Medium Drawings and Watercolor Paintings

series "Non-standard configurations", 70x50 cm, acrylic on cardboard The work is sold without a frame and mat

Subject: Cityscape, signed in Hebrew Medium: Watercolor Surface: Paper Shmuel Katz (Hebrew: שמואל כ"ץ‎) (August 18, 1926 – March 26, 2010) was an Israeli artist, illustrator, and car...

A charming scene depicting a group of people playing a game of backgammon in a luxurious interior. The figures are captured in a romantic style, with the women wearing fine gowns and...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Interior design paintings. The work was done with alcohol ink in green, orange, black, olive color on Yupo paper. The work is 20 by 26 inches in size, framed in fine-quality solid wo...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Original gouache and ink painting on paper. Hand signed and dated by Alexander Calder. Executed in 1969, this work is registered in the archives of the Calder Foundation, New York,...

An original realist drawing by American female artist Catherine Koenig. This work is featured in the Draw Near exhibition currently on view at Benjaman Gallery.

Fine original watercolour by the Dutch painter Louis Van Staaten, also known as Hermanus II Koekkoek (1836-1909). Signed lower right. Presented in a smart silver coloured frame with ...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and colour. This blue tone artwork titled "Lagoon 05" works well on it's own or as a grouping. It comes f...

John Giorno LET IT COME LET IT GO, 2017 Watercolor on handmade paper Hand signed and dated by the artist on the back of the artwork. The frame features a die-cut window on the back t...

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso by Erte. Stamped "Composition originale". Frame size 29 x 24.5 inches. Artwork s...

Sterner, Albert (American. 1863-1946). PORTRAIT OF HAROLD STERNER. Charcoal and pastel on paper, not dated, but 1912, as the subject is stated to be aged 17. Signed, lower right. 16 1/2 x 11 1/4 inches, framed to 26 1/8 x 20 1/8 inches. In very good condition. Albert Sterner was born in England, and studied in Paris. He worked as a magazine illustrator, but is best known for his paintings and prints. Harold Sterner (American, 1895-1976). Architect, painter; New York, N.Y. Born 1895, died 1976...

Anthony Padovano Untitled Abstract Expressionist drawing, 1971 Ink wash on paper drawing Signed and dated in ink wash Provenance: Graham Gallery, NY Unique Original (unique) signed A...

May Mott Smith (1879 - 1952) A Martinique Native in French Guiana, circa 1925 Watercolor on paper 24 x 20 inches Signed lower right; titled on the reverse “Martinique Native” is an ...

Artist: Gay Kabbash, American Title: Miss Maude Year: 1988 Medium: Watercolor on Paper, signed and dated Size: 18 in. x 23.5 in. (45.72 cm x 59.69 cm) Frame Size: 23 x 29 inches

"The Unconscious Mind” 27.5x19.5in / 70x50cm Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube, directly from the artist's st...

Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

Oil on paper - Unframed Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form...

One of my favourite pieces at the moment - the subject, a mysterious young woman seated on a stool with her back towards us has such a strong presence that it feels as if she were ri...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

The Japanese garden 2 (2014) The second of two pastels on the Japanese Garden at estate 'Clingendael' at The Hague, Netherlands. This one is as impressionistic as the first and I'...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 12 x 18 Frame Size: 21 x 27 Medium: Watercolor Dated 2005 "Maroon Bells" Aspen CO Biograph...

"Untitled," Abstraction, Pop Sensibility, Flashe and Charcoal on Paper, 30 x 22 Inches. Framed in White Wood. This painting on paper has a very sophisticated sensibility in th...

Fredrick Reichman (1925 - 2005) Nude on Mattress 1940s Charcoal on Paper 25"x19", unframed Signed on left in pencil Came from a portfolio owned by artist John Bowers Post War Calif...

The Sale of Louise This pastel drawing ‘Lulu – 11-07-24’ depicts new adventurous endeavours celebrity moviestar Louise Brooks is about to undertake. Exit Metropolis! Let me ...

(Sorry for the reflections on the glass.) An exquisite antique pastel of a beautiful young lady showing her pleasure gazing at a new pair of silk tapestry shoes. An import sticker from France is still attached to the back. Comes in an elaborate gilt-and-plaster antique carved frame...

