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Building Abstract Drawings and Watercolors

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Art Subject: Building
"Abstract Cityscape" NYC Early 20th Century American Scene Social Realism Ashcan
Located in New York, NY
"Abstract Cityscape" NYC Early 20th Century American Scene Social Realism Ashcan Abraham Walkowitz (American, 1878-1965) Abstract Cityscape Sight: 6 1/4' x 8 1/2 inches Mixed media...
Category

1910s Abstract Landscape Drawings and Watercolors

Materials

Paper, Mixed Media

Art Deco Couple In Front of Black and White Art Deco Architecture
Located in Miami, FL
Art Deco Illustrator Charles Perry Weimer creates a powerfully graphic depiction of a 1930s couple in front of a classic Art Deco building with a...
Category

1930s Art Deco Landscape Drawings and Watercolors

Materials

Paper, Ink

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Refracted Sunset, Coral and Ocean Blue , Seascape
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The Leaves of Autumn - Original Abstract Muted Colorful Landscape Painting
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"Landscape at sunset-Luberon-France" Watercolor , cm. 29, 5 x 21 1960 ca
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Der Hafen von Plit
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"Der Hafen von Plit" is a drawing by Paul Klee. The drawing is signed lower left, "Klee". The framed piece measures 25 1/4 x 30 1/2 x 1 3/8 in. Paul Klee was one of the most import...
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Der Hafen von Plit
Der Hafen von Plit
$155,000
H 14.25 in W 19.5 in
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"Three Pyramids + Blue Ball" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 73”. Although renowned for his innovative and groundbreaking sculptures, Alexander Calder started his artistic career as an abstract painter, preferring to use gouache. What is gouache? Gouache is a water-soluble paint – a type of opaque watercolor. As Calder returned to gouache painting towards the end of his life, he was now armed with a lifetime of experience as a sculptor. He explored the three-dimensional vocabulary of sculptural forms he had developed onto the two-dimensional surface of the paper. Certain shapes and colors recur throughout his gouaches and sculptures. Circles, ovals, and other geometric forms dominate the space. There is the same sense of energy and fluidity. The shapes do not sit on the surface but vibrate giving a feeling of movement in contrast to the static nature of painting. Like his sculpture, Calder’s gouache...
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