Art

In this acrylic-on-canvas figurative painting, a woman in a red dress stands at a window, caught in a moment of silent introspection. A luminous tangle of neon strokes appears suspen...

Part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This striking piece has a fun kitsch vibe, the neon really makes it pop. This artwork is a limit...

"Neon Sign, N.Y.C." is an original signed watercolor by Bruce McCombs. It depicts front of a sushi shop and features its neon sign and reflective windows. This painting displays McCo...

Miles ALDRIDGE (*1964, Great Britain) Night Car #1, 2015 Chromogenic print Image 122 x 152,5 cm (48 x 60 in.) Sheet 134 x 164.5 cm (52 3/4 x 64 3/4 in.) Edition of 3, plus 2 AP; Ed....

An oil painting by Carl Bretzke. A view of Sag Harbor's Main Street illuminated by the red neon sign of the "Sag Harbor Pharmacy". Signed "C.Bretzke" lower left, recto. Framed in ...

Large original, vintage, Ektacolor print collage Depicts art deco architectural facade of Publix building at Dade Boulevard and Alton Road in Miami Beach, Florida. Multiple prints fo...

Still Life with Green Glass Bottle and Earthenware Jars in Soft Pastel Light by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 24 x 20 inc...

Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures MAURICE BECKER (1889-1975) 'Neon Lighting 17 1/4 x 13 3/4 inches Oil on masonite Signed, dated 1936 and titled on verso BIO Maurice Becker, painter, political cartoonist and social reformer, was born in 1889 either in Gorky or Niznij Novgorod, in Russia. His family came to the United States in 1892, to New York City. After high school, Becker worked in a clothing factory. He studied with Ash Can School artist Robert Henri in 1908, and exhibited in the famous 1913 Armory Show in New York City when he was only twenty-four years of age. At the Armory show, Becker showed a drawing of a dog's head...

About the Artist After living several years outside Spain, in cities like Bangkok (Thailand), or Dusseldorf (Germany), currently Cristina Estañ, lives...

COLUMN FRAGMENT, RECTANGULAR FLUOR CORAL Belonging to the exhibition "FROM STONE TO CANVAS" inspired by the cathedral of Granada. The work FRAGMENT OF COLUMN CORAL FLUOR COLOR is intended to simulate a fragment of the columns and semicolumns characteristic of the cathedral of Granada. The main color of the series "from stone to canvas" is white with all its nuances, a chromatic scheme all its shades, a chromatic scheme that, together with touches of gold, was chosen by the master from Burgos SILOE to preside over the interior of the cathedral. The collection includes colors such as black or fluorine tones to make a wink to another of my most characteristic series, the series "Pop Miami", creating a fusion between both series as in this work. Worked with fabric on canvas, the folds, gathers and drapes that during my professional draping that during my professional career in the world of fashion, I would use to design and make distinguished garments, are part of the world of art in this work, painted and sculpted, they become a semi-rigid piece that simulates the fragment of a column. The framing in black and gold wood adds exquisiteness to the whole. About the Artist After living several years outside Spain, in cities like Bangkok (Thailand), or Dusseldorf (Germany), currently Cristina Estañ...

SUNSET is a summer-inspired wall sculpture by Vera Vizzi that fuses foam clay, acrylic paint and enamel on a 45 × 45 × 7 cm fir wood panel. The composition depicts an aerial tennis c...

Marie Craig's "We All Shine On" is an original montage of four hand-colored deep blue photographs of the Mill Mountain Star. This piece was created using cyanotype, an early photogra...

Original oil painting by Alexandra Pacula. Alexandra Pacula (b. 1979, Poland) is a cityscape and landscape artist, focusing on realism through oil painting. She received her BFA fro...

This artwork depicts an above-ground parking structure at night. The building is of cylindrical shape, with three storeys. Lit fluorescent tubes are visible through the open spaces...

Tropic of the Pyrenees 13 is a photograph by French contemporary artist Xavier Dumoulin. This photograph is sold unframed as a print only. It is available in 2 dimensions: *60 cm ×...

A dynamic neon-yellow and black Mark Lancaster screen print combining calligraphic paint strokes, paint drips, and smooth, graphic yellow gradients characteristic of the artist's mos...

Vestiges of a bygone era, a funky old original neon sign acts as a glowing beacon to the thirsty. Inkjet archival print. Signed and dated on lowe...

An inverted car, gleaming in chrome, speeds through sumptuous layers of pink, translucent yellow, and a veil of lacy, flower-like shapes. Across the top, the artist’s name is splashe...

Ltd ed archival pigment print., ed 50 Original art was created as part of Marano's"American-Dream-Land," Coney Island series and later translated to an edition. Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects ...

Jung LEE (*1972, South Korea) Truly, Truly, Yours, 2014 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist bor...

Jung LEE (*1972, South Korea) Why?#2, 2010 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP Print only – Biography Jung Lee is a Korean artist born ...

The patriotic colors of Old Glory are described in vibrating neon. Cars in the foreground reflect the striped pattern, while faces and figures punctuate the scene. Signed and dated ...

An original Mid Century woodblock print titled "Reflections and Images" by American artist Toma Yovanovich. Hand signed in pencil...

A vibrant abstract screenprint by an unknown artist created in 1973. This work is signed "A. Murray" or something similar but the exact artist has not been determined.

