John Pike

Horses at Pasture , Salmagundi Club, Metropolitan Museum, AIC, PPFA, AWCS, NA

Circa 1955

Original Mid-Century Red Farmhouse Watercolor Landscape Painting Beautiful mid-century 1940's watercolor of a bucolic farmhouse scene - sunset, undul...

Important Russian-French Impressionist Gouache & Watercolor painting on paper by Pyotr Alexandrovich Nilus (Пётр Александрович Нилус in French Pierre Nilouss (1869– 1943), signed & d...

Early 20th century orientalist watercolour of cattle grazing signed Aiveill bottom right. In art history, Orientalism is the imitation or depiction of aspects in the Eastern world. ...

This is a one of a kind original painting by southern California artist, Marissa Quinn. Its dimensions are 16" x 13" x 0.8" (HxWxD). It is watercolor, gouache, and pen. It is already...

Welcome to the World. A blue-eyed child in a wide-rimmed hat with flowers and an adult chicken greet the emergence of a chick. The charming illustration is titled " Karen and Etta ( the chicken ) have a Little Chick " Notice the whimsical touch of a piece of egg shell that sits on the chicks head like a little white hat. Signed lower right. unframed Alice Rose[1] Provensen (née Twitchell; August 14, 1918[2] – April 23, 2018[3]) and Martin Provensen (July 10, 1916 – March 27, 1987) were an American couple who illustrated more than 40 children's books together, 19 of which they also wrote and edited.[4] According to Alice, "we were a true collaboration. Martin and I really were one artist."[4] Biographies Their early lives were similar. Both were born in Chicago and moved to California when they were twelve.[5] Both received scholarships to the Art Institute of Chicago, and both attended the University of California, though at separate campuses. After college, Alice went to work with Walter Lantz Studio, the creators of Woody Woodpecker, and Martin took work with the Walt Disney Studio, where he collaborated on Pinocchio, Fantasia, and Dumbo. The pair met in 1943 when Martin, working as a creator of training films for the American military, was assigned to the Walter Lantz Studio. They were married in 1944 and settled in Washington, D.C., where they worked on war-related projects. After the war, they moved to New York City where a friend helped them get their first job, illustrating The Fireside Book of Folk Songs.[5] They illustrated several Little Golden Books including The Color Kittens by Margaret Wise Brown (1949). In 1952, Tony the Tiger, designed by Martin, debuted as a Kellogg's mascot. The Provensens were a runner-up for the 1982 Caldecott Medal as illustrators of A Visit to William Blake's Inn by Nancy Willard...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Camels, Medium: Gouache On Paper, signed lower left, Size: 17 x 24 in. (43.18 x 60.96 cm), Description: A gouache painting by Jalal...

Title: Bullfighting Scene Artist: Roberto Domingo Technique: Gouache on paper Dimensions: 7 x 10 in (14 x 17.3 in with frame) Period: 1930s Style: Spanish Impressionism with Post-Impressionist influence Condition: Framed in a classic wooden frame Theme: Bullfighting scene Description of the Artwork "Bullfighting Scene" by Roberto Domingo is a vibrant and dynamic depiction of a typical moment in a bullring. The composition captures the drama and intensity of the moment, with a mounted picador on a striking white horse as the centerpiece, flanked by a matador and assistants preparing for the spectacle. The artwork radiates energy through swift and loose brushstrokes, imbuing the scene with movement and vitality. Domingo’s style emphasizes visual synthesis, focusing on color and form rather than meticulous detail to convey the atmosphere of the bullfighting arena. Warm tones dominate, with vibrant yellows and reds contrasting against the grays and whites of the horse and costumes, creating a captivating chromatic interplay. The classic frame adds sobriety and balance to the piece, further highlighting the expressive power of the gouache. Biography of the Artist Roberto Domingo Fallola (1883-1956), born in Paris, was a renowned painter and illustrator of Spanish descent. The son of the celebrated bullfighting painter Vicente Domingo, he inherited a passion for bullfights and became one of the leading exponents of bullfighting art...

Mariano Rodriguez Gallo, 1941 Ink, Tempera, and watercolor on paper 13 x 10 in Signed on the lower right. COA by Mariano Rodriguez Foundation, Madrid. Provenance: Private Collectio...

Mariano Rodriguez Sketch for Pelea de Gallos, 1942, Pencil and watercolor on paper 11 x 14 in Provenance: State of the artist Private Collection, Monaco. Exhibited: 2004: Mariano. ...

Leonora Carrington The Transparent Hen, 1969 Watercolor and ink on paper 11 x 4 in Provenance: Private Collection, Dr. Salomon Grimberg (Gift from the artist). Private Collection, T...