Abstract Composition, Kitchen Utensils. Ink and watercolor of kitchen implements. Hand signed in Hebrew upper left. Dimensions: (Frame) H 25" x 18" (Sight) H 18.5" x W 11.75" Bergn...

Flowers in a vase paper/pastel, 70x54 cm

Original work on paper work by Nigel bird. It is part of a collection of work inspired by sound. “During the time I lived in Southern France, I once had the good fortune to be walkin...

Neige (Abstract painting) Collage, Gouache, acrylic and oil pastel on Arches paper — Unframed Marie de Lignerolles is an artist, designer, illust...

Scaling up This pastel drawing Golden Lilac - 07-02-21 is based on a previous graphite pencil drawing 'Nude - 13-01-16'. Once in a while I realize I draw in graphite more often than...

Artist: Kim Jones, American (1944 - ) Title: Don't Cry For Me Argentina Year: 1988 Medium: Ink and Gouache, signed and dated verso Size: 20 x 15.5 in. (50.8 x 39.37 cm) Frame Size: 2...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." S Clapham (active 1940 - 1960) Puslinch House Pencil 55 x 77 cm An architectural drawing of Puslinch House, a fine Christopher Wren-style Georgian mansion in Devon. The estate was owned by the Poslylinch, Mohun, and Upton families before being taken over by the Yonge family in 1718, following the marriage of John Yonge and Mary Upton. The Queen Anne House mansion was built on the occasion of their wedding and an earlier medieval...

Titled lower left. Signed lower right: S. Headley Van Campen Susan Van Campen’s plein-air oil paintings are painted with the confident brushwork of a...

Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and seamlessly connects back to itself. The work is signed an...

abstract, yellow ,orange,grey,geometric,1954 Edgardo CORBELLI (Turin, 1918 - 1989) Signed on the back From the traditional composition of the 1930s, the painting of Corbelli leads t...

Title: Landscape Brown Artist: Marilina Marchica (b. 1984, Italy) Year: 2023 Medium: Pure pigment on paper Size: 50 × 70 cm Framing: Unframed; optional wooden frame available (ready ...

'Pittenweem Harbor' is by contemporary Scottish artist Robert Stirling, signed in lower left. Pittenweem is a fishing village on the east coast of Scotland in Fife, between St Andrews and Elie, an area known for local crafts and pottery. 'Pittenweem Harbor' presents well and is in excellent condition. The frame complements the dark blue greens of the boat hulls and reflections in the water. Covered in glass for protection, the frame is new. The total measurement is 21" high by 25.5" wide including the frame. This is a well priced...

Heidi Lowell is a multidisciplinary artist based in Austin, Texas, whose practice is deeply rooted in the earth itself. Harvesting site-specific soils and plant materials from across...

Untitled painting/collage #3 2022 acrylic and painted silkscreen mesh on 140 lb. cold press paper 30x22” unframed blue, green, yellow, white irregular texture surface abstract

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller"; you can also search for other drawings by this artist. V A Hards...

Roger Bonafe (French b. 1932) signed. watercolour on thick art paper, inscribed verso. Size 22.75 x 30 inches. Bonafe was born in the town of Caux (Herault) in Southern France in ...

A fine landscape scene depicting the dramatic coastal scenery and rocky outcrops of Faraglioni, Italy. Figures can be seen in the foreground looking out to sea amongst intricately pa...

Real Cubism This pastel Golden Cubism – 21-02-21 is the first real cubist drawing in my Golden series. After my last pastel drawing Lakshmi – 16-02-21 I realized I only made pastels in my Roundism style. The last one in that style was ‘Golden Lilac – 07-02-21’. What if I would return to the initial form of cubism I employed back in 2014. Besides that, once in a while my preference is to put the stress on angular forms rather than round ones. Variety is the spice of life...

Fortune Magazine Cover Published 1941 Illustration Precisionist American Scene Antonio Petruccelli (1907 - 1994) Military Tent City Fortune Cover published, May 1941 17 1/2 X 15 in...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Marion Bryson was an artist of the Cleveland School and is known for her watercolors of landscapes, animals and flowers. She was awarded first prize in the watercolor category in the...

