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American Modern Abstract Drawings and Watercolors

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Style: American Modern
“Untitled, 1946” New Hope Modernist Small Abstract Bucks County Lambertville NJ
Located in Yardley, PA
“Untitled, 1946” by Louis K. Stone (1902-1984). A strong and charming example of mid-century American modernism by one of the most important artists working in New Hope, PA. This wa...
Category

1940s American Modern Abstract Drawings and Watercolors

Materials

Paper, Watercolor

A Distinctive, 1950s Mid-Century Modern Cubist Portrait Study of Two Young Men
Located in Chicago, IL
A Distinctive, 1950s Mid-Century Modern Cubist Portrait Study of Two Young Men by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). A visually striking charcoal male portrait stu...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Paper, Charcoal

Clinton Hill, (Nude #1), 1951, drawing, figure/abstraction
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. In 1951 Hill studied at the Academie de la...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Gouache

An Avant-Garde, Mid-Century Modern Abstract Female Figure Study by Harold Haydon
Located in Chicago, IL
A Dynamic, Avant-Garde, Mid-Century Modern Abstract Female Figure Study by Harold Haydon (Am. 1909-1994). A striking, black white figural studio ink drawing on paper depictin...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Paper, Ink

Charles Ragland Bunnell “Quitting Time” 1941 Black and Blue Abstract Painting
Located in Denver, CO
This original vintage painting by Charles Ragland Bunnell (1897–1968), titled Quitting Time from his Black and Blue Series (1941), exemplifies the artist’s signature Abstract Structu...
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1940s American Modern Abstract Drawings and Watercolors

Materials

Charcoal, Ink, Watercolor

Ca. 1950, Black White Ink Abstraction by Notable Artist Jan Matulka
Located in Chicago, IL
A handsome ca. 1950 black & white Abstraction by important Modernist artist Jan Matulka. Image size: 6" x 6 1/2". Framed size: 12 3/4" x 12 3/4". Born in Prague, Czechoslovakia...
Category

1950s American Modern Abstract Drawings and Watercolors

Materials

Ink, Graphite

Rainstorm Sunset
Located in Buffalo, NY
You are viewing a modernist American watercolor painting by Robert Noel Blair. Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and te...
Category

American Modern Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Clinton Hill, (Nude #8), 1952, drawing, figure/abstraction
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. In 1951 Hill studied at the Academie de la...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Gouache

"Untitled" Minnie Evans, Mid-Century, Biomorphic Modernist Abstract Spirals
By Minnie Evans
Located in New York, NY
Minnie Evans Untitled, 1947 Signed and dated lower right Crayon and graphite on paper 8 1/8 x 5 1/2 inches Provenance Luise Ross Gallery, New York Privat...
Category

1940s American Modern Abstract Drawings and Watercolors

Materials

Paper, Crayon, Graphite

Woodland Reflection — Mid-Century Modern
Located in Myrtle Beach, SC
Irving Lehman, Untitled (Woodland Reflection), watercolor, c. 1955. Unsigned, with the artist's estate stamp verso: 'Original Artwork By: IRVING G. LEHMAN Russian/American 1900-1982'...
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Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Watercolor

A Sandstorm on the Little Colorado River, Arizona
Located in Plano, TX
A Sandstorm on the Little Colorado River, Arizona. 1920. Watercolor on watercolor board. Study for Seeber 189. 10 3/8 x 14 1/4. Signed lower left; titled verso. An exquisitely subtl...
Category

