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Arthur Burdett FrostSet of 6 Golf Drawings and Page titled "He Got Madder and Madder and Madder"c. 1900
c. 1900
$16,500
£12,560.63
€14,359.46
CA$23,215.72
A$25,394.18
CHF 13,370.73
MX$303,180.67
NOK 170,411.86
SEK 155,886.19
DKK 107,250.44
About the Item
This charming and historically rich group of drawings, titled He Got Madder and Madder and Madder, is a complete narrative golf series by renowned American illustrator A. B. Frost, created circa 1900 for Life magazine. The set includes six original pen-and-ink drawings, each measuring approximately 7 x 10 inches, along with the original published Life magazine page in which the series appeared.
Frost masterfully captures a humorous escalation of frustration on the golf course, using expressive line work, exaggerated body language, and sequential storytelling to bring the scene to life. As the golfer’s temper worsens, clubs, bags, caddies, and eventually the golfer himself are sent flying into the pond, all rendered with Frost’s signature wit and observational skill. The drawings reflect the golden age of American illustration, when narrative humor and draftsmanship were paramount.
The provenance is particularly strong, having passed through W. Russell Button, Chicago, Alexander Gallery, New York, and Michael Meyer, Yonkers, New York. Together, the original artworks and magazine page form a rare, intact example of early 20th-century editorial illustration, offering collectors a unique blend of fine art, publishing history, and timeless humor. The group is handsomely framed and ready for display, and notably, the final image in the drawing series is signed by A. B. Frost in the lower right, adding an important mark of authenticity and collectible value to this exceptional set.
- Creator:Arthur Burdett Frost (1851 - 1928, American)
- Creation Year:c. 1900
- Dimensions:Height: 7 in (17.78 cm)Width: 10 in (25.4 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fredericksburg, VA
- Reference Number:1stDibs: LU2574217372412
Arthur Burdett Frost
A famous illustrator and sporting artist, Arthur B. Frost is perhaps best known for his illustrations for the Uncle Remus tales by Joel Chandler Harris, as well as for naturalistic hunting and shooting prints. Many consider him to be the best illustrator of rural America. An ardent sportsman himself, many of Frosts favorite subjects were hunting, fishing, and golfing. Often his golfing subjects tended towards humor. His scenes capture the drama of the sport - a hunter poised to shoot and a dog on point - with elements often integrated into a richly detailed woodland or marsh setting. Frost chronicled aspects of America's cultural life for over five decades. From the late 19th to the early 20th centuries, his art appeared in the many books and publications of the time, including Harper's Weekly, Scribner's, and Life magazines. Frost's illustrations always evoked the essence of a setting and its mood, whether depicting the hilarious escapades of the family cat or farm dog, or the serene pastoral lifestyle of the native northeast. His sound draftsmanship was combined with an intimate knowledge of nature. Frosts details in his pictures were very specific, as though drawn on the spot, and done in a very convincing manner. In the preface and dedication by Harris of his book Uncle Remus, Harris wrote of Frost "you have conveyed into their quaint antics the illumination of your own inimitable humor, which is as true to our sun and soil as it is to the spirit and essence of the matter. The book was mine, but now you have made it yours, both sap and pith" Other well known examples of Frosts illustrations are Brer Fox and Brer Rabbit from The Tar Baby. Frost was known to have spent time in the art colony of Rockport, on the Eastern Shore of Cape Ann, Massachusetts, where he is said to have gone because of painter Gilbert Tucker Margeson. He also summered at the noted Shinnecock Hills Summer School of Art, which William Merritt Chase set up a few miles west of Southampton, New York. Shinnecock Hills became the best known of all the out-of-doors summer art schools that developed in America during the late nineteenth century, and attracted hundreds of aspiring young men and women, including Frost, Rockwell Kent, Lydia Field Emmet, and many others. Frost was red-green color blind, but it was not a great handicap since the majority of his work was reproduced in black and white. He managed to work successfully in color by reading the labels on the tubes and placing the colors in the proper order on his palette. Arthur Frost is the father of impressionist painter John Frost (b. 1890 in Philadelphia - 1937), and as a young man John studied art with his father before going on to study in Europe.
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