Eugene Berman

Leaning Tower of Pisa - Drawing by Eugène Berman - Mid-20th Century

Mid-20th Century

La Torre D'Avorio is an original artwork realized by the Italian artist Luigi Bartolini (1892-1963) in the 1940s. Ink drawing on paper. Hand-signed and titled on the lower margin. ...

The Tower is an artwork realized by a contemporary anonymous artist in the 1950s.   Watercolor drawing on paper.   Good conditions.

Rome Streets is a Modern Artwork realized by Herta Hausmann (1916 - 1998) in the first half of the 1940s. Original drawing on paper. On the back of the ...

Barking at Tower is an Original Drawing in tempera on cream-colored paper realized by Mino Maccari in the mid-20th century. It represents the popular mascotte of the ENI logo. Inclu...

Title: Mid Century French Architectural Abstract Ink Drawing Tower Form Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Ink on artists paper, ...

Title: Mid-20th Century Ink Drawing of Spanish Architecture and Church Towers in Lorca by Anne Marie Migette Perard (French 1902-1977) Medium: Ink on unframed paper Size: 8.75 inches...

The Duomo, Florence Watercolor, 1914 Signed and dated lower center edge (see photo) Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. Condition: Excellent Image size: 16 3/4 x 14 1/2 inches Frame size: 24 1/4 x 22 inches Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters. Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. He became acquainted with James NcNeill Whistler (1834-1903) and other artists who created etchings and spent time studying the etchings of Rembrandt van Rijn (1606-1669) and other old masters in the collection of the Bibliothèque Nationale. Both Rembrandt and Whistler would have major influences on his art. In 1900 he created a set of 25 etched views of Paris and in 1901 exhibited two etchings in the Salon de la Société Nationale des Beaux-Arts. He returned to the U.S. in 1903, then went back to Paris the following year. He traveled extensively in Europe, visiting England, Switzerland, Italy and Spain as well as various locales in France. His etched views of Venice were well-known. MacLaughlan exhibited views of Paris, Rouen, Normandy and Italy in 1906 in a solo show at the American Art Association Galleries in Paris. He also displayed his work in the 1906 exhibitions of the Société Nationale des Beaux-Arts and the Société des Peintres-Graveurs Français. MacLaughlan even instructed other expatriate Canadian artists then living in Paris, most notably Clarence...

Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...