Vertical Abstract Drawings and Watercolors

Gouache par Albert Chubac. Tampon de la vente de l'atelier Chubac. Encadré. Dimensions avec le cadre: 96 x76 cm. Last painter of the school of Nice. This is an important painter, the...

Interior design paintings. Abstraction art, made in orange, yellow, turquoise and black. Can be positioned in horizontal or vertical mode, can be a part of diptych. Lena Chernyavsk...

An original compact mid century watercolor in its original frame presentation. The work is signed "Schwab" with an illegible first initial.

Landscape BW charcoal on paper (Canson Paper 300gr) 30x40 cm the Drawing is mounted on a rigid support with passepartout dimensions 40x50 cm Ready to Hang Certificate of Authenticity...

This is a print of an original contour drawing. It is nicely matted and signed by the artist on the back. It is limited edition 1/1. Shipping options are available.

Interior design paintings. The artwork were done with oil, gold leafing pen 18 kt and ink in gold and turquoise color on watercolor paper 300g. The work are 20 by 15 inches in size, ...

Diana Kurz Light White Pastel on Paper 14 x 11 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England and t...

Modern colorful abstract gouache painting by Texas based artist Dee Wolff. The work features Hebrew text from Hekhalot literature surrounded by yellow burs...

Interior design paintings. The artwork were done with acrylic, ink and acrylic in black and gold color on watercolor paper 300g. The work are 11 by 15 inches in size, framed (gold or...

Dovetail 5 (Abstract drawing) Charcoal on paper - Unframed. Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, charcoal a...

Contemporary abstract geometric colorful patterned work on paper by Texas-based artist Max Manning. The work features organic and geometric shapes in pinks, blues, greens, black, an...

JEKATERINA GRYAZEVA Born in Latvia, Riga 1968 Education 1979 - 1986 J.Rozentals Secondary Art School (Riga). 1987 - 1993 Academy of Art (Riga, Latvia), department of Graphics,...

Swipe 3 (Abstract painting) Sumi ink and paint on paper. Unframed. For Russinof, everything begins with color. She begins a painting by applying color in lyrical, gestural marks. T...

Michel Scarpa' collage formed by cardboard blocks covered by comics stripes. It comes framed. Beautiful signed work of this artist that experienced a lot this tecnique.

Interior design paintings. The work was done with acrylic in light rose, sand color on Yupo paper. The work is 20 by 26 inches in size, framed in fine-quality solid wood with a styre...

Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or pa...

Michael Schoenholtz Late Fall (Spaetherbst) Ink on Paper Year: 2017 Monogrammed by hand Edition: Unique Size: 8.3×5.9 on 9.1×6.5 inches Monogramed and dated by hand Signed, dated and titled by hand verso COA provided Ref.: 924802-1584 Michael Schoenholtz (April 8, 1937 in Duisburg – September 30, 2019 in Berlin) was a German sculptor. Michael Schoenholtz was born in Duisburg in April 1937. After graduating from high school, he studied German and art history at the University of Cologne from 1956, and from 1957 at the Hochschule der Künste in Berlin, where he was a master student of Ludwig Gabriel Schrieber in 1962/63. From 1971 Schoenholtz taught himself as a professor at the Hochschule (since 2001: University) of the Arts, where he succeeded Schrieber in 1975. Schoenholtz has been a member of the Academy of Arts in Berlin since 1996, from 1997 to 2003 as director of the fine arts section. In 2005 he retired. Schoenholtz was a member of the German Association of Artists, of which he was elected President for two years in 1998. He lived and worked in Berlin and was married to the painter Barbara Keidel...

Traces Mineral Oxide on Paper ( Fabriano Paper) 70x100 cm 2023 Original Art Authenticity certificate frame options one of a kind, non-reproducible Marilina Marchica orients her ...

Encaustic on Okawara paper - Unframed The title, Guna (2016), is a Sanskrit word meaning ‘string, thread or strand’ and was inspired by Adams yoga practice. “It’s a key concept in ...

Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

"Cerulean Portal" is an original abstract graphic painting on paper. It has patterns, stripes and a dynamic color palette, featuring a cerulean blue. Cerulean Portal is part of Vivei...

Ink on paper - Philip Wittmann work is based on signs. Signs are for him an intermediary between abstraction and writing. He started painting 32 years ago, at the age of 26, as an ...

Dovetail small 6 (Abstract drawing) Charcoal on paper - Unframed. "Paper dimensions: 23.7 x 19.7 inch / 60.2 x 50 cm Image's dimensions: 22.5 x 18.3 inch / 57.2 x 46.5 cm Neill cre...

Her beautiful vagina. 2009, ink on paper, 26x17 cm Erotic ink drawing in black and white colors

Untitled Pastel on paper, 1922 Initialed lower right (see photo) Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. Condition: excellent Image size: 11 8 7/8 inches Frame size: 18 1/4 x 16 1/4 inches Provenance: Estate of the artist The Orange Chicken...

In apparent disagreement with the state of grace of human anatomy, Nicola Cucchiaro goes to the very origins of artistic endeavor. His production consists of combining and displacing...

The power of an image cannot be received at a glance. To understand it fully, we should interpret it, letting ourselves be lulled by its balance. The architecture of his drawing be...

Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

This soothing modern colour pencil drawing presents the tactile forms of paint that seem to lift off the paper in a way that creates a mindful sense of the now having a calming and e...

Watercolor, ink & colored pencil on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featur...

SEYMOUR LIPTON Seymour Lipton Untitled sculptural study, 1981 Charcoal on paper hand signed and dated in charcoal pencil on the front Framed Original drawing done in charcoal by reno...

Ink #4 (Abstract painting) Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths ...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

Soft red 1 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natur...

From the series “Zi huaâ€

"The Noise Died Away" is an oil on canvas by Deirdre Schanen. This abstract piece contains fields of colors in subdued hues with horizontal red lines. A purple wall runs into a dark ...

Ink, graphite and colored pencil on graph paper The final composition measured 28 x 28 inches Annotated #615 in the lower right corner of the sheet Provenance: Francine Seders Galler...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Cont...

Charcoal, chalk, conte crayon on paper :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Ye...

Agostino Ferrari was born in Milan on 9 November 1938. He commenced his career as as professional artist in 1959. In 1961 he held his first one-man show at the Galleria Pater, in Mil...

This charming study by artist Axel Getz translates a dynamic, flowing energy into a captivating linear abstraction. Flowing, horizontal waves of sparkling color animate the piece, vi...

Organic Geometry (Spectrum II) (Abstract Painting) Mixed media on paper - Unframed Artwork exclusive to IdeelArt. In this series, Michael Barringer wants to make deeply felt, poe...

K20124 (Abstract work on paper) Print, ink, collage on paper - unframed Harald Kröner works thoroughly with paper, of which he is a notorious collector. Harald Kröner's work is ver...

Hand drawn op art painting by contemporary artist Austin Magruder. The work features abstract, geometric tessellations that create a mesmerizing pattern. Signed and dated in the front lower right corner. Currently hung in a white floating frame. Dimensions Without Frame: H 24 in. x W 17.88 in. Artist Biography: After discovering his ability and passion for geometric art, Austin constantly challenges himself to expand the boundaries of geometric pattern. His use of vibrant colors intertwined with never ending paths results in a 3 dimensional surprise to the naked eye. Austin had some schooling at Glassell School of Art, but is self taught in the realm of geometric art. He has always been creative and interested in arts as a means of escape. Over the past several years Austin started dedicating more of his time to his passion for creating art. Austin started coloring geometric patterns, primarily mandala drawings during Dialysis treatments in 2016. Eventually becoming inspired to learn to draw with a compass and ruler. One thing lead to another and now he has discovered over 120 tessellatons. During late 2018 to Spring 2020, Austin was a tenant at Sawyer Yards and attended several classes Glassell School of Art from 2019 to early 2020. Since this time, he worked for a commercial screen...