Early 20th Century American Modern Abstract Drawings and Watercolors

Materials

Watercolor

Brightly Colored 1950s Textile Design by Artist Andre Delfau
Located in Chicago, IL
A colorful 1950s textile design (Black, yellow, blue, pink, red tones) by noted set and costume designer Andre Delfau. Born in Paris, France in 1914, Andre Delfau became an internationally acclaimed stage, set and costume designer who worked world-wide from the 1930s to the 1980s. Delfau was a life long artist and painted independently of his noted design career. His artwork is recognized for it’s vibrant color and form, and a particularly keen use of line. He was highly influenced by the French Modern trends of Cubism and Surrealism, and his artwork is often infused with a dramatic sense of architecture and perspective. Delfau created fashion designs for such major Paris couture houses as Balmain, Jean Patou and Balenciaga. He completed noteworthy set designs and costumes for numerous international operatic and ballet productions, including those at the Royal Danish Ballet, the Royal Ballet of Great Britain, the Paris Opera, the Dance Theater of Harlem, the Ruth Page International Ballet, the Civic Ballet of Chicago, the Chicago Opera Ballet and the Lyric Opera of Chicago, among others. Most notably, Delfau designed the elaborate stage sets and costumes for the 1986 PBS television production of the Viennese operetta, "Die Fledermaus...
Category

1950s American Modern Abstract Drawings and Watercolors

Materials

Ink, Gouache, Graphite, Paper

An Avant-Garde, Mid-Century Modern Abstract Female Figure Study by Harold Haydon
Located in Chicago, IL
A Dynamic, Avant-Garde, Mid-Century Modern Abstract Female Figure Study by Harold Haydon (Am. 1909-1994). A striking, black white figural studio ink drawing on paper depictin...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Paper, Ink

1950s "Red Sun" Mid Century Abstract Art Students League NYC
Located in Arp, TX
Donald Stacy "Red Sun" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Paper, Oil Pastel, Gouache

Clinton Hill, Paris, July, 1951 (France), mid-century abstract gouache drawing
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images. He lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, ...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Gouache

A Striking 1940s Cubist Still Life Drawing by Modern Artist Stanley Bielecky
By Stanley Bielecky
Located in Chicago, IL
A striking 1940s Modern cubist still life drawing by Notable Chicago and Michigan artist Stanley Bielecky. Image size: 4 x 5 inches. Archivally matted to 13 1/4 x 16 inches. Estate stamped and numbered 58, lower left. Stanley Bielecky was an Indiana artist who painted the American Scene, from the industrial factories and workers around East Chicago to the pastoral settings of Mackinac Island...
Category

1940s American Modern Abstract Drawings and Watercolors

Materials

Graphite, Paper

Clinton Hill, Paris, Oct., 1951 (France), mid-century abstract gouache drawing
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images. He lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, ...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Gouache

Untitled #3
Located in San Francisco, CA
This artwork "Untitled #3" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 21.75 x 16.75 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category

Late 20th Century American Modern Abstract Drawings and Watercolors

Materials

Pastel

Early Abstraction II
Located in London, GB
This soft and inviting work is the second in a series of abstractions by Walkowitz. Containing a central sequence of wavey lines and a singular circle, it evokes a feelings of joy in...
Category

Early 20th Century American Modern Abstract Drawings and Watercolors

Materials

Pencil

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
Located in New York, NY
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches. LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated. EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12. PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York. NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...
Category

1930s American Modern Abstract Drawings and Watercolors

Materials

Paper, Gouache, Pencil

A Cheerful 1950s Textile Design by Artist Andre Delfau
Located in Chicago, IL
A colorful textile design in orange, blue, red and yellow tones depicting an abstract polychrome Wedge Star pattern by set and costume designer Andre ...
Category

1950s American Modern Abstract Drawings and Watercolors

Materials

Ink, Gouache, Graphite, Paper

Untitled
Located in Fairlawn, OH
Untitled Pastel on paper, 1922 Initialed lower right (see photo) Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. Condition: Excell...
Category

20th Century American Modern Abstract Drawings and Watercolors

Materials

Pastel

Abstract #2
Located in London, GB
“If it brings to me a harmonious sensation…” Walkowitz once said, “…I then try to find the concrete elements that are likely to record the sensation in visual forms.” This philosoph...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Pencil

Italy Goes to War
Located in Bryn Mawr, PA
Italy Goes to War, 1941 Watercolor 3 1/8 x 7 3/8 inches (7.9 x 18.7 cm) Signed lower center: Dove Provenance An American Place, New York; World House Galleries, New York, 1953; Private collection, New York; Betty Krulik Fine Art, 2007; Avery Galleries until present Exhibitions An American Place, New York, Exhibition of New Arthur G. Dove Paintings...
Category