Study for "Golden Fall", 1940 Pastel on paper, 26 x 20 inches (66 x 50.8 cm) Framed dimensions 33 1/2 x 27 1/2 inches Joseph Stella’s artistic career defies easy categorization. He ...

Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and seamlessly connects back to itself. This painting combine...

While charcoal is naturally a loose drawing medium, David Becker uses it with precision. With a rich range of value and strong darks, Becker captures the fine details with exacting clarity. In his drawing "Pritzlaff - 1903", the subject, a male with a glazed look, is wielding an ax and pointing a finger at the viewer. This drawing is framed in a simple black frame. The artist has signed with his initials and year on the front and signed his full name on the back of the piece. David Becker Pritzlaff - 1903 vine charcoal on paper 32h x 24w in 81.28h x 60.96w cm DB0027 David Becker Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

In the yard. 1950. Pastel on paper, 65x49,5 cm

Acrylic on paper and Netting - Framed. Image's dimensions: 32 x 29 cm/12.5 x 11.4". The Moiré project is an exercise in optical and formal aesthetics. Each individual artwork is ...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Yiddish Theatre Cubist Costume Design 1924 Deco Color Field Modernism Broadway. Boris Aronson (1898 – 1980) "Day and Night" Gouache and watercolor on ...

"Singularity" by Halsey Chait India Ink on 250 GSM Lenox 100 Cotton Rag Paper Halsey Chait's drawings develop according to the rules and mathematics that govern the growth processes...

"Bandelier #1" is an original pastel drawing signed by the artist Peggy Leonard in the lower left. It depicts a colorful array of light and shadow in a grassy wooded area. 12 1/2" x 9" art 25 1/2" x 21 1/2" frame Peggy Leonard received her BFA in painting and drawing and an associate’s degree in nursing from Miami University in Oxford, Ohio. She is both a registered nurse, and accomplished artist, residing in Milwaukee, WI. From the artist: “These paintings are my prayers,” muses Leonard, reflecting on her driving need to express herself through her art. “We are made of the stuff that requires us to respond with our hearts and hands. Often, it requires terrible sacrifice and suffering, something not everyone can understand. But it is done with reverence of life, not irreverence.” Leonard’s pastels and oil paintings capture her reverence of life and reflect her own life’s journey, including earlier forays into the wilderness. Her venture into art began in early childhood, as childless neighbors nurtured her natural ability to draw; concurrently, Leonard’s parents instilled a respect for academic excellence and the higher order of nurturing others. As a young nurse, Leonard “heard and saw poignant messages to travel while one was young and free…while one had one’s health.” Consequently, she took to the open road and public lands, camping across America for months at a time. During these years, her “celebration of the natural splendor of this country” helped shape her sense of artistic expression. She was moved by such sights as the sunset on St. Mary’s Lake...

A 65 million year old sea creature is captured here through the art of Gyotaku by Jeff Conroy. After inking and taking impressions of a reproduction fossil Ammonite shell and combini...

A lady at her dressing table Signed and indistinctly dated 190*, watercolour, Miss K* B* Curtis (ex.1917 -1919) framed and glazed(modern frame) ready to hang in very good condition size overall 30 x 24 inches approx. size of painting 20 x 14 inches approx. Miss K* B* Curtis exhibited 1917-1919 portrait...

Clairobscur – 06-10-20 Clairobscur In 2013 I started this clairobscur lit nude and tucked it in one of pastel maps, only to forget about it for years and years. I remembered I was not quite satisfied by the color saturation and the color scheme itself. It leaned too much on the red and purple side. Besides that, the proportions were slightly off. Mishaps If you become curious right now, I have a whole bag of mishaps loitering about. It is one of the long and winding roads an artist has to take, especially when frantically looking for a style to call my own. In the meantime this kind of impressionism in hatched strokes I did a lot but once in a while it is fun to take it up once again. In fact posting ‘Pastel Study 04 (2013)’ reminded me to finish this one. Second Chance Sometimes you have to give a pastel a second chance or in other worlds...