K2119 (Abstract work on paper) Gouache, print, collage on paper - unframed Harald Kröner works thoroughly with paper, of which he is a notorious collector. Harald Kröner's work is ...

Untitled, watercolor, oil pastel, colored pencil, graphite on paper, 100x70 cm, 2022 :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed b...

Chthonic is derived from Ancient Greek and concerns the underworld and this painting by Wayne Summers shows a contemporary depiction of something decidedly other worldly. This is a p...

Surreal Abstract Mid 20th Century American Modern Woman Artist Work on Paper Juanita Guccione (1904 - 1999) Surreal Abstract 18 x 11 3/4 inches Watercolor and mixed media on paper Signed lower left Framed: 23 x 17 inches Note. We are currently have listed a 1935 oil by Guccione, and in addition to this abstract drawing, we have several other works on paper, along with a major surrealist oil, none of which are currently listed. Inquiries are invited. BIO The following is from Djelloul (Del) Marbrook, son of the artist. Of signatures on paintings by his mother, Juanita first signed as Anita Rice, then as Juanita Rice, Juanita Rice Marbrook, Juanita Marbrook, and finally Juanita Guccione after marrying in the 1940s. Juanita Guccione's life (June 20, 1904-December 18, 1999) spanned all but four years of the 20th Century. Cubist*, realist, surrealist*, automatist* and abstract strains are all to be found in her work, but by 1970 she was painting works in watercolor and acrylic that no longer included the human figure or the observed world. She was the younger sister of the abstract geometric* artist Irene Rice Pereira. The sisters were born in Chelsea, MA, but spent most of their working lives in Manhattan. In the early 1930s, Guccione, then painting as Nita Rice, lived for four years among the Ouled Nail...

Abstract watercolor painting of outer space. Gustave Alhadeff did a series of these space works for a poster design for the Houston Museum of Natural Science. The work is signed by the artist in the bottom corner. The painting is not currently framed. Artist Biography: Born in the Belgian Congo in 1940, Gustave Alhadeff won his first award at the annual art show in Elisabethville, at age 13. His formal art education began with Mr. Marcel Pire (Prix de Rome). He continued his studies at the Michaelis School of Fine Art, with Mr. Van Nesche in Cape Town, South Africa from 1956 to 1957. He was awarded a scholarship from the Art Academy to continue his studies with Mr.Creytens at the "Institute National Superieur des Beaux Arts" in Anvers, Belgium. The following year he entered the class of Mr. Leon Devos...

marker, India ink, colored pencil, pen, rubber stamps on paper :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

Gouache on paper, signed by different Chubac friends artists, lower right. The artists are: Max Charvolen, Serge Maccaferri et Martin Miguel that constituted the Groupe 70 a Nice. A ...

Fusain on paper, signed lower right

The series of drawings is called Starfall. I was inspired by space, the starry sky, clouds and natural phenomena. I also like to play with linear rhythms and spots of color. Paintin...

The series of drawings is called Starfall. I was inspired by space, the starry sky, clouds and natural phenomena. I also like to play with linear rhythms and spots of color. Paintin...

The series of drawings is called Starfall. I was inspired by space, the starry sky, clouds and natural phenomena. I also like to play with linear rhythms and spots of color. Paintin...

The series of drawings is called Starfall. I was inspired by space, the starry sky, clouds and natural phenomena. I also like to play with linear rhythms and spots of color. Painting...

"Kalahari Sun" is an earthy and mocha coffee toned original painting on paper by Kazaan Viveiros. It is an abstract geometric original work on paper with uplifting patterns and shape...

Mad green 9 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflective...

"Open Loop II" is a bright graphic abstract geometric original work on paper with patterns and shapes. The colors used are blue, gold and black. It is part of Kazaan Viveiros' series...