1940s American Modern Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Sand Flow
Located in San Francisco, CA
This artwork titled "San Flow" 1986 is an original watercolor on Arches watermarked paper by noted American artist Anne Popperwell, born 1948. It is signed at the lower right corner by the artist. The artwork size is 22 x 30 inches, framed is 30.25 x 36.25 inches. It is custom framed in a metal bronze color frame. It is in very good condition. About the artist. Anne Popperwell was born in Oakland, California, in 1948 and studied art at the San Francisco Art Institute from 1968-1970 with a major in painting and a minor in photography. She has been painting and exhibiting her work in both private and public galleries, primarily in Canada, since 1981. She paints in watercolour on paper and acrylic on canvas, though not exclusively, using nature-based imagery. Shortly after her arrival in Canada in 1976, Anne moved to an island off the West Coast to paint a particular landscape, the eroded sandstone shoreline. In the course of this eight-year series of paintings, she experimented with point of view, scale and colour, developing a method of working that creates the effect of light coming from within the subject itself. Her paintings are included in private, corporate and public collections in Canada and in private collections in the United States, Mexico and Europe. Solo Exhibitions: 2016 "Shades of Saturna", Artlink Canada, Jaydon Gallery, Vancouver, British Columbia 2009 “Beauty” Casa Dahlia Galeria, San Jose del Cabo, Mexico 2008 “Tropical Flowers” Casa Dahlia Galeria, San Jose del Cabo, Mexico 996- "Why Don't You Just Leave?" paintings and video installation 1998 tour to 11 British Columbia regional galleries, originating at the Art Gallery of Greater Victoria Victoria, British Columbia 1993 Fran Willis Gallery, Victoria, British Columbia 1991 Fran Willis North Park Gallery, Victoria, British Columbia 1990 Fran Willis North Park Gallery, Victoria, British Columbia 1986 Robert Vanderleelie Gallery, Victoria, British Columbia Thomas Gallery, Winnipeg, Manitoba 1984 Grace Gallery, Vancouver, British Columbia Winchester Galleries, Victoria, British Columbia 1982 Kyle's Gallery, Victoria, British Columbia 1981 Kyle's Gallery, Victoria, British Columbia Art Gallery of Greater Victoria, Victoria, British Columbia Burnaby Art Gallery, Burnaby, British Columbi1980 Kamloops Public Art Gallery, Kamloops, British Columbia Selected Group Exhibitions: 2014 Insight Art Gallery, Galiano, B.C 2012 The Field Gallery, San Jose del Cabo, Mexico 2002 “European Media Arts Festival”, Osnabruck, Germany 1997 “Open House”, Canadian Cultural Centre, Paris, France 1994 "Spring Run", Baux-Xi Gallery, Vancouver, British Columbia 1994-1996 Government House, Victoria, B.C. 1992 "Hanging Gardens", Fran Willis Gallery, Victoria, British Columbia 1990 "Bumbershoot Festival 1990", Seattle, Washington 1986 "Images B.C." The British Columbia Pavilion, Expo 86 Vancouver, British Columbia 1985 "Hot Water Colour", Harbourfront, Toronto, Ontario "B.C. Women Artists" Art Gallery of Greater Victoria, Victoria, British Columbia 1983 "National Watercolour Exhibition" Contemporary Art Gallery, Vancouver, British Columbia 1981 “Painter’s Day”, Kyle’s Gallery, Victoria, B.C. Public Collections British Columbia Art Collection, Victoria, British Columbia Art Gallery of Greater Victoria, Victoria, British Columbia Maltwood Art Museum, Victoria, British Columbia City of Vancouver, Vancouver, British Columbia Esso Resources Canada, Ltd., Calgary, Alberta Canada Council Art Bank, Ottawa, Ontario Grants and Awards 1995 British Columbia Cultural Services Branch grant 1973 City of Vancouver Purchase Grant Exhibition Reviews, Catalogues and Articles "A Sense of Place", Aqua magazine, Salt Spring Island, B.C. (Summer 2014) illus. “Why Don’t You Just Leave?”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (April, 1996) illus. Cover, Preview Magazine, Vancouver, B.C., (May/June 1990) Waterman, Jennifer A. “Planetary Visions, Sacred Images of the Earth” Herizons, Winnipeg, Manitoba (Volume 4 #8, December, 1986) p. 44, illus. “B.C. Women Artists”,Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October, 1985) illus. Orford, Emily Jane, “Anne Popperwell’s Intimate Earth”, Victoria Times-Colonist, Victoria, B.C. (October 7, 1984) p. 8 Hartog, Diana, “Body Landscapes...
Category

