on board, circa 1890 In its original gilt frame This finely rendered Vi...

The Highland Bridge by F. E. Jamieson (British 1895-1950) signed with the artists pseudonym 'Graham Williams' oil on canvas, framed framed: 23 x 33 inches canvas: 20 x 30 inches prov...

Benjamin Cam Norton British, (1834-1900) Bay Horse in a Stable Oil on canvas, signed & dated 1879 Image size: 19.5 inches x 23.5 inches Size including frame: 25.5 inches x 29.5 inch...

Miniature Portrait French School, late 18th/ early 19th century framed: 5.5 x 5.5 inches board: 2 x 2 inches provenance: private collection, France condition: very good and sound c...

French school 19th Century Portrait of a Lady with a Fan oil on canvas 75 x 62 cm Not framed Condition: the original canvas has been doubled and placed on a new stretcher, and trace...

Horses Watering in a River, Early 19th Century English School oil painting on canvas, framed framed: 23 x 28 inches canvas: 17 x 22 inches provenance: priv...

We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...

Sebastiano Conca (Gaeta 1680 – Naples 1764) circle Madonna and Child Oil on copper 26 x 20 cm In high-quality period frame 72 x 50 cm The work depicts the Madonna lovingl...

Portrait of a Horse British School, 20th century oil painting on panel, unframed paintings size: 8 x 10 inches condition: excellent provenance: from a private collection here in England A very fine equestrian portrait of this horse. Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis...

Artist/ School: British School, indistinctly signed lower right, circa 1950's Title: Portrait of an Aristocratic Lady. The previous owner believed the sitter to be a member of the Q...

Allegorical Scene - Giovanni Faliero Italia 2009 - Oil on canvas cm. 90x110. This beautiful oil on canvas is the personal reinterpretation of the magnificent painting “Bacchant playing the Cymbals” by Jean-Simon Berthélemy, a French painter of the 18th century. Here we admire a mythological scene showing a naked bacchant playing cymbals next to a wooded stream, with a small sleeping faun...

The Highland Loch signed by F. E. Jamieson (British 1895-1950) indistinctly titled verso, most likely a loch in the Trossochs region of Argyll. oil painting on canvas, framed framed...

c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (la placa que pone "ESCUELA SEVILLANA XVIII" es errónea, esta obra es del siglo XIX Estado de conservación ...

Wylam Gowdy (British, Early 20th Century) Huntsman Out Shooting with Gundogs on Moorland Oil on canvas, circa 1905, inscribed on the reverse Signed lower right This evocative moorl...

The Wooden Punt English School, late 19th century oil on board, framed framed: 20.5 x 17.5 inches board : 18 x 15 inches Provenance: private collection, England Condition: very sound...

Escuela italiana; finales del siglo XVII, Siguiendo modelos de ALESSANDRO ALLORI (Florencia, 1535 – 1607) "Virgen Dolorosa". Óleo sobre tabla. Presenta faltas restauraciones. Med...

Portrait of an Aristocratic English Gentleman circle of Thomas Hudson (British (1701-1779) oil on canvas, framed framed: 53.5 x 45 inches painting: 45 x 40 inches provenance: private...

Ciro Ferri (Rome, 1634 – Rome, 1689) Attributed to Annunciation (probably a preparatory sketch) Oil on canvas 61 x 41 cm - In frame 79 x 49 cm The work, certainly commission...

'Paris' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Paris, France. Central vertical fold. Printed street index on the reverse o...