Abstract Drawings and Watercolors

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-306 Hand-signed by author

Original drawing on paper. Hand signed and dated on front by Purvis Young. Paper size: 9.25 x 11.25 inches. Frame size: 12.25 x 15.25 inches. Artwork is in excellent condition. ...

Work on paper without frame

Interior design paintings. The artwork were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The work are 12 by 16.5 inches in size, framed (black...

A Striking, 1940s Modern Surrealist Abstract Drawing, "The Way of Scrutiny" by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Graphite on paper, dating from 194...

Work belonging to the latest exhibition of the Manolo Eirin contemporary art gallery in A Coruña, Spain. The work is a drawing made by the artist for the exhibition using the assemb...

The art work is already framed. They are simple silver frames The size of the unframed artwork: 45x45 cm, framed 47 x 47 cm Janusz Kokot was born in Kalisz in 1960. He studied at th...

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

Taro Yamamoto Untitled Abstract Expressionist watercolor, ca. 1957 Watercolor wash, drips & splatter on rice paper Pencil signed on the front 12 × 16 inches Unframed Mid century mod...

A Striking 1930s Modern Abstract Drawing of Railroad Switching Signals by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Graphite on paper, dating from 1939. A...

Wolf Kahn Bay with Boats, 1987 Color monotype on Somerset white wove paper Hand signed and dated by Wolf Kahn on the lower right front, bears labels on the back Frame Included: matte...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Mark di Suvero Study for Motu Viget, ca. 1977 Ink wash on notebook paper. Hand signed in black marker 14 × 11 1/4 inches Boldly signed in black marker on the lower front Unframed Uni...

Framed 19 x 26. Image 14 X 21 Bernard Segal was born in Cincinnati, Ohio and attended Cincinnati University and the Cincinnati Art Academy. He was known for figure, abstract painti...

Waterlilies V: Modern, Abstracted Pencil Drawing of Flowers (Waterlilies) graphite drawing on paper Paper size: 16 x 35 inches This grap...

Work : Original Drawing, Handmade Artwork, Unique Work. Medium : Drawing with Charcoal on Archival Fine Art paper 300Gsm. Artist : Fabien Granet Subject : Point de Chute (French Tit...

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 9.75 inches condition: excellent provenance: all the paintings we ...

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Beeswax, ink, metallic powder on vintage hand made paper.

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Friedel Dzubas Untitled, 1985 Acrylic on paper 24 1/2 x 30 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movement in the...

Roland Ayers (1932-2014). Untitled (Sad Shit), 1969. Ink on illustration board. Panel measures 15 × 13 inches. Unfinished composition on verso. Artist and art educator, Roland ...

Joanne Freeman Squares and Strokes (Ultra_22), 2025 gouache on handmade paper 28 x 20 in. image: 22 x 14 in. (freem245) My paintings and drawings incorporate elements found in archi...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Roland Ayers (1932-2014). Pyramid Mysteries, 1970. Ink on illustration board, 13.5 × 9.75 inches. Signed and dated. Titled on verso. Artist and art educator, Roland Ayers was ...

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-308 Hand-signed by author

Acrylic on Cartridge paper Fabia Kleinpeter, a German self-taught multidisciplinary artist born in 2000 who lives and works in Tbilisi, Georgia. She began her artistic journey in 20...

Frank Duffield (British, 1908-1982) original watercolour painting on board, unframed size: 13.5 x 16.25 inches condition: overall very good, minor wear to the edges as is normal for...

Abstract watercolor by Rolph Scarlett, signed lower left. A great example by Scarlett. Measures: 19" H x 21" W image size. New modernist custom-made frame. Size: 24 1/4" H x 26 3/4" ...

"MARK AND ADAMS RAMP" is an original collage on canvas artwork by Jim Houser measuring 6" x 6". Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currentl...

Abstract Composition (c.2022) by Robert Somerton, British, born 1972. ink/ watercolor on art paper, unframed size: 12.5 x 9.5 inches condition: excellent

A great, and early, non-objective ab-ex study by Erle Loran, most likely created in the 1940s, Erle Loran, (1905-1999), was an American painter and educator who painted for the enti...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This framed 27" x 14" watercolor on paper by artist Lisa Miceli depicts the abstracted movement of birds, figures, and aquatic imagery that the artist uses...