Late 20th Century American Modern Abstract Drawings and Watercolors

Materials

Watercolor

Untitled #4
Located in San Francisco, CA
This artwork "Untitled #1" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 26.5 x 20.5 inches, sheet size is 28.5 x 22.5 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category

Late 20th Century American Modern Abstract Drawings and Watercolors

Materials

Pastel

Early Abstraction
Located in London, GB
This soft and inviting work is the first in a series of abstractions. Walkowitz utilises innovative drawing techniques, the side of the pencil becomes a valuable tool in creating a b...
Category

Early 20th Century American Modern Abstract Drawings and Watercolors

Materials

Paper, Photographic Film

Bourrée Fantasque #2 Pastel on Paper Mid 20th Century Modern as seen on Étoile
Located in Glenford, NY
"Bourrée Fantasque #2", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet ...
Category

1980s American Modern Abstract Drawings and Watercolors

Materials

Pastel, Pencil

Bourrée Fantasque #8 Pastel on Paper Mid 20th Century Modern as seen on Étoile
Located in Glenford, NY
"Bourrée Fantasque #8", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet of the same name for the New York...
Category

1980s American Modern Abstract Drawings and Watercolors

Materials

Pastel, Pencil

Bourrée Fantasque #9 Pastel on Paper Mid 20th Century Modern as seen on Étoile
Located in Glenford, NY
"Bourrée Fantasque #9", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet ...
Category

1980s American Modern Abstract Drawings and Watercolors

Materials

Pastel, Pencil

Bourrée Fantasque #4 Pastel on Paper Mid 20th Century Modern as seen on Étoile
Located in Glenford, NY
"Bourrée Fantasque #4", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet of the same name for the New York...
Category

1980s American Modern Abstract Drawings and Watercolors

Materials

Pastel, Pencil

Bourrée Fantasque #10 Pastel on Paper Mid 20th Century Modern as seen on Étoile
Located in Glenford, NY
"Bourrée Fantasque #10 Blue", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet of the same name for the Ne...
Category

1980s American Modern Abstract Drawings and Watercolors

Materials

Pastel, Pencil

Two Wood Ducks on a Flowering Branch
Located in New York, NY
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...
Category

20th Century American Modern Abstract Drawings and Watercolors

Materials

Color Pencil

Untitled
Located in London, GB
In ‘Untitled’ 1932, Walkowitz crafts a memorable image. Tessellating lines are centred on the page and form geometric shapes. Faint pencil marking reveal the artists forward planning...
Category

Early 20th Century American Modern Abstract Drawings and Watercolors

Materials

Pen, Pencil

Untitled (Figurative Abstraction of Isadora Duncan #7)
Located in Myrtle Beach, SC
Abraham Walkowitz, Untitled (Figurative Abstraction of Isadora Duncan #7), pencil, 1918. Signed and dated in pencil, bottom center. A fine, spon...
Category

1910s American Modern Abstract Drawings and Watercolors

Materials

Pencil

"Country Haircut"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Milton Avery (1885 – 1965). Milton Avery was a prominent Modernist painter whose work combined abstraction and...
Category

