19th Century Chinese school

Peacock Among Magnolia , Chinese Painting in Period Gilt Frame

19th Century

Chinese School, 20th century; After Ren Renfa (Qinglongzhen, 1255-1328). Signed center right in Chinese with artist chop mark for 'Yueshan Daoren' 月山道人, brush name for Ren Renfa. (Qinglongzhen [now Qingpu, Songjiang, Shanghai Municipality], b.1255; d. 1328). Chinese painter. Under the Yuan dynasty (1279–1368) he became an official, rising to the level of Vice-President of the River Conservation Bureau. He was famous for his paintings of horses, which were much admired by both his Mongol and Chinese patrons. In horse painting he followed in the tradition of the Song-period (960–1279) artist Li Gonglin, which was characterized by use of the ‘iron-wire’ line and a minimum of shading. Ultimately, however, Ren’s style can be traced to the Tang (ad 618–907) painters Yan Liben and Han Gan. Ren’s earliest surviving painting is dated 1280, indicating that he was a mature artist by his mid-twenties. Although he worked as an official under the alien Mongol emperors, he was capable of paintings that incorporated clear political messages. The most famous is Fat and Lean Horses (Beijing, Pal. Mus.), in which, according to his inscription, the fat horse...

Printed signature, upper right, '池田瑞月' for Ikeda Zuigetsu (Japanese, 1877-1944). Framed dimensions: 14.75 x 20 inches. Born in Kanazawa, Zuigetsu Ikeda was a naturalist and horticu...

A finely-drawn, pastel still-life showing red tulips informally arranged in a Chelsea soft paste porcelain Chocolate pot decorated in the Japanese style and set beside a cup and sauc...

Signed lower right, 'Anna Lee Stacey' (American, 1871–1943) and dated, verso, 1924. An elegant and substantial still-life depicting apple blossoms elegantly and informally arranged b...

Chinese Peacock-Pheasant – Hand-Colored Bird Engraving by Edwards & Seligmann, c.1750–1776 This fine hand-colored engraving depicts the Chinese Peacock-Pheasant (Phasianus alis et caudâ oculatis), an exotic species admired in Europe for its ornate plumage. The bird is shown perched gracefully on a flowering branch, its feathers marked with striking blue and green eye-like spots. Decorative peonies frame the composition, enhancing the print’s ornamental character. The engraving bears multilingual titles: “Der chinesische Phasanenpfau” (German), “Le Paon-Phaisan de la Chine” (French), and the Latin classification Phasianus, alis et caudâ, oculatis. At the lower left, the note G. Edwards ad viv. delin. credits the original life drawing...

Chinese Pheasants Yoshizawa Setsuan (1809-1889) Hanging scroll, ink and color on silk. Painting inscription: Setsuan Houyou Upper seal: Y...

Vintage pair of Chinese ink and watercolor paintings features a bird perched on the tree and a branch of red and yellow flowers with leaves. The watercolors are done on creamy, ligh...

A stunning Meiji Period (1868-1912) Japanese large framed embroidery/ tapestry featuring a pair of finely detailed birds - likely peacocks in a floral garden landscape. A truly magn...