Medium Abstract Drawings and Watercolors

Gloria Vanderbilt Untitled mother and child painting Gouache on paper Signed by the artist on the front Frame included A poignant painting of a mother and child from the 1960s. Whi...

Title: Abstract Group Reading Scene French Modernist Gouache Painting by Guy Nicod Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.75 x 25.5 inches (height...

This colourful contemporary pastel on paper in grid form is by Milly Ristvedt. The classic grid pattern becomes more than a ‘container’ for colour in the hands of master colourist M...

Libby Bothway's detailed and captivating pen illustration, captures the essence of iconic Parisian architecture. The monochrome drawing vividly showcases three adjoining classical Pa...

Heidi Lowell is a multidisciplinary artist based in Austin, Texas, whose practice is deeply rooted in the earth itself. Harvesting site-specific soils and plant materials from across...

The project is based in the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the c...

Figurative abstract cubist style drawing inspired by the Infanta Margarita in an antique gold frame “Infanta IV” by Hudson Valley artist, David Dew Bruner, made in 2015 23 x 18 inch...

JACEK SOWICKI (1948-2022) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at th...

Interior design paintings. The diptych is made with alcoholic ink on Yupo paper. Each work is 11 by 14 inches in size, framed (gold) with a styrene face on a double mat board in dark...

Sam Gilliam Untitled Abstract Expressionist mixed media painting on paper, Ex-Museum of Modern Art Collection, 1968 Watercolor and Aluminum Paint on Fiberglass Paper. (Framed with Mu...

series "Personal Contacts", 61 x 48 cm The work is sold without a frame and mat

Work on paper without frame

A unique abstract expressionist pastel drawing by an unknown artist. Depicting a mans face as the focal point with what appears to be chu...

Abstract Geometric Composition Date: Second half of the 20th century Medium: Gouache on paper Dimensions: H 50 cm x W 65 cm approx. Description: Modular geometric structure with ove...

"Untitled 150901" is an original acrylic on canvas painting by Ryan Beck measuring 26"h x 32"w. Ryan Beck works in an abstract style that aims to link contemporary art sensibility w...

Substantial modernist watercolor by California artist Yukako Okudaira (American, b. 1943). Signed lower right. Metal frame. Image size, 18"H x 20"W. (We inlcuded a reference image of the artist in the image section, we don't have the actual photograph) Yukako Okudaira was born in Tokyo and raised in Kugenuma Kaigan. She immigrated to California in 1962. She holds a Master’s degree in painting from California State University in San Jose. In 1985 she studied at Skowhegan School of Painting and Sculpture under Elizabeth Murray, Richard Serra, John Chamberian, Mary Heilman...

Robert Freimark (1922 - 2010), Watercolor painting of a lemon tree branch Hand signed and dated 1963 upper right, Dimensions: 24.5 inches x 30.25 inches, image is 17 X 22.5 Robert...

Joanne Freeman Squares and Strokes (Cad Light_16) , 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem242) My paintings and drawings incorporate elements found in ...

Elaine Kaufman Feiner (1922-2018) "Night Glow I" 1988 Watercolor and pastel on paper 30"x30" unframed Signed and dated in pencil lower right, titled reverse

Donise English Busy Blue, 2020 14" X 17" gouache and collage on paper This abstract geometric composition on paper features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Joanne Freeman Squares and Strokes (Cadmium_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem240) My paintings and drawings incorporate elements found in arc...

Interior design paintings. The diptych were done with oil, gold leaf pen 18 kt in green and gold color on watercolor paper 300g. The works are 11 by 14 inches in size, framed (gold o...

Title: Cubist Nude Study Seated Woman Modernist Charcoal Drawing on Paper Guy Nicod (French 1923 - 2021) Charcoal on artist paper, unframed Size: 25.75 x 17.25 inches (height x widt...

Abstract modernist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi II” by Hudson Valley artist, David Dew Bruner, m...

Owl, Circa 1970 - Op Art-Inspired Geometric Composition Date: Approximately 1970 Medium: Gouache on cardboard with embossed stamp Dimensions: H 64 cm x W 49 cm approx. A stylized o...