1940s American Modern Abstract Drawings and Watercolors

Materials

Watercolor, Gouache, Paper

Study for Worlds Beyond - Surrealist graphite drawing, Ohio artist
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000) Study for Worlds Beyond, 1980 Graphite, collage and white heightening on illustration board Signed and dated lower right 10.75 x 4.5 in...
Category

1980s American Modern Abstract Drawings and Watercolors

Materials

Graphite

Modern Tropical Abstract -- "Spires II"
Located in Soquel, CA
Colorful abstract watercolor of imaginative shapes in a tropical setting with botanical landscape elements by Claire Wolf Krantz (American, b. 1938). Signed "Claire Wolf Krantz" lower right. Titled "Spires" lower center. Dated "11/18/77" and numbered "II" in a series lower left. Peach colored mat and bronze tone metal frame. Image, 14"H x 14"L. Kranz is an artist and art critic living in Chicago, she uses fictional and real elements in her works. She is known for mixed media works layering photograph...
Category

1970s American Modern Abstract Drawings and Watercolors

Materials

Paper, Watercolor

"People" - Mid-Century Ovoid Geometrical Abstract Black White Drawing
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000) People, 1964 Ink and crayon on paper Signed and dated upper right 36.5 x 24 inches Clarence Holbrook Carter achieved a level of nation...
Category

1960s American Modern Abstract Drawings and Watercolors

Materials

Crayon, Ink

Untitled
Located in New York, NY
Charles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His father, John Galen Howard, was an architect who had trained at M.I.T. and the École des Beaux-Arts in Paris and apprenticed in Boston with Henry Hobson Richardson. In New York, the elder Howard worked for McKim, Mead and White before establishing a successful private practice. Mary Robertson Bradbury Howard, Charles’s mother, had studied art before her marriage. John Galen Howard moved his household to California in 1902 to assume the position of supervising architect of the new University of California campus at Berkeley and to serve as Professor of Architecture and the first Dean of the School of Architecture (established in 1903). The four Howard boys grew up to be artists and all married artists, leaving a combined family legacy of art making in the San Francisco Bay area that endures to this day, most notably in design, murals, and reliefs at the Coit Tower and in buildings on the Berkeley campus. Charles Howard graduated from the University of California at Berkeley in 1921 as a journalism major and pursued graduate studies in English at Harvard and Columbia Universities before embarking on a two-year trip to Europe. Howard went to Europe as a would-be writer. But a near-religious experience, seeing a picture by Giorgione in a remote town outside of Venice, proved a life-altering epiphany. In his own words, “I cut the tour at once and hurried immediately back to Paris, to begin painting. I have been painting whenever I could ever since” (Charles Howard, “What Concerns Me,” Magazine of Art 39 [February 1946], p. 63). Giorgione’s achievement, in utilizing a structured and rational visual language of art to convey high emotion on canvas, instantly convinced Howard that painting, and not literature, offered the best vehicle to express what he wanted to say. Howard returned to the United States in 1925, confirmed in his intent to become an artist. Howard settled in New York and supported himself as a painter in the decorating workshop of Louis Bouché and Rudolph Guertler, where he specialized in mural painting. Devoting spare time to his own work, he lived in Greenwich Village and immersed himself in the downtown avant-garde cultural milieu. The late 1920s and early 1930s were the years of Howard’s art apprenticeship. He never pursued formal art instruction, but his keen eye, depth of feeling, and intense commitment to the process of art making, allowed him to assimilate elements of painting intuitively from the wide variety of art that interested him. He found inspiration in the modernist movements of the day, both for their adherence to abstract formal qualities and for the cosmopolitan, international nature of the movements themselves. Influenced deeply by Surrealism, Howard was part of a group of American and European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organized and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. Levy remained the preeminent force in advocating for Surrealism in America until he closed his gallery in 1949. Howard’s association with Levy in the early 1930s confirms the artist’s place among the avant-garde community in New York at that time. In 1933, Howard left New York for London. It is likely that among the factors that led to the move were Howard’s desire to be a part of an international art community, as well as his marriage to English artist, Madge Knight...
Category

