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Esteban VicenteUntitled
$19,500
£14,672.48
€16,951.19
CA$27,377.57
A$29,576.75
CHF 15,735.12
MX$355,888.79
NOK 199,239.86
SEK 182,210.28
DKK 126,633.84
About the Item
This Vicente has a color glow akin to a Mark Rothko. Vicente explored parallel ideas to Rothko and others of the abstract expressionist and color field era. The pastel gives this work a softened feel. The frame is elegant and understated. Beginning in the 1960’s Esteban Vicente refined his gestural style of Abstract Expressionism, employing vibrant color harmonies and contrasts. These carefully composed fields of color strike a perfect balance between simplicity, emotion, and precision. In works such as our Untitled pastel the atmosphere is defined by light and geometry, ambiguously situated shapes within fields of color and radiating light draw the viewer in. Vicente’s unerring sense of abstract compositions, based on his own unique style, is carefully balanced reflecting an innate elegance on a bold scale. In Untitled, Vicente’s slow, calm, and relaxed blending of chroma approaches the sensuous and captivating being of an ethereal landscape.
- Creator:Esteban Vicente (1903-2001, Spanish)
- Dimensions:Height: 39.75 in (100.97 cm)Width: 22.5 in (57.15 cm)
- Medium:
- Movement Style:
- Period:
- Condition:The frame is wood, silvered. As seen in one of the images the corners have sustained some rubbing and loss of gilding but it feels period and fine. the paper may have minor undulations along the edges, normal to heavy hand made papers.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU141329423012
Esteban Vicente
Esteban Vicente, Abstract Expressionist and Color Field painter, was an integral part of the inner circle of artists who comprised the electrifying Post War art scene in New York City. Sharing a studio with Willem de Kooning, Vicente could number his friendships with such trailblazing artists as Franz Kline, Jackson Pollock, Mark Rothko and Barnett Newman. A voting member of The Club, Vicente exhibited in 1950 at the Kootz Gallery in New York in their historic exhibition, Talent 1950 and the following year at the then radical avant-garde Ninth Street Art Exhibition as well as at such influential galleries as Leo Castelli, Andre Emmerich, Charles Egan Gallery, and Sidney Janis. Vicente’s works over the long expanse of his exhibition career followed several differing painting trends and cycles. As he continued to paint through his 80’s and 90’s, his imagery moved from strong dramatic gestural works to canvases that became looser, more fluid, and almost ethereal.
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