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Balthus (Balthasar Klossowski de Rola) Study For Three Sisters - Figurative Mixed Media Drawing on Paper, 19541954
1954
$95,000
£72,109.88
€82,691.94
CA$134,091.96
A$143,935.16
CHF 76,638.11
MX$1,704,750.65
NOK 968,496.22
SEK 884,507.17
DKK 617,746.32
About the Item
"Study for Three Sisters," a 1954 mixed media drawing by Balthus, offers an intimate glimpse into the artist's preliminary creative process. Executed in pencil with subtle blue watercolor accents, this sketch captures two figures—a reclining woman and a seated child—arranged with a spontaneous yet deliberate energy on a couch. The loose, expressive lines and minimal detailing reveal the immediacy and personality of the subjects, contrasting with the more formal and structured compositions of his final paintings. The artwork is signed lower left, "B"
Provenance:
Katharine and Nicholas Fox Weber Collection, 1976
Literature:
Virginie Monnier, Jean Clair,
Balthus, Balthus: catalogue raisonné de l’oeuvre complet, Paris, 1999, no. D741, p. 269
Balthus (born Balthasar Klossowski de Rola) was a French-Polish painter known for his enigmatic, classically inspired figurative works that often depict young girls in introspective or unsettling poses. Largely self-taught, Balthus drew on Renaissance and 19th-century academic traditions, setting himself apart from the dominant modernist trends of his time. His meticulously rendered paintings blend timeless technique with provocative subject matter, inviting both admiration and controversy. Often theatrical and dreamlike, his compositions evoke a sense of suspended narrative and psychological tension. A private and elusive figure, Balthus held several prominent positions, including director of the French Academy in Rome, and was closely connected with literary and artistic circles throughout Europe. His work remains both celebrated and debated, occupying a unique space in 20th-century art history for its resistance to abstraction and its engagement with themes of innocence, eroticism, and the subconscious.
- Creator:Balthus (Balthasar Klossowski de Rola) (1908 - 2001, French)
- Creation Year:1954
- Dimensions:Height: 15 in (38.1 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Palm Desert, CA
- Reference Number:Seller: 476081stDibs: LU9317243822
Balthus (Balthasar Klossowski de Rola)
Balthus was born on 29 February 1908 into a cosmopolitan family; his father was of Prussian and Polish origin and his mother, Elsa Dorothea Spiro, nicknamed Baladine, was of Ashkenazi and Russian descent. At the beginning of the war, his family took refuge in Switzerland, where he stayed with his mother while his parents separated. In 1919, his mother met the poet Rainer Maria Rilke (1875 - 1926) who became her lover; Balthus (the nickname of the painter from which he chose his artist's name) was brought up in the artistic milieu of his mother's friends. Balthus moved to Paris with his mother in 1924. He enrolled at the Grande Chaumière academy and frequented Pierre Bonnard's studio. In 1926, he travelled to Italy where he discovered the frescoes of Piero della Francesca and Masaccio, which had a lasting influence on his art. Influenced by the surrealists, he held his first solo exhibition in 1934. Alongside his paintings, which were increasingly successful, he created several theatre, ballet and opera sets, an activity he continued after the war. In 1938, he held his first exhibition in New York.
He married Antoinette de Watteville (1912-1997) in 1937 and the couple settled during the war first in Champrovent in Savoie, then in Fribourg in Switzerland where two of their sons were born and finally in Cologny near Geneva from 1942 onwards. In 1945 the couple separated and Balthus returned to Paris. In 1953, Balthus, then aged 45, decided to move to the Château de Chassy in the Morvan region. He was soon joined there by his niece by marriage (the daughter of his brother Pierre Klossowski's wife from her first marriage), Frédérique Tison, who became his muse and mistress. At Chassy, facing the landscapes of the Morvan, in the immense space of the house, Balthus worked and created a huge number of works. His painting evolved to become closer to the fresco, in the manner of the Italian Renaissance masters. Frédérique Tison accompanied Balthus to Rome when he was appointed Director of the Villa Medici by André Malraux in 1961. When they finally broke up in 1966, Balthus gave her Chassy where she settled. In 1962, during a trip to Japan, Balthus met Setsuko Ideta. She became his wife in 1967. In 1977, at the end of their time in Rome, they settled in a large chalet in Rossinière (Switzerland) where the painter lived until his death on 18 February 2001.
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