Vertical Abstract Drawings and Watercolors

Adjacent 6 (Abstract drawing) Pencil and paint stick on paper. This piece is one of a group of works on paper made with paint sticks and pencil on paper that has been primed with g...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

Jean Dubuffet (1901-1985) took inspiration from the margins of society throughout his career. He coined the term "art brut," and pursued artistic authenticity outside of established ...

A one of a kind 12x24 Bleach Toned Traditional Watercolor Cyanotype on Hahnemuhle Sumi-E Paper. A certificate of authenticity will be provided upon its purchase or delivery. Neil’s ...

Untitled 2003 (Abstract Painting) Pastel, acrylic and pencil on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and ...

Untitled Abstraction Graphite on paper, c. 1950 Unsigned Signed with the estate stamp verso (see photo) Provenance: Estate of the artist Inherited by his neighb...

Oil on archival paper Juliane Hundertmark is a German artist born in 1971 who lives and works in Berlin, Germany. She is considered one of Berlin's most original and inventive emerg...

Oil on archival paper Juliane Hundertmark is a German artist born in 1971 who lives and works in Berlin, Germany. She is considered one of Berlin's most original and inventive emerg...

Oil on archival paper Juliane Hundertmark is a German artist born in 1971 who lives and works in Berlin, Germany. She is considered one of Berlin's most original and inventive emerg...

This is titled "Karrierist" the German word for careerist and depicts a surreal face on a figure with a Salvador Dali esque quality about it. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...

Modern Fausto Pirandello Signed Abstract Watercolor Important work by one of the greatest artists of the Italian artistic avant-garde Fausto Pirandello It depicts one of his iconic ...

A nonrepresentational painting depicting joyful colors. Comes with a white mat ready to frame in a standard frame. :: Painting :: Abstract :: This piece comes with an official certi...

Blue sky over the loch by Natalie Bird [2022] original Pastel Image size: H:36 cm x W:28 cm Complete Size of Unframed Work: H:25 cm x W:20 cm x D:0.5cm Sold Unframed Please note tha...

In the 1970s, the beginning of a new phase in Francis’ career was defined by the emergence of the ‘color blotches’. These spots of gritty, shimmering color were made through glazes, ...

Modern orange, brown, yellow, and black geometric abstract composition by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 35.5 in. x W 33.5 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

Marker, gouache, ink, metallic paint, colored pencil, and collage on archival colored paperr Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured in many solo shows, over 200 group shows, and over 200 Living Installations in New York. His art has been discussed in over 200 publications, books and media sources, including the New York Times, The Huffington Post, Bomb Magazine, Art 21,NBC's Today Show, Marie Claire Italia, Frank 151, Art+Auction, the New York Post, Fox Channel 5, the Village Voice's “Best in Show", The Creator's Project, Art Forum...

Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) No. 37365 ...

Artist: Stephen Greene, American (1917 - 1999) Title: Untitled Year: 1986 Medium: Acrylic and Mixed Media on Paper, signed and dated l.r. Size: 40 x 30 inches

Acrylic paint on paper if framed 40 x 30 x 2 cm

Magdalena Abakanowicz (1930-2017) was an acclaimed Polish artist, best known for her powerful sculptures and large-scale installations, often crafted from fiber-based materials such ...

Watercolor - printer ink on photographic paper :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: S...

Tang-Wei Hsu (1980 born in Changhua, Taiwan) obtained a BA in Architecture at the Shih Chien University and finished an MFA in Visual Arts at the Tainan National University of the Ar...

Verse L (Abstract painting) Oil on paper — Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical trad...

Ayse Wilson is a Turkish-American artist who lives and lives and works in Connecticut. Her work draws from memory and emotion to remind viewers of youth, innocence and the timeless s...

Charcoal, 1930 Handsigned by the artist in pencil LCD4084

Artist: Robert Kautz, Austrian Title: untitled - 3 Year: 2008 Medium: Acrylic and Mixed Media on Paper, signed verso Size: 23.5 in. x 19.5 in. (59.69 cm x...