Luciano Gaspari (Venice, 1913 - 2007) trained at the Venice Academy of Fine Arts, developing a personal pictorial language that over the years has ranged from realism to abstraction....

Title: Countryside Village with Church Steeple French Modern Landscape Painting Guy Nicod (French 1923 - 2021) Signed bottom right Gouache on artist paper, unframed Size: 17.5 x 24....

Fujiko’s work amalgamates a contrast of the contemporary with traditional scenes, juxtaposing Indian black ink on a variety of warm textured papers, whilst forming a modern emotive f...

Interior design paintings. The works were done with india ink in beige, black and white color on Yupo paper. The works are 11 by 14 inches in size, framed black or gold with a styren...

In this original watercolor painting on paper, Heidi Lowell captures the quiet grandeur of the California coast through bands of translucent color that ripple like memory across the ...

Title: Cubist French Abstract Composition With Geometric Shapes Circles And Colour Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 26.25 x 19.25 inches (heigh...

Gorgeous mid century fauvist watercolor landscape with lush, vivid trees and distant houses by Emily Shotwell Goeller-Wood (American, 1887-1965). Presented in a rustic giltwood frame...

In this original watercolor painting on paper, Heidi Lowell captures the quiet grandeur of the California coast through bands of translucent color that ripple like memory across the ...

Interior design paintings. The diptych is made with india ink in black, grey color on Yupo paper. Each work is 11 by 14 inches in size, framed (black) with sizes 16 by 20 in. Mila A...

Richard Anuszkiewicz Near and Far Acuity, 1957 Gouache and watercolor painting on board Hand signed and dated 1957 by Richard Anuszkiewicz on the right front Frame included Anuszkie...

Robert Morris Investigations (with Guggenheim Museum Labels), 1990 Graphite drawing on Mylar. Framed with the original Guggenheim Museum label (lent by Sonnabend), Castelli Gal...

Joanne Freeman Squares and Strokes (Viridian_22a), 2025 gouache on handmade paper 28 x 20 in. Image: 22 x 14 in. (freem244) My paintings and drawings incorporate elements found in a...

Title: Cubist Gouache French Village Landscape With Deer Church Trees And Hills Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.75 x 25.25 inches (height x...

"Abstraction #13", beautiful modernist abstract color field watercolor in pastel hues on paper by Alexander Kwiat (American, b. 1955). Signed lower right hand corner. Gallery label...

Title: Cubist French Abstract Composition With Geometric Shapes And Blue Sphere Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 18.75 x 26.25 inches (height x...

Perle Fine Untitled, circa 1945 Estate stamped and numbered "#632" on the reverse Gouache and pencil on Kraft paper 12 x 20 inches Provenance The artist Estate of the artist Thomas McCormick Gallery...

Andrea Belag Untitled, from the Lehman Brothers Art Collection, 2003 Watercolor monotype on paper Pencil signed and dated on the front Framed Gorgeous ...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Colorful abstract work by Bay Area artist Kelvin Curry (American, 20th Century). Signed "Kelvin Curry" lower left. Unframed. Image size, 15"H x 11.25"W. Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

You are viewing a modernist American watercolor painting by Robert Noel Blair. Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and te...

Landscape with music record or disc in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

"Untitled" 2019, 25" x 31" horizontal drawing on paper by Argentine-born artist Karina Gentinetta (featured in Architectural Digest, Elle Decor, the...

Title: Cubist Gouache French Village Landscape With Trees Houses And Church Tower Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.5 x 25.5 inches (height x...

Title: Modernist Figurative Study With Seated Figures French Charcoal Drawing Guy Nicod (French 1923 - 2021) Charcoal on artist paper, unframed Size: 25.5 x 19.75 inches (height x w...

Landscape BW Original Drawing Mineral Oxide on Fabriano Paper 50x70 cm 2024 hand-made drawing one of a kind not reproducible CERTIFICATE OF AUTHENTICITY Framing options available

'Lily in Charcoal no.3' 2023 From raw energy to sublime. 'Lily in Charcoal No.3' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash....

