Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Pat Lipsky
"Study for Geometric Composition" Pat Lipsky, Color Field, Stripes, Blue and Red

circa 2005

$7,000
£5,334.13
€6,151.72
CA$9,942.09
A$10,682.23
CHF 5,730.99
MX$125,848.93

About the Item

Pat Lipsky Study for Geometric Composition, circa 2005 Acrylic on paper 17 x 14 inches Pat Lipsky is an American abstract painter whose work has played a significant role in the evolution of postwar abstraction, particularly in the dialogue between Abstract Expressionism, Color Field painting, and Minimalism. Known for her vibrant surfaces, dynamic brushwork, and sustained engagement with the physical act of painting, Lipsky has maintained a rigorous and independent artistic vision for more than five decades. Lipsky was born in New York City and grew up in a culturally rich environment that fostered her early interest in art. She studied at Cornell University, earning her BFA in 1963, and later received an MFA from Hunter College in 1968. At Hunter, she studied with influential artists and critics, including Robert Morris and Ad Reinhardt, and was part of a generation grappling with the legacy of Abstract Expressionism while seeking new formal languages. This intellectual and artistic context profoundly shaped her approach, encouraging both critical self-awareness and formal experimentation. Emerging in the late 1960s and early 1970s, Lipsky developed a painting style characterized by dense, layered brushstrokes and intense chromatic energy. While her work is often associated with abstraction, it resists strict categorization. Unlike the reductive tendencies of Minimalism or the flat expanses of Color Field painting, Lipsky’s canvases emphasize gesture, surface tension, and the accumulation of paint over time. Her paintings frequently oscillate between structure and improvisation, revealing traces of decision-making and revision that underscore painting as a temporal, physical process. Throughout her career, Lipsky has been deeply committed to the materiality of paint. Her surfaces are built through repeated applications of oil paint, creating complex fields of color that vibrate with movement and depth. Rather than aiming for illusionistic space, her work insists on the painting as an object—an arena in which color, gesture, and scale interact directly with the viewer. This insistence aligns her with post-painterly abstraction while also maintaining a visceral connection to the expressive traditions that preceded it. Lipsky’s work gained critical attention in the 1970s, with exhibitions at prominent New York galleries, such as Andre Emmerich Gallery, inclusion in major museum collections, and a close relationship with art critic Clement Greenberg. Her paintings are held by institutions such as the Whitney Museum of American Art, the Museum of Modern Art, the Metropolitan Museum of Art, and the Brooklyn Museum. Despite shifts in art-world trends, she has continued to paint with remarkable consistency, refining rather than abandoning her core concerns. In addition to her studio practice, Lipsky has been an influential educator. She taught for many years at Hunter College, mentoring generations of artists and contributing to the intellectual life of the New York art community. Her dual role as artist and teacher reflects her belief in painting as both a disciplined practice and an open-ended inquiry. Today, Pat Lipsky is widely recognized as a vital figure in American abstraction—an artist whose work bridges historical movements while asserting the ongoing relevance of painting as a living, exploratory medium.
  • Creator:
    Pat Lipsky (1941, American)
  • Creation Year:
    circa 2005
  • Dimensions:
    Height: 22.25 in (56.52 cm)Width: 17.75 in (45.09 cm)
  • More Editions Sizes:
    Unique workPrice: $7,000
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1841217383212

More From This Seller

View All
"Untitled" Edward Zutrau, Red, Blue and White, Color Field, Gestural Paintings
Located in New York, NY
Edward Zutrau Untitled, 1963 Signed and dated on the reverse Oil on linen 60 3/4 x 73 inches Edward Zutrau (1922–1993) was an American painter whose career spanned from the 1940s t...
Category

1960s Color-Field Abstract Paintings

Materials

Canvas, Oil

"Notes XX" Calvert Coggeshall, Abstract Expressionism Hard-edge Vertical Stripes
Located in New York, NY
Calvert Coggeshall Notes XX, 1970 Signed, titled, and dated on the reverse Acrylic on canvas 30 1/4 x 30 1/4 inches Calvert Coggeshall worked as an...
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

"Untitled" Howard Daum, Abstract, Red White and Blue, Modernist Composition
Located in New York, NY
Howard Daum Untitled, 1972 Signed and dated on verso Oil on board 10 1/8 x 8 inches Provenance The artist Ashby Gallery, New York Carl Ashby, New York Estate of the above Howard Daum was born in Poland. His family lived in Lodz until he turned 14, when he and his mother left the counrtry. They settled in Montreal, Canada, where Daum learned from the artist Alexander Bercovitch from 1934 to 1937. In 1938, Daum and his mom traveled to New York and chose the Bronx as their home. After finishing high school in 1940, Daum received a scholarship to the Art Students League. There, he learned from teachers like Will Barnet, Cameron Booth, Morris Kantor, Harry Sternberg, and Vaclav Vytlacil, who was a key mentor. Vytlacil had studied under modern painter Hans Hofmann in Munich in 1921 and helped start the American Abstract Artists group in 1936. In 1943 and 1944, Daum served in the U. S. Army in Mississippi before coming back to New York. During 1944 and 1945, he had lessons with Hofmann at his school in Greenwich Village. Daum's art during this time became more abstract, using bold and bright colors with clear brushstrokes. The space in his work was very shallow, with objects like figures and easels overlapping each other. Some of Daum’s artist friends, such as Robert Barrell, Peter Busa, and Steve Wheeler...
Category