20th Century American Modern Abstract Drawings and Watercolors

Materials

Paper, Watercolor, Gouache, Graphite

Morris Graves, Abandon Nest, 1950, drawing
Located in New York, NY
This is a complicated drawing, even for Morris Graves (1910-2001), known as the Mystical Painter of Nature. Graves tried to be sensitive to the slightest tremor or breeze that a sma...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Ink, Watercolor

Rockport Harbor — Mid-Century Modernism
Located in Myrtle Beach, SC
Louis Wolchonok, 'Rockport Harbor', gouache, c. 1950. Signed in ink, lower right. A fine, modernist work, with fresh colors, on cream wove drawing pape...
Category

1950s American Modern Abstract Drawings and Watercolors

Materials

Gouache

A Captivating 1950s Textile Design by Artist Andre Delfau
Located in Chicago, IL
A captivating 1950s textile design in black and brown ochre tones with wedge star pattern by noted set and costume designer Andre Delfau. Born in Par...
Category

1950s American Modern Abstract Drawings and Watercolors

Materials

Ink, Gouache, Graphite, Paper

"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance
Located in New York, NY
"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance Arthur Dove (1880-1946) "Barns" 5 x 7 inches Watercolor on paper, 19...
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1940s American Modern Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Cityscape Reflections - Study No. 1
Located in Plano, TX
Cityscape Reflections - Misty Morning. 1980. Lithograph with pastel coloring. Czestochowski 42. Edition 40. 14 x 10 3/16 (sheet 18 x 14). Tape stains in the margins, not affecting th...
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Late 20th Century American Modern Abstract Drawings and Watercolors

Materials

Pastel

Early California modernist drawing by a well-known San Francisco abstract artist
Located in Colfax, CA
This is an energetic, colorful modernist study of two female figures in an interior, presumably a beach house in the summer. Erle Loran, (1905-1999), was an American painter and edu...
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1940s American Modern Abstract Drawings and Watercolors

Materials

Oil Pastel

Modernist Abstract Expressionist Watercolor Painting Bauhaus Weimar Pawel Kontny
Located in Surfside, FL
Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. This one bears the influence of Sam Francis. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre...
Category

20th Century American Modern Abstract Drawings and Watercolors

Materials

Watercolor, Archival Paper

1950s Geometric Pink and Yellow Textile Design by Artist Andre Delfau
Located in Chicago, IL
A 1950s geometric textile design in brown, yellow and pink tones by notable stage and set designer Andre Delfau. Born in Paris, France in 1914, Andre Delfau became an internationally acclaimed stage, set and costume designer who worked world-wide from the 1930s to the 1980s. Delfau was a life long artist and painted independently of his noted design career. His artwork is recognized for it’s vibrant color and form, and a particularly keen use of line. He was highly influenced by the French Modern trends of Cubism and Surrealism, and his artwork is often infused with a dramatic sense of architecture and perspective. Delfau created fashion designs for such major Paris couture houses as Balmain, Jean Patou and Balenciaga. He completed noteworthy set designs and costumes for numerous international operatic and ballet productions, including those at the Royal Danish Ballet, the Royal Ballet of Great Britain, the Paris Opera, the Dance Theater of Harlem, the Ruth Page International Ballet, the Civic Ballet of Chicago, the Chicago Opera Ballet and the Lyric Opera of Chicago, among others. Most notably, Delfau designed the elaborate stage sets and costumes for the 1986 PBS television production of the Viennese operetta, "Die Fledermaus...
Category

