Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 16

Antique 19th Century Swiss School Pastel Portrait Painting Beautiful Young Girl

Circa 1870

$3,600
£2,720
€3,118.60
CA$5,024.21
A$5,466.73
CHF 2,894.56
MX$65,768.46
NOK 36,754.52
SEK 33,627.81
DKK 23,300.31

About the Item

A enchanting intimate 19th century Swiss pastel portrait painting of a beautiful young girl, circa 1870, attributed to the celebrated Swiss artist Albert Anker (1831-1910). The painting depicts a lovely young girl most likely in her mid to late teenage years, she is seated with her arm resting on a velvet cushion, she has wildflowers nestled in her hands and she is wearing blue ribbons in her hair. At sight the work does not seem to be signed, but could possibly be signed below the frame spandrels, the pastel is housed in the original lavish gilded rococo frame with gesso floral corners, the pastel is on paper under glass. Both the painting and frame are in very good condition, this beautiful portrait is ready to hang on your wall and grace your space. At sight without frame 22" x 28" Biography Albert Samuel Anker (1 April 1831 – 16 July 1910) was a Swiss painter and illustrator who has been called the "national painter" of Switzerland because of his enduringly popular depictions of 19th-century Swiss social life. Born in the town of Ins as the son of veterinarian Samuel Anker Marianne Elisabeth. In 1836 his father became veterinarian in Neuchâtel, and the Anker family moved there. Anker attended school in Neuchâtel, where his teacher in sketching was Frédéric-Wilhelm Moritz. He and Auguste Bachelin, later a fellow artist, took private drawing lessons with Louis Wallinger from 1845 to 1848. In 1849 he enrolled into a Gymnasium in Bern, graduating with the Matura in 1851. Afterwards, he studied theology, beginning in 1851 at the University of Bern and continuing at the University of Halle, Germany. But in Germany he was inspired by the great art collections, and in 1854 he convinced his father to agree to an artistic career. In Neuchâtel he began using the name Albert, because it was easier to pronounce for his French-speaking classmates. Anker moved to Paris, where he studied with Charles Gleyre and attended the École nationale supérieure des Beaux-Arts in 1855–60. He installed a studio in the attic of his parents' house and participated regularly in exhibitions in Switzerland and in Paris. Anker married Anna Rüfli in 1864, and they had six children together; the four children who did not die at an early age – Louise, Marie, Maurice and Cécile – appear in some of Anker's paintings. In 1866, he was awarded a gold medal at the Paris Salon for Schlafendes Mädchen im Walde (1865) und Schreibunterricht (1865); in 1878 he was made a knight of the Légion d'honneur. In 1870–74 he was a member of the Grand Council of Bern,where he advocated the construction of the Kunstmuseum Bern. Apart from his regular wintertime stays in Paris, Anker frequently travelled to Italy and other European countries. In 1889–93 and 1895–98 he was a member of the Swiss Federal Art Commission and in 1900 he received an honorary doctorate from the University of Bern. A stroke in 1901 reduced his ability to work. Only after his death in 1910 was there a first exposition dedicated to him, held at the Musée d'art et d'histoire in Neuchâtel. During his studies, Anker produced a series of works with historical and biblical themes, including paintings of Luther and Calvin.[1] Soon after returning to Ins, though, he turned to what would become his signature theme: the everyday life of people in rural communities. His paintings depict his fellow citizens in an unpretentious and plain manner, without idealizing country life, but also without the critical examination of social conditions that can be found in the works of contemporaries such as Daumier, Courbet or Millet. Although Anker did paint occasional scenes with a social significance, such as visits by usurers or charlatans to the village, his affirmative and idealistic Christian world-view did not include an inclination to issue any sort of overt challenge. Also prominent in Anker's work are the more than 30 still lifes he created. They depict both rural and urban table settings in the tradition of Chardin, their realist solidity reflecting Anker's vision of a harmonic and stable world order.[1] In addition, Anker created hundreds of commissioned watercolours and drawings, mostly portraits and illustrations, including for an edition of Jeremias Gotthelf's collected works.[1] Between 1866, the year Anker settled to Paris and 1892, Anker also decorated more than 500 faience plates for the Alsatian pottery industrial Théodore Deck. Anker was quick to reach his artistic objectives and never strayed from his chosen path. His works, though, exude a sense of conciliation and understanding as well as a calm trust in Swiss democracy; they are executed with great skill, providing brilliance to everyday scenes through subtle choices in coloring and lighting. Their parochial motives belie the open-mindedness towards contemporary European art and events that Anker's correspondence reflects. Albert Anker's work made him Switzerland's most popular genre painter of the 19th century, and his paintings have continued to enjoy a great popularity due to their general accessibility.[1] Indeed, as a student, Anker summed up his approach to art as follows: "One has to shape an idea in one's imagination, and then one has to make that idea accessible to the people. Many Swiss postage stamps and other media have incorporated Anker's work. His studio in Ins has been preserved as a museum by the Albert Anker Foundation.
  • Attributed to:
    Albert Anker (1831 - 1910, Swiss)
  • Creation Year:
    Circa 1870
  • Dimensions:
    Height: 35.5 in (90.17 cm)Width: 30 in (76.2 cm)Depth: 2.25 in (5.72 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
    Very Good Condition.
  • Gallery Location:
    Portland, OR
  • Reference Number:
    1stDibs: LU1366216104112

