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Norman BluhmAbstract With Yellow1987
1987
$23,500
£17,929.37
€20,503.29
CA$33,116.52
A$36,110.01
CHF 19,163.22
MX$436,558.40
NOK 242,524.50
SEK 222,307.44
DKK 153,138.46
About the Item
Abstract With Yellow, 1987, by Norman Bluhm (1921-1999)
Watercolor on paper
22 ¼ x 30 inches unframed (56.515 x 76.2 cm)
23 ¾ x 31 ½ inches framed (60.325 x 80.01 cm)
Signed and dated on bottom center
Description:
Norman Bluhm was a second-generation Abstract Expressionist who also came to be considered an action painter. He studied at the Armour Institute of Technology in Illinois, the Accademia di Belle Arti di Firenze in Florence, and the Ecole des Beaux Arts in Paris. Bluhm, along with his contemporaries Sam Francis and Joan Mitchell, explored large-scale canvases as places to perform and produce movement. Bluhm's practice often incorporated elements of art history, combining figural and non-mimetic representation to create works that straddled the line between narrative and abstract.
Bluhm often used the human figure in his artwork, which can be seen in the watercolor painting "Abstract With Yellow." While the painting is severely abstracted, the viewer can still make out torsos, backs, and even faces amidst the chaos of color. The composition of the piece is split into four panels, which are filled with abstracted nude forms. While these bodies are maintained, the expressionist elements of the piece cannot be ignored, with paint strokes being hyper-visible and even the process of the paint dripping down the canvas being permanently secured and dried to the paper's surface. Such an interest in representation amidst expression is unique to Bluhm during this era of increased abstraction.
- Creator:Norman Bluhm (1921-1999, American)
- Creation Year:1987
- Dimensions:Height: 22.25 in (56.52 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1637210312422
Norman Bluhm
Norman Bluhm (1921-1999) was an American Abstract Expressionist celebrated for creating paintings with bold, energetic brushwork and colorful, voluptuous forms. Born in Chicago, IL, Bluhm studied architecture with Mies van der Rohe. In 1948, after serving as a fighter pilot in World War II, Bluhm moved to Paris, where he studied at the Ecoled des Beaux-Arts and associated with Joan Mitchell, Sam Francis and Alberto Giacometti. After moving to New York in 1956, he joined a circle of action painters including Franz Kline, Robert Motherwell, Ad Reinhardt, Willem de Kooning and showed at the Leo Castelli Gallery. Prior to and after his studies, Bluhm was a member of the Air Force and served in World War II. After World War II, he lived in Paris with other hopeful American writers and artists of the expatriate scene. There he developed an interest in nude painting. In 1956 he moved to New York. The Cedar Tavern was a favorite gathering place where he convened with other painters and writers, such as Frank O'Hara, Franz Kline, William de Kooning, and Jackson Pollock. Among the work of this noted group were the twenty-six Bluhm-O'Hara spontaneous poem paintings, composed in Bluhm's studio atop the old Tiffany Glass Building in 1960. The Corcoran Gallery in Washington, D.C. exhibited Bluhm's work in his first museum show in 1969. During the 1960s and 1970s, his art created an atmosphere of violence, with a large paint-soaked brush, often using blues, pinks, purples and greens. His work which featured webs of jagged marks, cascading drips and violent splatters of paint, increasingly took on the energy and scale of abstract expressionism. Later his violent outlook changed, as did his style. He has exhibited his works throughout the United States and Europe.
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