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Edgar Britton1970s Semi-Abstract Ink Drawing – Two Figures, American Modern Black Pen Artcirca 1970
circa 1970
$1,960
$2,45020% Off
£1,499.77
£1,874.7120% Off
€1,716.50
€2,145.6220% Off
CA$2,768.04
CA$3,460.0520% Off
A$3,008.38
A$3,760.4820% Off
CHF 1,612.22
CHF 2,015.2720% Off
MX$36,527.08
MX$45,658.8520% Off
NOK 20,240.40
NOK 25,300.5120% Off
SEK 18,769.90
SEK 23,462.3720% Off
DKK 12,820.12
DKK 16,025.1520% Off
About the Item
This striking vintage pen-and-ink drawing, Untitled (Two Figures), was created in the 1970s by acclaimed American modernist artist Edgar Britton (1901–1982). Rendered in bold black ink on paper, the piece features two stylized, semi-abstract figures, capturing movement and psychological tension through minimal yet expressive linework. It reflects Britton’s signature modernist style, blending abstraction with figurative form. Framed: 13 ⅝” H x 16 ⅝” W x 1” D Image: 9” H x 12” W
This original drawing is signed by the artist and presented in a sleek custom black frame, enhancing its crisp graphic quality and contemporary appeal. A fine example of mid-century American semi-abstract drawing, the work offers exceptional visual presence in a compact, collectible format.
This piece is ideal for collectors of 1970s American modernism, figurative abstraction, or works on paper.
About the Artist – Edgar Britton (1901–1982):
Born in Kearney, Nebraska, Edgar Britton was a renowned muralist, painter, and sculptor closely associated with the American modernist and WPA art movements. He studied under Grant Wood and was heavily influenced by the powerful, socially engaged work of Mexican muralists such as Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros.
Britton’s public art career flourished in Chicago during the 1920s and 1930s, where he contributed to significant WPA mural commissions, including work in Washington, D.C. In the 1940s, he relocated to Santa Fe and later to Colorado, focusing on sculpture and public art. He taught at the Colorado Springs Fine Arts Center and the Fountain Valley School, becoming an influential educator and active member of Colorado’s arts community.
- Creator:Edgar Britton (1901 - 1982, American)
- Creation Year:circa 1970
- Dimensions:Height: 13.5 in (34.29 cm)Width: 16.5 in (41.91 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Denver, CO
- Reference Number:Seller: 258941stDibs: LU2739835802
Born in Kearney, Nebraska, Edgar Britton was a muralist, bronze sculptor, and landscape painter. He studied at the University of Iowa from 1918-1920, and with Grant Wood from 1920-1924. Britton was influenced by the social-realist style of the Mexican muralists, such as Diego Rivera, Jose Orozco, and David Siqueiros. He was commissioned to do architectural art in Chicago from 1925 to 1935. During the 1930’s, he did seven murals for the Works Progress Administration, including the Department of the Interior Building in Washington D.C. Britton served as Director of the mural division of the Illinois Art Project from 1940 to 1941. In 1941, Britton moved to Santa Fe, New Mexico. Britton was soon diagnosed with tuberculosis, and his doctor advised him to move to the drier climate of Colorado. He remained in Colorado for the rest of his life and devoted his time to creating sculptures. He was commissioned to do sculptural work in Colorado Springs and Denver. At the request of Boardman Robinson, he became an instructor of painting at the Colorado Springs Fine Arts Center. He was an instructor at the Fine Arts Center from 1943-1950. He was also an instructor of painting at the Fountain Valley School from 1942-1950. From 1967 to 1971, Britton was a member of the Fine Arts Commission of Denver, and he served as President of the Artists Equity in Colorado Springs. Exhibited: AIC, WMAA, 1933-1937; PAFA, 1939; Denver Art Mus., 1943-45, (prize 1944), 1948 (Anne Evans Memorial Prize for painting), opening show, 1972 and solo show, 1972; Pasadena AI, 1946, (prize), 1949 (first prize for painting); Univ. Nebraska, 1945; Colorado Springs FA Center, 1945, 1946 (prize), 1953, 1955; Corcoran Gal, 1947; Des Moines Art Center, 1949-50, 1952; solo and group shows, Fine Arts Center, Colorado Springs; Denver Chapter, Am. Inst. Architects, 1971 (award); Littledale Gallery, Littleton, CO, 1970s. Works Held: AIC; Denver Art Mus.; Colorado Springs FA Center; Pasadena AI; Univ. Nebraska; USPO, East Moline, IL; Dept. Interior Build., Wash., DC; U.S. Nat. Bank, Colorado Springs Library, CO; Genesis, Antlers Plaza, Colorado Springs; The Family, Denver General Hosp. Commissions: frescoes for Chicago Heights H.S. and Deerfield Shields H.S., WPA, 1935; frescoes, Lane Technical H.S., Chicago, IL, 1937; frescoes, 1939 and frescoes for Waterloo Post Office, Iowa, 1940, U.S. Dept. Interior Fine Arts Commission. Further Reading: Pikes Peak Vision: The Broadmoor Art Academy, 1919-1945. The Colorado Springs Fine Arts Center: Colorado Springs, 1989.; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Vol. I. Peter Hastings Falk, Georgia Kuchen and Veronica Roessler, eds., Sound View Press, Madison, Connecticut, 1999. 3 Vols. ©David Cook Galleries, LLC
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