More From This Seller

View All
Important 18th Century Pastel Portrait Painting Young Girl John Russell RA 1789
By John Russell
Located in Portland, OR
An important authenticated & documented 18th century portrait by John Russell R A (1745-1809), England, signed & dated 1789. This rather charming & sensitive portrait of a young girl...
Category

1780s English School Portrait Paintings

Materials

Oil Pastel

Antique French Portrait Miniature Oil Painting Vigee Lebrun Mother Daughter 1860
Located in Portland, OR
Antique French Portrait Miniature oil Painting, Jenny Savy, circa 1860. The painting being larger than most portrait miniatures and painted by Jenny Savy, a renowned French portrait...
Category

19th Century Figurative Paintings

Materials

Oil

Antique Late 19th Century English Oil on Canvas Painting Female Portrait 1900
Located in Portland, OR
Antique English oil on canvas portrait painting, circa 1900. A very handsome Impressionist portrait of a youthful lady in Edwardian dress. Oil on canvas, signed to the upper left "F ...
Category

Early 1900s English School Portrait Paintings

Materials

Canvas, Oil

Antique Oil Painting Aristocratic Portrait of John Ogle Kirkley Hall Northumbria
Located in Portland, OR
An important & fine antique George IV period oil painting; a portrait of John & Sara Ogle of Kirkley Hall Northumbria, England, by Sir John Hayter RA, signed & dated 1829. Sir John ...
Category

1820s English School Figurative Paintings

Materials

Oil

Antique German Genre Oil Painting Portrait Cavalier Drinking Wine
By Albert Friedrich Schroder
Located in Portland, OR
A fine German classical oil on canvas by the genre and portrait artist Albert Friedrich Schröder (1854-1939), signed dated 1899. The painting is by one of Germany's prolific cl...
Category

Late 19th Century Dutch School Portrait Paintings

Materials

Canvas, Oil

Antique Italian Oil on Panel Painting Costume Genre Dog Beauty Franceso Vinea
By Francesco Vinea
Located in Portland, OR
A very good antique oil on panel costume genre painting by the celebrated Northern Italian artist, Francesco Vinea (1845-1902), the painting dated signed and dated 1873. Vinea studied at The Academy of Fine Arts in Florence and then worked as a designer of illustrated periodicals, he returned to Florence and studied under professor Enrico Pollestrini. Vinea unapologetically produced incredibly high quality humorous and whimsical scenes that were always elegant and depicted figures in period costume situated in lavishly ornamented interiors. Vinea became quite famous and wealthy in his lifetime and his work was particularly sought after in France, England and The United States. The 19th Century American art collector James Jackson...
Category

1870s Italian School Figurative Paintings

Materials

Oil, Panel

You May Also Like

Late 19th Century Oil Painting Portrait Young Girl by Jeremie Delsaux
Located in Casteren, Noord-Brabant
Jeremie DELSAUX. Glain, Belgium 1852 - Liège 1927. An antique oil painting on canvas, a portrait of a young girl with a hairbow. It was painted by Jer...
Category

Antique Late 19th Century Belgian Romantic Paintings

Materials

Paint

Framed 19th Century Pastel - Victorian Child
Located in Corsham, GB
This fine Victorian portrait depicts a rosy cheeked and red lipped girl, sat wearing a black buttoned down frock with delicate lace collar. The artist has man...
Category

19th Century Portrait Drawings and Watercolors

Materials

Pastel

MID-19th CENTURY PORTRAIT OIL ON CANVAS OF A YOUNG GIRL
Located in Firenze, FI
A beautiful painting of modest size, made in oil on canvas and framed in a carved and gilded wooden frame. The painting depicts the portrait of a young woman with her hair gathered a...
Category

Antique Mid-19th Century Italian Paintings

Materials

Canvas, Wood, Paint

Original Pastel portrait of a young woman by G. Brisgand in gilt frame
Located in New York City, NY
A fine original pastel portrait of a beautiful young woman in vibrant colors, representing a modern interpretation of a classical subject . She is portrayed as aristocratic, sensual,...
Category

Vintage 1930s French Aesthetic Movement Paintings

Materials

Paint

Antique Oil On Board Portrait of a Girl Signed 19thC
Located in Big Flats, NY
Antique Oil On Board Portrait Of A Girl Signed 19thC (22 1/2" x 19 5/8" x 2 3/8"). A nicely rendered 19th-century oil on board portrait depicting a young girl with blonde curls...
Category

Antique 19th Century Paintings

Materials

Wood

Portrait of a Young Woman in a Pink Dress Antique Original Pastel Drawing 19th C
Located in Bristol, GB
ANTIQUE ORIGINAL FRAMED DRAWING Depicting a romantic scene of a young woman in a pink dress relaxing on a big blue cushion with a book open on her lap and next to a basket of roses...
Category

Antique 19th Century European Romantic Decorative Art

Materials

Paper, Glass, Wood