Giuseppe Novello

The Conductor - Drawing by Giuseppe Novello - 1930s

1930s

Concert is a pen Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) w...

Watercolor drawing realized by Mino Maccari in 1940s. Hand signed in pencil lower right. Very good condition.

The Painter is an ink and Watercolor Drawing realized by Mino Maccari (1924-1989) in 1956. Hand-signed on the lower and dated Good conditions. Mino Maccari (Siena, 1924-Rome, Jun...

The "Bussolotti" player is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink and pencil on paper. Hand signed on the right margin. Good condition...

Salvador Aulestia produce an important exhibition dedicated to the music composer Giuseppe Verdi. The exhibition was in tour in several important locati...

Original watercolor on archival paper of a gesturing old man by the well known American artist Benjamin Stahl. Condition is very good. Two spots of foxing or staining to the left of the figure. Very slight wrinkling of paper. Otherwise, no other issues. Circa 1970. Gallery wide linen matted and framed with a thin silver leaf frame. Overall framed measurements are 19.5 by 20 inches. Provenance: A Nokomis, Florida collector. Ben Stahl Biography Born in Chicago in 1910, Ben Stahl was introduced to the world of art by his grandmother. She took him on visits to the Chicago Art Institute and other galleries beginning when he was six years old and continuing until he was fifteen. After these adventures she would buy him oilcloth, brushes, and paints, and he would create “masterpieces” on the front porch of the family home. Stahl also read voraciously, which did not translate into academic excellence. However, when he was in seventh grade, he received a scholarship to attend Saturday morning lectures at the Chicago Art Institute. He would spend his Saturday afternoons drawing live animals at the Lincoln Park Zoo and the stuffed variety at the Field Museum, honing his knowledge of animal anatomy. After high school, Stahl got a job as an apprentice at a commercial art studio. One of the partners, realizing Stahl was ambitious and talented, encouraged him to draw and paint to create a portfolio. It was the contents of this portfolio that landed him a job at Chicago’s most prestigious art studio. During his time there and at other studios, plus a stint as a journalist for the Chicago Daily News, Stahl continued to develop a unique style, influenced by the Impressionists, which he felt would carry the mood and the emotional impact of commercial illustrations. Ironically, Stahl’s first assignment for The Saturday Evening Post was to illustrate a sea story – this for an artist who had never seen either the Atlantic or Pacific Oceans! The editors liked his work, and there followed four years of marine-themed assignments. Eventually Stahl asked for a change, so his next assignment was set in the desert – which he had also never seen. He was being noticed, however, and eventually he decided to move to New York and become a freelance illustrator. He illustrated over 750 stories for the Post along with a number of other magazines, and he continued to explore new approaches in his easel painting. In 1951, Stahl was commissioned to paint "The 14 Stations of the Cross...

Pierre-Georges Jeanniot (1848–1934) Portrait of Henri Rochefort ready for a duel, Pencil on paper Signed and titled lower left 28 x 21 cm In good condition : the left and right borders irregularly cut In a modern cardboard mount : 45.5 x 35 cm The subject of this drawing is, in a way, almost as interesting as the artist who portrayed him in this duel pose. As a reminder, Henri Rochefort, whose full name was Victor Henri de Rochefort-Luçay, was born in Paris on January 31, 1831, and died in Aix-les-Bains on July 1, 1913. He was a French journalist, playwright, and politician. A great polemicist in the pages of his newspapers (La Lanterne, La Marseillaise, L'Intransigeant), he defended radical, even extremist political views (anticlerical, nationalist, pro-Commune, Boulangist, socialist, and anti-Dreyfusard), which earned him the nickname “the man of twenty duels and thirty trials” and convictions, notably to the prison in Nouméa, from which he managed to escape in 1874, a unique feat.. Pierre-Georges Jeanniot (1848–1934) was a Swiss-French Impressionist painter, designer, watercolorist, and engraver who was born in Geneva, Switzerland, and died in France. His work often depicts the modern life in Paris. He started out pursuing a military career, as an infantry officer (1866–1881). He was a lieutenant with the Twenty-third Infantry from 1868 to 1870. He fought in the Franco-Prussian War, was wounded at Rezonville, and was awarded the Légion d'Honneur. He subsequently served with the Ninety-fourth Infantry and the Seventy-third Infantry. At the time he left the army he held the rank of major, with the Chasseurs à Pieds. He never ceased drawing. He was known for the first time in 1872 at the art exhibition Salon de Paris, where he presented a watercolor painting called Intérieur de forêt. The next year he presented the painting Le Vernan à Nass-sous-Sainte-Anne. From then on he was a regular contributor to the Salon de Paris, where he presented new works with views of Toulouse, Paris, Troyes, the edges of the Seine, and some portraits. In 1881, after the army offered him the rank of commandant, he resigned to devote himself exclusively to painting. He took up residence in Paris. His works from this period represent mainly scenes of military life that allowed him to forge a reputation. Jeanniot established himself permanently in 1882 and obtained his first award the following year (medal third class of the Salon de Paris) with his les Flanqueurs (1883, Musée du Luxembourg). In 1886, La ligne de feu, souvenirs de la bataille de Rezonville, remembering the Battle of Mars-La-Tour (Museum of Pau), assured his notoriety. From then on, he started to show a certain artistic independence. He then mostly portrayed Parisian women during the "Belle Epoque", women in bathing suits...

Fernand SIMEON (1869-1931) Concert: the Conductor, 1920 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edi...