Danny Fox

Study Of A Woman In The Bathroom

2018

Incoming rain, Den Pasar, Bali 1937 Signed with initials, dated and titled, bottom right Black chalk and ink on paper, 42 by 46 cm Literature: Ernst Braches en J.F. Heijbroek, W.O...

Young boy at Loemboeng, 1918 Signed with initials and dated, bottom right Black chalk on paper, 25.7 x 10 cm Literature: W.O.J. Nieuwenkamp, Zwerftochten door Timor en Onderhoori...

Ida Bagoes Ketut Diding, Artist on bali 1937 Signed with initials, dated and titled, bottom centre Black chalk on paper, 29 x 31 cm Literature: Ernst Braches en J.F. Heijbroek, W....

Arriving in Rome in June 1735 as a resident at the Royal Academy, Pierre was unable to attend the Winter Carnival festivities of 1735, which he nevertheless immortalised in an engrav...

Double-sided work in good condition, dispersal of the Knaublich succession, Loiseau-Shmitz, 23/03/2002. Stamp "Atelier Derain" at bottom right. Exhibitions: Talismans VI, galerie Her...

Beautiful work of a female nude made in ink on paper with some trace of lead mine probably from a sketch. Dispersion of the estate Knaublich, Loiseau-Shmitz, 23/03/2002. Stamp "Ateli...

Jeanne-Marie BARBEY (1876-1960) Trees in winter Brown ink wash and graphite pencil on paper Signed lower right 26 x 20 cm frame 46 x 40 cm Born Louise Jeanne Marie Barbée in 1876 in...

David Sharpe, second-generation Chicago Imagist — 1991 figurative portrait, graphite on paper. A psychologically charged head-and-shoulders portrait rendered entirely in graphite, emphasizing Sharpe’s incisive draftsmanship. Without color, the image leans on tonal shifts, cross-hatching, and faceted marks to build a mask-like visage that oscillates between observation and invention—classic post-Imagist Chicago: bold figuration, surreal inflection, and emotional intensity. Dated 1991, this work embodies the Chicago school’s distinctive blend of wit and bite while remaining intimately drawn and friendly in scale. Institutional collections (selection): Art Institute of Chicago; Museum of Contemporary Art Chicago; Smart Museum of Art, University of Chicago; Scottish National Gallery of Modern Art; Mary & Leigh Block...

David Sharpe, second-generation Chicago Imagist — 1991 figurative portrait, graphite & watercolor on paper. A psychologically charged seated figure that merges meticulous graphite draftsmanship with expressive watercolor accents. Sharpe’s post-Imagist language—bold figuration, surreal inflection, and emotional intensity—animates the mask-like facial passages and layered torso imagery, creating a vivid dialogue between observation and invention. Dated 1991, this work embodies the Chicago school’s distinctive blend of wit and bite while remaining intimately drawn and friendly in scale. Institutional collections (selection): Art Institute of Chicago; Museum of Contemporary Art Chicago; Smart Museum of Art, University of Chicago; Scottish National Gallery of Modern Art; Mary & Leigh Block...

Joan Snyder's early 1970s period is known as the best of her career, now an iconic period of time for feminist abstract painting of the era. This fully finished work on paper reads l...