B.M. Kremitske

"Fishermen On Great Sacandaga Lake" Watercolor by B.M. Kremitske

Art Sz: 15 3/4"H x 19 1/2"W Frame Sz: 19"H x 23"W Acrylic on Canvas

Art Sz: 1 7/8"H x 3"W Double-sided w/ fisherman's face on verso Frame Sz: 5"H x 6"W Milton Christian Frederick Weiler was born in Buffalo, New York on February 28, 1910. His interest in wildlife, and awareness for conservation, was ingrained early in life. His father, an avid hunter and fisherman, provided instruction and opportunity for an outdoor life. Annually, accompanying a guide to the family fishing camp in Northern Ontario, young Weiler performed camp chores, fished and enjoyed the wilderness. He was educated at Syracuse University’s College of Fine Arts. In 1935, Weiler worked with the Garden City, New York Public School Department. He instructed drawing in the Department of Fine and Industrial Arts, later becoming the Department Head. His education continued, receiving a Masters Degree from Adelphi University. His career in Garden City was interrupted in 1944 when he was sent to the Military Academy at West Point as a commissioned Major in the Corps of Engineers. As Professor of Typography and Graphics, his academic skills were directed toward national interests. Following honorable discharge, Weiler returned to his former position in Garden City, where he remained until his death in 1974. In many circles, Milton Weiler is considered one of the finest sporting artists of his generation. His love of angling and gunning are apparent in his most famed works. Paul Brown introduced Weiler to Eugene V. Connett III, publisher of Derrydale Press, during the mid 1930s. Derrydale Press, already noted for its high quality books on American sporting afield, was seeking talented artists to illustrate forthcoming writings. Weiler enthusiastically grasped the opportunity and went on to provide art for four Derrydale Press books. The limited edition volumes included Tall Tales and Short, by Edmund Ware Smith; Up Stream and Down, and Big Stony, by Howard T. Walden II; and Random Casts, by Eugene V. Connett. He held memberships in several distinguished sporting fraternities, including Swan Island Club, Southampton; de Bruce Fly Fishing Club on the Willowemoc; and the Anglers Club of New York...

Art Sz: 14 1/2"H x 21 1/2"W Frame Sz: 22 1/4"H x 28 1/2"W Signed Lower Left In French Mat

Art Sz: 10 1/2"H x 14 1/4"W Frame Sz: 17 1/4"H x 21 1/4"W Stoney Conley is a painter who has received several grants and awards including; The Massachusetts Cultural Council Artis...

Eve Nethercott, American (1925 - 2015) - Maine Fishermen (39), Year: 1961, Medium: Watercolor, Size: 14.5 in. x 12 in. (36.83 cm x 30.48 cm), Description: Arranging their yello...

"Fisherman" by Maurice Mazeilie (French) watercolour painting on paper, unframed stamped verso painting: 5.5 x 9.5 inches A delightful original oil painting by the 20th century Fre...

Signed LL Recognized as one of America’s leading etchers and watercolorists during the early twentieth century, Sears Gallagher depicted a variety of subjects ranging from New England landscapes and European subjects to views of Monhegan Island, Maine. Born in Boston in 1869, Gallagher has impressive family lineage extended back to the Pilgrim fathers and to the first Governor Bradford. He began his art education locally, studying drawing with the Italian artist, Tomasso Juglaris, and watercolor painting with the Samuel P.R. Triscott. He made his first submission to the annual exhibitions at the Boston Art Club in 1887, exhibiting a drawing entitled "Evening News." Gallagher later refined his skills at the Académie Julian in Paris, working under Benjamin Constant and Jean-Paul Laurens during 1895-96. During his three-years abroad (1894-96), he made summer visits to popular artists’ colonies such as Grèz-sur-Loing, where he painted and sketched en plein air. He also spent time in Italy and England. Gallagher began his career in Boston, working as an artist-reporter for a local newspaper and illustrating textbooks for the publishing firm of Ginn and Company. However, by the early 1900s he had established himself as a professional artist specializing in etchings and watercolors. By 1920, he had produced 138 etchings of the historic streets and landmarks of Boston, such as Copley Square, the Old State House, and Trinity Church. He was also fond of marines, producing etchings as well as oil and watercolor views of Monhegan Island, Maine, where he spent his summers, as well as Plymouth and Nantucket on Cape Cod. His work includes landscapes painted during autumn trips to Jackson, New Hampshire, as well as views of New York, Venice and England’s Cornish seacoast. Gallagher exhibited at the major national annuals in United States, and had several solo shows at Doll and Richards Gallery in Boston. His work also appeared at the Paris salons and at the Paris Exposition of 1900. Gallagher’s memberships included the Guild of Boston Artists, the Boston Society of Water Color Painters, the Brooklyn Society of Etchers and the Chicago Society of Etchers. He won several awards and prizes, among them the Logan Prize for etching at the Art Institute of Chicago in 1922 and the City of Boston Tercentenary medal...

A Day At The Lake - Original Watercolor on Paper Original watercolor on paper depicting a day at the lake by Ken L. Stephens (. The viewer looks on as two women can be seen painting...