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Mark LemboBell Bottom Giraffe2021
2021
$695
£531.39
€608.26
CA$980.03
A$1,066.88
CHF 569.53
MX$12,879.65
NOK 7,161.07
SEK 6,655.75
DKK 4,542.83
About the Item
About the piece:
14Hx11W
Mixed Aqueous Solutions on Yupo Synthetic Paper
Words that describe this piece:outsider, intuitive, flowing, blue, green, giraffe, abstract
Artist Biography:
Mark A. Lembo Script M Abstract Art Mark’s dynamic work blurs the distinction between alcohol ink and watercolor - working with dyes, inks, liquid acrylic, liquid watercolor, and other aqueous media; lately, he has been incorporating metallic watercolor and pearlescent ink to his work. He has used canvas, synthetic Yupo™ paper, Yasutomo Mineral Paper, and various watercolor papers. Mark’s journey into the world of creative arts started with the question, “What would Jackson Pollock’s work look like if he had used transparent watercolors?” So, it was out with the pencils, pens, and brushes, and on to the pouring of various aqueous solutions. While mostly self-taught, Mark took a series of classes at the Creative Arts Group, Sierra Madre, CA, under Joe Stoddard, as well as seminars with Robert Burridge and Marciano Martinez. Along the way, Mark has been influenced by the work of two controlled pouring advocates: Bette Ridgeway and Ibrahim Bassmi. His work has both dynamic and passive qualities. While the colors may be aggressively administered, little attempt is made to control the flow or interactions – save the application of masking fluid. While the bulk of Mark’s work is abstract, he does some occasional representational works to ‘cleanse the palette.’
- Creator:Mark Lembo (1961, American)
- Creation Year:2021
- Dimensions:Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Boston, MA
- Reference Number:Seller: 756371stDibs: LU163429043782
Mark Lembo
Mark A. Lembo Script M Abstract Art Mark’s dynamic work blurs the distinction between alcohol ink and watercolor - working with dyes, inks, liquid acrylic, liquid watercolor, and other aqueous media; lately, he has been incorporating metallic watercolor and pearlescent ink to his work. He has used canvas, synthetic Yupo™ paper, Yasutomo Mineral Paper, and various watercolor papers. Mark’s journey into the world of creative arts started with the question, “What would Jackson Pollock’s work look like if he had used transparent watercolors?” So, it was out with the pencils, pens, and brushes, and on to the pouring of various aqueous solutions. While mostly self-taught, Mark took a series of classes at the Creative Arts Group, Sierra Madre, CA, under Joe Stoddard, as well as seminars with Robert Burridge and Marciano Martinez. Along the way, Mark has been influenced by the work of two controlled pouring advocates: Bette Ridgeway and Ibrahim Bassmi. His work has both dynamic and passive qualities. While the colors may be aggressively administered, little attempt is made to control the flow or interactions – save the application of masking fluid. While the bulk of Mark’s work is abstract, he does some occasional representational works to ‘cleanse the palette.’ See his work, follow and/or contact him at these other sites: ● https://ScriptM.com ● https://www.instagram.com/ScriptMAbstractArt ● https://www.vsual.co/shop/script-m-abstract-art
About the Seller
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École Nationale Supérieure des Beaux-Arts de Paris
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2004
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1993-1999
Ateliers des Beaux-Arts de la Ville de Paris, Montparnasse
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Espace Seven, Galerie De Vos, Paris
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Galerie Crous -Beaux-Arts, Paris
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The Mark Bar, "Bring your own flashlight", Brooklin, New York
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Le Glaz’art, Paris
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9 rue Dauphine, Paris
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Galerie Gauche, École des Beaux-Arts, Paris
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La grosse caisse, Paris
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