Art

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

“Gathering Poppies,” set beneath a brooding sky, is a delightful landscape by the Glasgow-born artist Sir David Murray. The work is signed, dated, and carries a Christie’s Auction Ho...

The Highland Loch signed by Prudence Turner, British b. 1930 oil painting on board, framed framed: 25 x 45 inches board: 21 x 41 inches Provenance: private collection, England. Con...

ALBRECHT DURER (1471-1528) THE VIRGIN AND CHILD SEATED BY A TREE 1513 (Bartsch 35; Meder 34 c-d, Hollstein 34) Engraving a generally good impression. Trimmed slightly into the i...

Attributed to George Earl (English, 1824–1908) Portrait of a Dachshund Oil on canvas, circular format Circa 1870–1880 Signed left centre (as visible) ⸻ A finely observed Victorian...

Anglers at Sunset by Edwin Henry Boddington (1836–1905) signed and indistinctly dated 18?? oil on canvas, framed framed: 17 x 30 inches canvas : 12 x 24.5 inches Provenance: private...

The Close of Day by Edwin Henry Boddington (1836–1905) signed lower front corner oil on canvas, framed framed: 30 x 42 inches canvas : 24 x 36 inches Provenance: private collection,...

The Shipwreck English School, indistinctly signed dated 1884 oil on canvas, framed framed: 29.5 x 48 inches canvas : 26 x 44.5 inches Provenance: private collection, UK Condition: v...

Wreckers on the Beach by Charles Webster (British. 19th century) signed, oil on canvas, unframed canvas : 24 x 42 inches Provenance: private collection, England Condition: very good ...

The Old Cottage Garden by Eva Walbourn (1872-1927) *see notes below signed oil on canvas, framed framed: 15.5 x 19 inches canvas : 10 x 14 inches Provenance: private collection, Engl...

The Highland River by William Lakin Turner (1867-1936) signed oil on panel, framed framed: 18 x 21 inches panel : 10 x 14 inches Provenance: private collection, England Condition: th...

This superb British 18th century Old Master portrait oil painting is attributed to Thomas Hudson. Painted circa 1750 it is a three-quarter length standing portrait of a gentleman in ...

Vintage Horse Portrait painting on wood of a horse in a landscape, signed in the lower right A Malive. This is a medium sized attractive original horse painting, cleverly executed i...

Portrait of Mary Magdalene with an Ointment Jar Spanish School, early 20th century, unsigned after the earlier 16th century painting by Jan van Scorel oil on panel, framed framed: 4...

The Triumph of Eros over Pan Florentine School, early 1700's period, unsigned oil on canvas, framed framed: 58 x 48.5 inches canvas: 50 x 40 inches Provenance: private collection, Pa...

Figures & Animals in Classical Landscape circle of Jans Frans Van Bloemen (Orizzonte 1662 - 1749), unsigned oil on canvas, framed framed: 28.5 x 42.5 inches canvas: 19 x 34 inches P...

'Clearing the Hedge' by Francois Duyk (Belgian, late 19th century) oil on canvas, framed framed: 22.5 x 32.5 inches canvas : 20 x 30 inches Provenance: private collection, the Cotswo...

The Sitting Room Interior French, circa 1900 signed R Lorenz oil on canvas framed framed: 35 x 46 inches canvas : 28 x 40 inches Provenance: private collection, UK Condition: very go...

The Country Lane by Henry Harris (1852-1926) signed oil on canvas, framed framed: 12 x 10 inches canvas : 10 x 8 inches Provenance: private collection, England Condition: very good ...

'Clearing the Pond' by Francois Duyk (Belgian, late 19th century) oil on canvas, framed framed: 22.5 x 32.5 inches canvas : 20 x 30 inches Provenance: private collection, the Cotswol...

Figures in Landscape Dutch School, 17th century oil on wood panel, framed in antique wooden frame framed: 14.5 x 17 inches panel : 10 x 12 inches Provenance: private collection, Engl...

'Bringing them Home' English School, 19th century signed by the artist, 'F. Thomas' oil on canvas, framed framed: 25 x 35 inches canvas : 20 x 30 inches Provenance: private collectio...

Loading the Hay Cart English School (19th century) inscribed verso, oil on canvas, framed framed: 11 x 15 inches canvas : 7 x 11 inches Provenance: private collection, England Condit...

Ernest Peel Law (British, Late 19th Century) Circa 1890 Fisherman at Sunset Oil on canvas, signed lower right Ernest Peel Law’s Fisherman at Sunset is a masterful evocation of eveni...

Abundant Still Life of Flowers in a Classical Setting French School, early/ mid 19th century, unsigned Follower of Jean-Baptiste Monnoyer (Franco-Flemish, 1636-1699) oil on canvas, f...

The Cavalry Skirmish Flemish School, 17th century circle of Pieter Wouvermans oil on canvas, framed framed: 12 x 14 inches canvas: 9.5 x 11.5 inches Provenance: private collection C...

Vintage Horse Portrait painting on wood of a hunter in landscape, signed in the lower right A Malive. This is a smaller sized attractive original horse painting, cleverly executed b...

The Scottish Highlands British School, first half 19th century Circle of Copley Fielding (1787-1855) oil on canvas framed framed: 15.5 x 17.5 inches canvas : 10 x 12 inches Provenan...

Figures in Classical Landscape Dutch School, 17th century unsigned, as is typical of the period oil on canvas, framed inscribed verso to label framed: 23 x 27 inches canvas : 20 x 24...

This stunning, large portrait oil painting is attributed to Spanish Old Master Claudio Coello who is considered the last great Spanish painter of the 17th century. It has formerly been the property of Lady Beatrice...

