Gabriele Galantara

"Riformette" - Drawing by Gabriele Galantara - 1919

1919

Italy is a modern artwork realized by Gabriele Galantara (1865-1937) in 1908. Watercolor, tempera, ink and pencil on paper. Hand signed on the right margin. Good conditions and age...

The punishment is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink and pencil on paper. Hand signed on the left margin. Good conditions and aged...

Political benefactor is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink and pencil on paper. Hand signed on the right margin. ...

China ink, tempera and watercolor on paper realized by Gabriele Galantara in the early 20th Century. Hand signed lower left. Very good condition.

Otto Schubert Pen & Ink Fairy Tale is an original pen & ink sketch 1927 from one of the artist's illustrations for a fairy tale. There is a father and mother fox talking to two younger versions of themselves. They are all dressed in human clothes at the door of their house with smoke coming out of the chimney. Next to the house is a tree with a mountain in the background and another house in the distance. There is gardening equipment here and there. In the foreground we see sketches of a rabbit in different poses with some writing in German below the middle image.The artis'ts pencil signature is bottom right. A rare opportunity to own an original signed sketch by this artist. There is a wrinkle in the bottom right side otherwise normal wear and in fair condition. Karl Max Otto Schubert ( 1892-1970 ) was a rising star in Dresden when the city was considered the cultural center of Germany. In 1919 he founded the Dresdner Sezession Gruppe together with Oskar Kokoschka, Otto Dix, Conrad Felixmüller and others. Schubert was known for his portfolio of war lithographs...

ALBERT RUTHERSTON, RWS (1881-1953) The Meeting with Caius Lucius – Illustration for The Tragedie of Cymberline Signed with initials l.r. Pen and ink Unframed 4.5 by 13 cm., 1 ¾ by 5 in. (mount size 39.5 by 33 cm., 15 ½ by 13 in.) Provenance: Estate of the artist Exhibited: London, Sally Hunter Fine Art, Albert Rutherston, Drawings, Theatre Designs and other Treasures, 2016, no.65 The present work was illustrated in Cymbeline, published by Ernest Benn in 1923. The series was a collaboration between Rutherston and Harley Granville-Barker following on from their work together 11 years earlier at the Savoy Theatre and celebrating the quatercentenary of the Shakespeare Folio edition. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke Hall...

GIUSEPPE DEL DEBBIO Professor at the Academy of Fine Arts in Florence, Italy. He is fascinated with the Etruscan art which has become his main inspiration. He creates sculptures in b...

Questo schizzo, inchiostro su carta, è firmato in basso al centro C. Brancaccio. Raffigura un gruppo di figure, tra cui un bambino che sembra protendersi verso un animale, si può sup...