1950s American Modern Abstract Drawings and Watercolors

Materials

Gouache, Graphite, Paper

"Transition, Series 1, No. 4" - Watercolor Figurative Illustration
Located in Soquel, CA
Subtly shaded abstract figurative illustration by Elsa Warnick (American, 1942-2013). Two adult and three baby figures are rendered with subtle tan shading, against an abstract background with geometric shapes and swirling ribbons. One of the two adult figures is laying down, while the other appears to be jumping or dancing. Notable is the skillful use of negative space to balance the composition. Signed and dated "Warnick 1982" in the lower right corner. Signed, titled, and dated with materials information on verso. Presented in a silver aluminum frame. Frame size: 23.5"H x 31.25"W Paper size: 23.25"H x 31"W Elsa Warnick (American, 1942-2013) was born and raised in Tacoma, Washington. She moved to Portland to attend the Reed College/Museum Art School joint five year program. Warnick went on to create many works of art as well as teach art and illustration. She is mostly known for her watercolor paintings, including the illustration of several children's books. Some of her pieces are held in the Portland Art Museum’s collection. Selected Exhibitions: 1974: University Center Gallery, Willamette University - Salem, OR 1978: Mayer Gallery...
Category

1980s American Modern Abstract Drawings and Watercolors

Materials

Paper, Watercolor, Pencil

Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing
Located in New York, NY
Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing. A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism. Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...
Category

1940s American Modern Abstract Drawings and Watercolors

Materials

Paper, Gouache

Bourrée Fantasque #5 Pastel on Paper Mid 20th Century Modern as seen on Étoile
Located in Glenford, NY
"Bourrée Fantasque #5", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet ...
Category

1980s American Modern Abstract Drawings and Watercolors

Materials

Pastel, Pencil

A 1950s Red, White Blue Textile Design by Artist Andre Delfau
Located in Chicago, IL
A 1950s bright, geometric textile design (In red, white & blue) by stage and costume designer Andre Delfau. Born in Paris, France in 1914, Andre Delf...
Category

1950s American Modern Abstract Drawings and Watercolors

Materials

Ink, Gouache, Graphite, Paper

Untitled #5
Located in San Francisco, CA
This artwork "Untitled #5" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 22 x 17 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category

Late 20th Century American Modern Abstract Drawings and Watercolors

Materials

Pastel

Still Life #1
Located in San Francisco, CA
This artwork "Still Life #1" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 22 x 16 inches, sheet size is 24.25 x 18 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category

Late 20th Century American Modern Abstract Drawings and Watercolors

Materials

Pastel

1950s "Rectangle" Mid Century Abstract Gouache Painting
Located in Arp, TX
Opper Estate Maroon Abstract c. 1940-1950's Gouache on Paper 15" x 18" Unframed From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Paper, Gouache

1950s Mid Century Abstract Expressionist Drawing
Located in Arp, TX
From the estate of Jerry and Ruth Opper Abstract Expressionism Drawing c.1950s Ink and Pastel Drawing 18" x 12" Unframed Unsigned *Custom framing available ...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Paper, Pastel, Ink

Paul Gattuso, (Abstraction)
Located in New York, NY
Paul Gattuso attended the Art Students League and worked primarily in New York City. There is an old address with a Bronx, Grand Concourse address on the ...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Watercolor

1950s "Sitting in Chair" Mid Century Figurative Pratt Graphic Arts Center
Located in Arp, TX
Donald Stacy "Sitting in Chair" c.1950s Gouache and oil pastel on paper 24" x 18" unframed Came from artist's estate *Custom framing available for additio...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Paper, Oil Pastel, Gouache

Untitled #2
Located in San Francisco, CA
This artwork "Untitled #2" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed with initial in pencil at the lower right corner by the artist. The image size is 23 x 18 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category

Late 20th Century American Modern Abstract Drawings and Watercolors

Materials

Pastel

American modernist landscape drawing by a San Francisco Bay Area artist
Located in Colfax, CA
This is a ink drawing on paper, most likely a study created by the artist in the early 1940s. Erle Loran, (1905-1999), was an American painter and educator who painted for the entir...
Category

1940s American Modern Abstract Drawings and Watercolors

Materials

Ink

American Modern abstract drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic American Modern abstract drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract drawings and watercolors created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, purple, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Abraham Walkowitz, Andre Delfau, Jerry Opper, and Pawel Kontny. Frequently made by artists working with Paint, and Watercolor and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern abstract drawings and watercolors, so small editions measuring 3.75 inches across are also available. Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $132 and tops out at $243,750, while the average work sells for $1,200.