Janet Jennings is known for her luminous oil & watercolor paintings. After working for Lawrence Rubin at Knoedler Contemporary Art, Jennings maintained a studio at Waverly Studios in New York City. She began as a Color Field painter, working on canvas and linen. Janet moved to Amagansett, NY in 1981 and switched her focus to landscape painting. Her career path led her to teach at The Parrish Art Museum, Guild Hall & The Victor D’amico Institute of Art. From 1993 to 1998, she was the Chair of the Andy Warhol Visual Arts Preserve Program. Jennings maintains ties to the art community as an educator and curator. She is a member of the East Hampton Arts Council, an advocacy group for performing and visual artists of East Hampton. Ms. Jennings maintains a painting studio in East Hampton and currently teaches oil and watercolor classes. In 1997, she was a founding member of CMEE, The Children’s Museum of the East End. Working with Lee Skolnick and JoAnn Secor, she was an exhibit designer and fabricator for “Time and Place, Light and Space”, the initial installation at Guild Hall, which launched CMEE. She was a lead designer for the permanent exhibition installation of CMEE, located in Bridgehampton, NY. Jennings received her BFA from the University of Dayton and attended The Dayton Art Institute, Antioch College and The Art Students League. Her paintings are in numerous corporate and private collections worldwide. She has exhibited at numerous galleries on Long Island and New York City including The New York Design Center, Hampton Road Gallery, Pamela Williams Gallery, Folioeast, Lizan-Tops Gallery, Chase Edwards Gallery...

Abstracted Nude Figurative in Pastel on Paper Vivid abstracted figurative by Black Arts Bay Area artist, Kelvin Curry (American, 20th Century), circa 2000. A woman's profile of her face and her breasts and leg is shown in bold and playful colors of fluorescent purple, orange, pink and yellow. Black outlines of organic and tribal shapes creates even more contrast, making this piece read well from a distance. The tall and thin size of this piece makes this ideal for those difficult and odd sized walls Unsigned Presented "floating" on foam core with black mat surround. Mat size: 38"H x 16"W Paper size: 29"H x 10.75"W Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...

Shape Shifters Charcoal on Fabriano paper 37 × 36 inches 94 × 92 cm Patsy McArthur’s Shape Shifters is a powerful and dynamic charcoal drawing that captures the human figure at the...

Surrealist proto-Afropunk drawing by African-American artist, Roland Ayers (1932-2014). Amsterdam, 1967. Ink on paper, 9.5 × 12.5 inches; 16 × 19 inches framed. Signed and dated,...

California Sunset - Blue, Red & Yellow Modern Abstract Landscape Seascape Painting art on thick washi paper mounted behind glass in a silver leaf frame Art measures 30 x 23 inches ...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

Anne-Charlotte Saliba's artistic universe is largely inspired by nature, its abyssal dimension as well as its vegetal or mineral forms. Her sculpted artworks are a confrontation of s...

Black Neoexpressionist Painting. This is an original artwork realized by TUSET in 2018. We can frame it in natural wood or black on request. The dimensions of the painting are 65 x ...

Crossways is a watercolor painting by the Italian artist Lucio Pozzi. The paper is signed and titled by the artist himself, and the work is currently housed at Hal Bromm Gallery.

Roland Ayers (1932-2014). Aery Kingdom, WIngs of Cloud, 1971 Ink on illustration board, panel measuring 19.5 × 25.5 inches. Artist label on verso. Signed and dated. Artist and a...

A drawing by Richard Diebenkorn. This Untitled work from the Urbana Series is an ink of paper, abstract drawing by Post War, Bay Area Figurat...

the painting is being offered with a work and authenticity certificate

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 9.75 inches condition: excellent provenance: all the paintings we ...

This contemporary geometric abstract drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Poptic 09 is a predominately yellow, orange ...

"Ripple" (2021) by SarahGrace Oil and water-based ink relief print Ink on Paper Block Print, Hot Pink, Orange, Peach Color Gradient, Linework, Pattern W...

Roland Ayers (1932-2014). Untitled (Landscape 2), 1968 Ink on paper. 30 × 28 inches. Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and...

Hunt Slonem For Kevin: signed Toucan Drawing in hardback monograph: An Art Rich and Strange Signed drawing done in ink on the title page of artist's book Ink drawing of a Toucan held...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

Ellsworth Kelly Drawing of Cyclamen III, and collage for Conques (Untitled), exhibited at the Johnson Museum of Art, Cornell University, 1987 Graphite drawing, and mixed media collag...

Joanne Freeman Squares and Strokes (Yellow_22), 2025 gouache on handmade paper 28 x 20 in. image: 22 x 14 in. (freem246) My paintings and drawings incorporate elements found in arch...

Stylish decoupage work by Paul Garland featuring abstract geometric angles in chrome frame Art Sz: 17 1/4"H x 18"W Frame Sz: 18"H x 18"W For over 50 years, Paul Garland (b. 1943) ...

Dorothea Tanning (American, 1910–2012) Initially associated with the Surrealist movement, Dorothea Tanning developed a personal visual language that blurred the boundaries between r...

This painting, executed in bright and rich tones, depicts a moment of quiet contemplation and connection with nature. The central figure is a girl with a long braid, sitti...

André Masson ( 1896-1987) No signed Pencil study with annotations on the right side, acquired by the previous owner from Luis Masson son of Andrè Masson