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

CHRIS WATTS "Pitstop" Acrylic on Canvas 59 x 59 inches _____________________________________ Chris Watts is an award-winning graphic designer, singer-song...

Artist: Lucy Gregry Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic, Resin on Canvas 3D Neon Colors Year: 2024 Style: Abstract art, Title: Magic Forest Siz...

Artist: Lucy Gregry Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic, Resin on Canvas 3D Neon Colors Year: 2024 Style: Abstract art, Title: Religion and Pol...

The neon signs of Fremont Street's casinos are more than just documented by photographer Mitchell Funk. They are carefully composed as if it were a studio still life with each elemen...

Neon God III is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 100 × 100 cm (39.4 × 39.4 in). The artwork is signed, sold unframed and c...

Neon God II is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 120 × 100 cm (47.2 × 39.4 in). The artwork is signed, sold unframed and co...

Veteran Photographer Mitchell Funk creates a vibrantly expressive image of Miami Beach's Ocean Drive. The blur color and punchy red sky and bleeding Art Deco Neon signs are the visu...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

This is hand signed in pencil. It is not numbered. This appears to be a silkscreen or serigraph or a multi stone lithograph. It is a great hard edged, geometric, vibrant mid century...

The series 'Trespassing' explores encounters between human and nature. Human made objects are placed into a natural landscape, where their interactions with the natural elements are ...

A single neon-red bloom pops from the background in this lively still life by Jernnifer Hornyak. Known for her non-traditional florals and her inspired palette— Hornyak’s flowers sit...

Miles ALDRIDGE (*1964, Great Britain) Edition of 3, plus 2 AP, 2015 Chromogenic print Image 122 x 152,5 cm (48 x 60 in.) Sheet 134 x 164.5 cm (52 3/4 x 64 3/4 in.) Edition of 3, plu...

The series 'Trespassing' explores encounters between human and nature. Human made objects are placed into a natural landscape, where their interactions with the natural elements are ...

Neon Reflections in the New York City Rain, by Contemporary British Urban Artist, Angela Wakefield. This is a major work to continue her epic New York Series...

"The Magic Trick" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and 70...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Original Painting of Neon Reflections in the New York City Rain, by Contemporary British Urban Artist, Angela Wakefield. This is a major work to continue her...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

New York City Panoramic Street Scene with Limousine and Neon Lights in the Rain, by British Contemporary Urban Landscape Artist, Angela Wakefield. Entitled “Neon Limousine”, this uni...

DIPTYCH COLUMN FRAGMENT, RECTANGULAR FLUOR CORAL AND PINK Belonging to the exhibition "FROM STONE TO CANVAS" inspired by the cathedral of Granada. The work FRAGMENT OF COLUMN CORAL FLUOR COLOR is intended to simulate a fragment of the columns and semicolumns characteristic of the cathedral of Granada. The main color of the series "from stone to canvas" is white with all its nuances, a chromatic scheme all its shades, a chromatic scheme that, together with touches of gold, was chosen by the master from Burgos SILOE to preside over the interior of the cathedral. The collection includes colors such as black or fluorine tones to make a wink to another of my most characteristic series, the series "Pop Miami", creating a fusion between both series as in this work. Worked with fabric on canvas, the folds, gathers and drapes that during my professional draping that during my professional career in the world of fashion, I would use to design and make distinguished garments, are part of the world of art in this work, painted and sculpted, they become a semi-rigid piece that simulates the fragment of a column. The framing in black and gold wood adds exquisiteness to the whole. About the Artist After living several years outside Spain, in cities like Bangkok (Thailand), or Dusseldorf (Germany), currently Cristina...

A unique American oil painting depicting two stylized interior views in neon colors.

Hand-Finished with acrylic spray paint on Moab Entrada Bright 290 gsm paper Edition size: 1/1 Signed & Numbered with a Certificate of Authenticity

American Flag in Times Square rendered in Neon. Patriotic colors of Old Glory are described in vibrating neon. Cars in the foreground reflect the striped pattern, while faces and fi...

Jung LEE (*1972, South Korea) Only God Knows, 2010 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist born in ...

Jung LEE (*1972, South Korea) I Still Remember, 2010 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist born i...

Jung LEE (*1972, South Korea) Why?#3, 2016 C-Type Print, Diasec Sheet 144 x 180 cm (56 3/4 x 70 7/8 in.) Frame 147,5 x 183,7 x 3,7 cm (58 1/8 x 72 3/8 x 1 1/2 in.) Edition of 5, plus...

Jung LEE (*1972, South Korea) Have You Ever Loved Me?, 2010 C-Type Print, Diasec Sheet 125 x 100 cm (49 1/4 x 39 3/8 in.) Frame 127,3 x 102,4 x 3,2 cm (50 1/8 x 40 3/8 x 1 1/4 in.) E...

Artist: Lucy Gregry Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic, Resin on Canvas 3D Neon Colors Year: 2024 Style: Abstract art, Title: New Galaxy of Mu...

Gloria Dudfield Neon Comet Abstract Expressionism 1960s Oil Pastel and Gouache on Paper 36"x25.5" unframed $1600 *Custom framing available for additional charge. Please expect framin...

Vestiges of a bygone era, a funky old original neon sign acts as a beacon to the thirsty. Chromogenic archival print. Signed and dated on lower r...