Untitled Pastel on paper, 1922 Signed with the artist's initials in pencil Provenance: Estate of the artist Francis M. Nauman (label) Private collection, NY A very early abstract/cubist work by Kelly. Created while the artist was studying with Arthur Carles in Philadelphia. Leon Kelly (October 21, 1901 – June 28, 1982) was an American artist born in Philadelphia, PA. He is most well known for his contributions to American Surrealism, but his work also encompassed styles such as Cubism, Social Realism, and Abstraction. Reclusive by nature, a character trait that became more exaggerated in the 1940s and later, Kelly's work reflects his determination not to be limited by the trends of his time. His large output of paintings is complemented by a prolific number of drawings that span his career of 50 years. Some of the collections where his work is represented are: The Metropolitan Museum in New York, The Whitney Museum of American Art, the Museum of Modern Art, the Philadelphia Museum of Art, and Boston Public Library. Biography Kelly was born in 1901 at home at 1533 Newkirk Street, Philadelphia, PA. He was the only child of Elizabeth (née Stevenson) and Pantaleon L. Kelly. The family resided in Philadelphia where Pantaleon and two of his cousins owned Kelly Brothers, a successful tailoring business. The prosperity of the firm enabled his father to purchase a 144-acre farm in Bucks County PA in 1902, which he named "Rural Retreat" It was here that Pantaleon took Leon to spend every weekend away from the pressures of business and from the disappointments in his failing marriage. Idyllic and peaceful memories of the farm stayed with Leon and embued his work with a love of nature that emerged later in the Lunar Series, in Return and Departure, and in the insect imagery of his Surrealist work. "If anything," he once said,"I am a Pantheist and see a spirit in everything, the grass, the rocks, everything." At thirteen, Leon left school and began private painting lessons with Albert Jean Adolphe, a teacher at the School of Industrial Art (now the University of the Arts) in Philadelphia. He learned technique by copying the works of the old masters and visiting the Philadelphia Zoo, where he would draw animals. Drawings done in 1916 and 1917 of elephants, snakes and antelope, as well as copies of old master paintings by Holbein and Michelangelo, heralded an impressive emerging talent. In 1917, he studied sculpture with Alexander Portnoff but his studies came to an abrupt halt with the start of World War I. Being too young to enlist, he joined the Quartermaster Corp at the Army Depot in Philadelphia, where he served for more than a year loading ships with supplies and, along with other artists, working on drawings for camouflage. By 1920, the family's fortunes drastically changed. His father's business had failed due to the introduction of ready made clothing and his marriage, unhappy from the beginning, dissolved. Broken by circumstance Pantaleon left Philadelphia to begin a wandering existence looking for work leaving Leon to support his mother and grandmother. He found a job in 1920 at the Freihofer Baking Company where he worked nights for the next four years. Under these circumstances Leon continued to develop his skills in drawing and painting and learned of the revolutionary developments in art that were taking place in Paris. During the day he was granted permission to study anatomy at the Philadelphia School of Osteopathy where he dissected a cadaver and perfected his knowledge of the human figure. He also met and studied etching with Earl Horter, a well known illustrator, who had amassed a significant collection of modern art which included work by Brancusi, Matisse, and Cubist works by Picasso and Braque. Among the artists around Horter was Arthur Carles, a charismatic and controversial painter who taught at the Pennsylvania Academy of Fine Arts. Leon enrolled in the Academy in 1922, becoming what Carles described as, "his best student". In the next three years Leon work ranged from academic studies of plaster casts, to pointillism, to landscapes of Fairmount Park in Philadelphia, as well as a series of pastels showing influences from Matisse to Picasso. Clearly influenced by Earl Horter's collection and Arthur Carles he mastered analytical cubism in works such as The Three Pears, 1923 and 1925 experimented with Purism in Moon Behind the Italian House. In 1925 Kelly was awarded a Cresson Scholarship and on June 14 he left for Europe. Paris The first trip to Europe lasted for approximately three and a half months and introduced Kelly to a culture and place where he felt he belonged. Though he returned to the Academy in the Fall, he left for Europe again a few months later to begin a four-year stay in Paris. He moved into an apartment at 19 rue Daguerre in Paris and began an existence intellectually rich but in creature comforts, very poor. "I kept a cinderblock over the drain in the kitchen sink to keep the rats out of the apartment" he once explained. He frequented the cafes making acquaintances with Henry Miller, James Joyce and the critic Félix Fénéon as well as others. His days were split between copying old master paintings in the Louvre and pursuing modernist ideas that were swirling through the work of all the artists around him. The Lake, 1926 and Interior of the Studio, 1927, now in the Newark Museum. Patrons during this time were the police official Leon Zamaran, a collector of Courbets, Lautrecs and others, who began collecting Kelly's work. Another was Alfred Barnes of the Barnes Collection in Philadelphia. In 1929 Kelly married a young French woman, Henriette D'Erfurth. She appears frequently in paintings and drawings done between 1928 and the early 1930s. Philadelphia The stock market crash of 1929 made it impossible to continue living in Paris and Kelly and Henriette returned to Philadelphia in 1930. He rented a studio on Thompson Street and began working and participating in shows in the city's galleries. Work from 1930 to 1940 showed continuing influences and experimentation with the themes and techniques acquired in Paris as well as a brief foray into Social Realism. The Little Gallery of Contemporary Art purchased the Absinthe Drinker...

Artist: Ben Hancocks Title: 28th March Year: 1982 Medium: Oil Pastel on Paper, signed and dated Paper Size: 34 x 15 inches [86.36 x 38.1 cm] Image Size: 27.5 x 6 in. [69.85 x 15.24 cm]

The Pinks and the Blues Watercolor, pen and ink on paper, 1954 Signed and dated in ink lower left, titled in pencil verso. Provenance: Gift of the Artist Privat...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Oil on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. Her ...

