Annibale Carracci (after)

Madonna della Scodella

Madonna and Child ( Vergine di Bellini) is an original print ( Bulino) realized in 1966 by Ferdinand Gaillard (1834-1887) in the 19th Century. The artwork represents a beautiful po...

Mother and Child is a drawing artwork realized by an Anonymous in the late 18th century Two ink drawig with figures nn paper. with ntes. The state of preservation is good with slig...

Female figure with child and dog is a sublime original drawing (red chalk drawing on laid paper) by an exponent of the French School of the XVIII century...

L'Annunziata in S. M. sopra Minerva is an original old master artwork realized by Giovanni Fontana. Ivory colored sheet attached on an ivory colored cardboard ( cm 35.8 x 26.7) Bea...

Chiaroscuro woodcut on cream laid paper with a partial anchor in a circle watermark, printed from two blocks in black and olive-green, 10 3/4 x 8 3...

A pencil and watercolour drawing of a Madonna and cherubs inspired by the carvings of Michelangelo Buonarroti. Signed and dated bottom right. An elegant and charming stylised drawin...

Felice Pinariccio, known as Le Lasagna (active in Bologna during the 1560s-1570s) Virgin and Child with Saint John the Baptist and Saint Jerome Pen and brown ink, brown wash heighte...

Anton Maria Piola (Genoa, 1654 - 1715) circle Madonna and Child Genoese school of the second half of the 17th century Oil on canvas 93 x 74 cm.- In antique frame 110 x 92 cm. (Work with expertise by Dr. Arabella Cifani) In the pleasing work proposed, depicting a classical Nativity scene, the Madonna is immortalised in adoration as she gently holds the sheet on which the Child is lying, with a gesture of protection and pride that facilitates an atmosphere of intimate recollection, in addition to the presence of three cherubs at the top. The stylistic analysis of the canvas can easily be traced back to a painter of the Genoese school and active during the 17th century, specifically with the devotional works from the workshop of Domenico Piola (Genoa, 1627-1703), an absolute protagonist of Genoese Baroque culture. Piola was the owner of the most important city painting workshop of the time, known as 'Casa Piola', where his sons Paolo Gerolamo and Anton Maria also collaborated. His production, which specialised in a type of highly decorative, profane and allegorical paintings, destined for the decoration of Genoese patrician palaces, also included a refined series of works of a religious nature. In particular, the style of our beautiful breast painting...