Vintage Horse Portrait painting on wood of a hunter in a stable, signed in the lower right A Malive. This is a smaller sized attractive original horse painting, cleverly executed by...

Stunning old master oil on canvas of a French landscape with an aquaduct in the foreground and a medieval village in the distance. Possibly ‎⁨Les Causses du Minervois⁩. Oval canvas,...

Still Life of Game with Spaniels and Falcons in Landscape Setting Carstian Luyckx (Flemish, 1623 – c.1675) Oil on canvas Circa 1670 Unsigned 43 ½ x 59 1/8 in.; Frame 52 7/8 x 68 7/...

Portrait of the Lady with a Fan English School, second half 20th century after Diego Velazquez's (1599-1660) original painting oil painting on canvas, unframed canvas : 36 x 28 inche...

Giacomo Guardi (Venice, 1764 – Venice, 1835) follower View of Venice with the Basilica della Salute and the Punta della Dogana oil on canvas Dimensions: 40 x 52 cm. framed 48...

Italian School, Late 17th Century (circa 1670–1700) Christ in the Garden of Gethsemane Oil on panel, in a carved and gilded Baroque frame The painting is unsigned A moving devotiona...

This beautiful Italian religious Old Master oil painting is attributed to circle of Massimo Stanzione. Painted circa 1640, the composition is the Madonna holding baby Jesus as he sta...

Giovanni Agostino Cassana (Venice after 1658 - Genoa 1720) Still life with a pair of gallinaceous birds Oil on canvas 81 x 63 cm - Framed 100 x 81 cm Provenance: Sotheby's Mi...

Still Life of Fruit by George Clare (1830-1900) *see notes below signed oil on canvas, framed framed: 12 x 14 inches canvas : 7 x 9 inches Provenance: private collection, UK Conditio...

Three Terrier Dogs in Landscape English artist, mid 19th century circle of George Armfield (English dog painter, 1808-1893) oil on canvas, framed framed: 17 x 21 inches canvas: 8 x 1...

Egron Lundgren (1815–1875) Monk in a Monastic Cell signed and dated Egron Lundgren Rom 1848 oil on relined canvas unframed 62 x 50 cm (24 ½ x 19 ¾ in.) framed 79 x 68 cm (31 x 26 ¾...

Woman in Cottage Interior French School, 19th century signed initials oil on wood panel, framed in period antique gilt frame framed: 15 x 12.5 inches panel: 9 x 6.75 inches Provenan...

Figures Animals in Classical Landscape circle of Jans Frans Van Bloemen (Orizzonte 1662 - 1749), unsigned oil on canvas, framed framed: 28.5 x 42.5 inches canvas: 19 x 34 inch...

The Highland River (most likely at Glen Etive or Glencoe) by F. E. Jamieson (British 1895-1950) signed (with pseudonym, Graham Williams) oil on canvas, framed framed: 26 x 36 inches ...

Pausing for Refreshments English School, circa 1870's oil on canvas, framed framed: 18 x 26.5 inches canvas : 13 x 21.5 inches Provenance: private collection, England Condition: very...

Christ Healing the Sick French School, 19th century oil on canvas, unframed canvas: 15 x 20.5 inches Provenance: private collection, Europe Condition: some craquelure throughout, mo...

"On the Eder" by William Herny Mander (British, 1850 - 1922) *see notes below signed and dated 91' titled verso oil on canvas, framed in ornate swept gilt frame framed: 26 x 36 inche...

Tranquil Pastures by Walter James Slater (British, 1845-1923) signed oil on canvas, framed framed: 41.5 x 33 inches canvas: 36 x 28 inches Provenance: private collection, UK Conditi...

FRANCISCO GOYA (1746 - 1828) MADRE INFELIZ (Unhappy Mother) circa 1811-13. (Delteil 169; Harris 170) Aquatint with etching, Plate 50 From Los Disastres de la Guerra. (Disasters of ...

Antique Oil Scottish Highland Loch Valley Cottages Path Mountains Dramatic Sky by F. E. Jamieson (British 1895-1950) signed (with pseudonym, William Lang...

William Thornley (British, 1857–1935) Fishing Boats off the Coast near Dover, Kent, circa 1890 Oil on canvas Signed lower left ⸻ A classic late 19th-century English coastal scene ...

This rare 1790 oil painting depicts a village landscape in the Old Masters genre tradition. The composition shows peasants gathered near a cottage su...

Portrait of a Gentleman reading the 'London Journal', English school (mid 19th century) oil painting on canvas, unframed canvas: 36 x 28 inches condition: some minor surface abrasion...

Sunset over the Highland Loch by F. E. Jamieson (British 1895-1950) signed (with pseudonym) oil on canvas, framed framed: 26 x 36 inches canvas: 20 x 30 inches provenance: private co...

This large and impressive 17th century Dutch Old Master portrait oil painting with good provenance is by Nicolaes Maes. Painted circa 1680 it is a three-quarter length standing portr...

The Two Puppies by Gabriel Metsu, Continental artist late 20th century signed oil on panel, framed framed: 11 x 13.5 inches panel : 7 x 9.5 inches Provenance: private collection, UK ...

by Jacopo Caraglio (after Rosso Fiorentino) Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...

English School, circa 1845, The Children of Isaac Hillier (1797-1884) *see notes below in a woodland setting with Newmarket Court and Bunting hill beyond oil painting on canvas, 8...

The Cornish Fisherman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on board, framed framed: 13 x 11 inches board: 10 x 8 inches Provenance: Private col...