1970s Abstract Abstract Paintings

Materials

Oil, Board

"Notes XXI" Calvert Coggeshall, Abstract Expressionism Hardedge Vertical Stripes
Located in New York, NY
Calvert Coggeshall Notes XXI, 1973 Signed, titled, and dated on the reverse Japanese pigment on canvas 29 x 29 inches Calvert Coggeshall worked as ...
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

"Untitled" Albert Eugene Gallatin, Mid-Century Abstract, Red and Blue, Geometric
By Albert Eugene Gallatin
Located in New York, NY
Albert Eugene Gallatin Untitled, 1947 Signed and dated on the reverse Oil on canvas 10 1/4 x 14 inches Private Collection Private Collection, Mount Vernon, New York (gift from the a...
Category

1940s Abstract Abstract Paintings

Materials

Canvas, Oil

"Untitled, " Jay Rosenblum, Hard-Edge Color Field, Colorful Horizontal Stripes
By Jay Rosenblum
Located in New York, NY
Jay Rosenblum (1933 - 1989) Untitled, 1973 Acrylic on canvas 54 x 128 inches Signed twice and dated on the reverse Provenance: Private Collection, Long Island Jay Rosenblum experim...
Category

1970s Hard-Edge Abstract Paintings

Materials

Canvas, Oil, Acrylic

You May Also Like

Big Little #142: Contemporary Abstract Geometric Painting in Red and Blue Stripe
By Vincent Pomilio
Located in Hudson, NY
"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Marble

"P4.15" Abstract Expressionist Geometric Blue Red Colorful Collage Gouache
By Jean Feinberg
Located in Wellesley, MA
P4.15, 2015, Gouache, Pencil, and Collage on Japanese Papers, 25 x 19 1/2 Inches. Jean Feinberg is a NY based artist whose works on paper (handmade paper, gouache, and collage) are ...
Category

2010s Abstract Geometric Mixed Media

Materials

Gouache

Geometric Abstract in Blue, Red, Black, and White - Acrylic on Paper
Located in Soquel, CA
Bold and balanced abstract composition by Russell Green (American, 1910-1986). Completed in Green's characteristic style, this piece has a balanced interplay of shapes and colors. Blocks of black, reds, blues, and greys create a strong background. Over the top, lines of black, red, and white outline and divide the background shapes. Signed "Russell Green" in the lower left corner. Presented in a wood frame with a double mat. Frame size: 23.5"H x 30"W Image size: 14.5"H x 22.5"W Russell Davis Green (American, 1910-1986) painter, printmaker and teacher, was born in Traer, Iowa on December 29, 1910. He studied art at Iowa State College and the School of the Art Institute of Chicago. Green worked in the Illinois and New York Works Progress Administration-Federal Art Projects in the 1930s and two of his woodcuts are listed in the General Services Administration’s book WPA Artwork in Non-Federal Repositories. Green was also a painter and lithographer, and he was included in the Exhibition by Artists of Chicago and Vicinity at the Art Institute of Chicago in 1934. His work was also included in exhibitions at the Philadelphia Art Alliance; Museum of Modern Art and the Grand Central Galleries in New York; and the Iowa Federation of Women's Clubs, 1935. Green began his long teaching career at Stephens College in Columbia, Missouri in 1940 and eventually headed the art department. He is represented in the collections of the Baltimore Museum of Art; Art Institute of Chicago; Metropolitan Museum of Art; Newark Museum; and the St. Louis Art Museum. [After graduating from the Art Institute of Chicago in 1933, he returned to Iowa to begin teaching. In 1935, approximately the time he completed Thanksgiving, he served as a private art teacher in Sioux City. He also had a one-person exhibition of his work at the Sioux City School of Music, Dramatic Art and Dancing, which was located in the Commerce Building. The exhibition included 81 oil paintings, watercolors and prints.] Russell Green 1910 - 1986 A FINE SENSE OF BALANCE — Russell Green started attending college in small town Iowa during an era of unparalleled prosperity in the United States. Yet by the time Green graduated five years later from the Art Institute of Chicago, the Depression had brought the country to its knees economically. In those few years, ending with his Bachelor of Arts, Green had also undergone a personal transformation from a farm boy...
Category

Mid-20th Century Abstract Geometric Abstract Paintings

Materials

Paper, Acrylic

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue Red)
By Vincent Pomilio
Located in Hudson, NY
Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Marble

French 20th Century Vibrant Geometric Abstract Multicolored Stripes
Located in Cirencester, Gloucestershire
Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 8 x 16 inches condition: overall very good, a few minor surf...
Category

Late 20th Century Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Untitled (blue red diamonds)
By Cheryl R. Riley
Located in Jersey City, NJ
Untitled (blue & red diamonds) Gouache on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / ...
Category

2010s Abstract Geometric Abstract Drawings and Watercolors

Materials

Gouache, Magazine Paper