The 16 in x 23 in watercolor displays striking and colorful qualities that influenced abstract expressionism for decades to come. In 2016 the Dennos Museum in Traverse City, Michigan, in homage to the very first exhibition in the Zimmerman Sculpture Court, installed the first two paintings by the former Michigan State University painting professor, Clif McChesney (1929-2011) on the Court walls, and the glass artistry of Dale Chihuly, featuring works from the Dennos Collection. In 1991, an exhibition of Dale Chihuly glass...

Lower right "N.Brahma", inscribed verso "Nada Brahma" and titled "Refracted Sunset". A large watercolor seascape showing an abstracted view of jade and cobalt waves beneath a scarle...

MEMORY BOX is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30", and is a striking composition in tones of rose, emerald green, mauve, blue and violet. It's a courageous work of art, seemingly a map or record of change for the artist and her family. From Fleur Thesmar – "Memory Box is a painting of how we remember changes in our lives, sometimes in a fuzzy way. Daily rituals can blur important moments where a shift occured. We look at pictures or videos and over time tend to lose details." Having moved her family from France to America, artist Fleur Thesmar closely observed the changes in her world – from the seemingly obvious such as surrounding landscapes, the light of day and weather, the flowers, trees and shorelines – to the smaller less obvious shifts, such as how one behaves in a new world, in a new home, how one cherishes certain belongings and certain memories. Her artistic practice is borne out of that close observation and shift in perspective, and has led to a number of successful gallery shows in the U.S. and internationally. Fleur Thesmar has shown at Beacon Gallery in Boston MA, 440 Gallery, Brooklyn NY, Old West Museum, Cheyenne WY, Belmont Art Gallery, Belmont MA, and Salon Ile-de-France 2020, Bourg-La-Reine, France. Her work is on permanent display at the Tower Hill Botanic...

FREE SHIPPING TO WORLDWIDE! Artisan: Edalinda Perez Velazquez Picture painting with Chinese ink and acrylics over Amate Paper. - Dimensions: 28" x 20" x 2" in or 72 x 51 x 4 cm - ...

Ink on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediums so the colors will dissipate and interm...

Nancy Charak Title: Geologies Series 9045 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Roger Lersy, "Abstract Seascape with Boats," Circa 1958. A vibrant lithograph on paper by French artist Roger Lersy (1920–2004), this stunning Cubist-inspired composition features an...

Abstract drawing on paper of graphic bold lines in an antique wood frame with gold detail Graphite and pale blue colored pencil 28 x 21 inches framed This vertical, black, white and light blue graphite and acrylic drawing was inspired by the Russian Constructivist art movement. The work is drawn in an abstracted cubist style where the artist composes bold white overlapping arcs on a black background with cross hatching details of light blue acrylic. Through the continuous layering of the graphite pencil and acrylic the artist makes interesting thick, shard like shapes. The pale blue acrylic is concentrated at the center of the drawing and radiates outward, creating interesting depth and textural effects. The artist fit the original drawing to a mid century modern wood frame, measuring 28 x 21 inches. The frame exhibits some wear consistent with age, which is an intentional decision made by the artist. About the artist: A recent visit to David Dew Bruner’s train depot converted artist studio in Valatie, NY confirmed that the man does not sleep. Nor has he entirely put to rest the various series of graphite drawings on paper presented in a stunning array of mid-century and antique frames that were exhibited at the gallery last year. The still lives and figures inspired by artists like Velasquez, Morandi, and Lindner are morphing on a continuum of brilliance; the highly graphic influences of the Italian futurists like Giacomo Balla and Marcel du Champs, as well as the more obscure English Vortex movement have taken hold of Bruner’s intuitive approach to design as he channels it into his own drawings. The series of Infanta figures are emboldened with a new perspective and scaled up in size. A recent series of Arcs reference the gestural abstract shapes prevalent in the aesthetic of the Russian Constructivists. These works explore depth, movement, space and repetition that is more about design than reference. Bruner tastefully pairs drawings with a vintage frame from his collection, refashioning mirror frames from the 1960s or hand painting an antique Italian frame...