Translated title: "Tree" Pencil on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, with no erasure and with a continuou...

The Architect 3 (Abstract painting) Oil on paper — Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mysti...

This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...

Untitled Watercolor on paper, c. 1971 Unsigned From the collection of Ileana Sonnabend (1914-2007) Laddie John Dill, a Los Angeles artist, had his first solo exhibition in New York C...

Translated title: "Figure" Watercolor and marker on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, with no erasure. Th...

Artist: Karl Fred Dahmen Title: Tagebuch August Year: 1980 Medium: Drawing with Mixed Media on Paper, signed Size: 31 x 24.5 in. (78.74 x 62.23 cm)

Translated title: "Souls". Watercolor on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

Miniature Abstract Totem. Signed with initials. Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John v...

The piece is unsigned. It is mounted in an archival white mat, with an overall mat size of 30 x 24 inches. Fritz Bultman (1919-1985) was an American Abstract Expressionist painter,...

Sandy Litchfield brings her magical abstracted landscapes to a new medium in her recent colored pencil drawings. Loose, delicate lines scramble over one another, bringing a diffuse, ...

Translated title: "Composition". Watercolor and acrylic paint on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single dra...

Sarah Brenneman’s intimate abstractions are layers of referents of play. Beginning with a central form, her compositions topple out sequentially, each shape building on the impression of the last. Brenneman sources her forms from objects in her periphery, often in her home, rendering her paintings almost autobiographical, and forging a sense of familiarity. Brenneman received her BFA from Columbus College of Art and Design in Columbus, OH, and her MFA from Virginia Commonwealth University in Richmond, VA. Her work has been exhibited throughout the Tristate area, as well as internationally in Busan, South Korea, Reims, France, and St. Petersburg, Russia. Brenneman’s work is included in the permanent collections at the Aspen Contemporary Art Collection, the Cleveland Clinic, the Sprint Collection, and The Progressive Corporation. The artist is based in West Orange...

Watercolor 7 is a 13.5" x 10.5" , watercolor on paper. It is filled with earthy colors and organic shapes. Melinda Hackett is a mid-career New York Artist. She received her BA at ...

Beautifully executed watercolor painting by Joanna Ballard that depicts a nude angel standing over a resting figure. The composition includes many diverse hues that range in opacity....

Artist: Chris Anderson Title: Small Clocks #68 Year: 2006 Medium: Acrylic and Pastel on Paper, Signed and titled in pencil Image Size: 24 x 25 inches Siz...

Gouache on paper, signed on the leg of the clown. Armand Avril, né à Lyon en 1926, est un peintre vivant à Cotignac dans le Var. Il est surtout connu pour les assemblages qu'il a réalisés à partir de 1968. D'origine modeste, cependant très tôt intéressé par l'art et les musées où le poussait son père, il s'essaie d'abord à la peinture. Cependant, Avril ne commence à trouver son véritable style qu'à l'âge de quarante-deux ans. Enfant, il est un habitué des musées de Lyon qu’il fréquente sur les conseils de son père. Adulte, sa passion pour la collection l’incite à se nourrir des arts premiers et d’artistes comme Gaston Chaissac...

Translated title: "Study for a sculpture". Watercolor on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

Shape 33 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Deep purple...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Hand drawn op art painting by contemporary artist Austin Magruder. The work features abstract, geometric tessellations that create a mesmerizing pattern. Signed and dated in the front lower right corner. Currently hung in a white floating frame. Dimensions Without Frame: H 24 in. x W 17.88 in. Artist Biography: After discovering his ability and passion for geometric art, Austin constantly challenges himself to expand the boundaries of geometric pattern. His use of vibrant colors intertwined with never ending paths results in a 3 dimensional surprise to the naked eye. Austin had some schooling at Glassell School of Art, but is self taught in the realm of geometric art. He has always been creative and interested in arts as a means of escape. Over the past several years Austin started dedicating more of his time to his passion for creating art. Austin started coloring geometric patterns, primarily mandala drawings during Dialysis treatments in 2016. Eventually becoming inspired to learn to draw with a compass and ruler. One thing lead to another and now he has discovered over 120 tessellatons. During late 2018 to Spring 2020, Austin was a tenant at Sawyer Yards and attended several classes Glassell School of Art from 2019 to early 2020. Since this time, he worked for a commercial screen...

Interior design paintings. The artwork were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The work are 12 by 16.5 inches in size, framed (black...

Black and yellow abstract charcoal drawing by Houston artist Paul Forsythe. The piece features an abstract, organic shape floating against a white background. Currently hung in a lig...

Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his artistic heritage to publicity. “I am 58, and in five Years my c...

Woods (Abstract Expressionism painting) Acrylic and mixed media on paper - Unframed. Werfel employs expressive, lyrical gestures that create ...

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a white painted wood shadowbox frame. Orga...