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Isidore Alexandre Augustin PilsStudy Of A Woman Holding A Bowl1852
1852
$3,560.34
£2,655.78
€3,000
CA$4,955.46
A$5,316.32
CHF 2,851.56
MX$64,007.75
NOK 35,947.31
SEK 32,778.96
DKK 22,862.28
About the Item
Isidore Pils (Paris, 1813 – Douarnenez, 1875)
Study of a Woman Holding a Bowl
Red chalk, heightened with white chalk, on buff paper
36.3 × 26.5 cm (14 ¼ × 10 ⅜ in.)
Unsigned
Provenance
Sale of the artist’s studio, Paris, Hôtel Drouot [Durand-Ruel
Mannheim], 20 March – 1 April 1876, probably part of lot 844 (Figures diverses pour la “Distribution du pain aux indigents”: Dix feuilles, sanguine et crayon noir).
Born into a family of artists, Isidore-Alexandre-Augustin Pils studied under François-Édouard Picot at the École des Beaux-Arts. He won the Prix de Rome in 1838 and spent five years in Italy before returning to Paris in 1844. Initially devoted to religious subjects, he turned to military themes after the Crimean War, in which he served as an observer. His success as a military painter led to commissions from Napoleon III and the State, while he also engaged with modern historical themes, such as his celebrated Rouget de Lisle Singing the Marseillaise, exhibited to great acclaim at the Salon of 1849.
Another major commission followed with Soldiers Distributing Bread and Soup to the Poor, painted in 1852 for the State (4,000 francs) and exhibited at the Salon that year. Long thought lost, the painting—today preserved at the Château de Fontainebleau (inv. RF 557)—was known only through a lithograph published in L’Illustration in 1852. The subject, showing a military soup kitchen in 1849, may have been inspired by the artist’s own observations of similar scenes in Paris. Contemporary critics viewed the work as particularly relevant to its time, reflecting the continued role of the army (and by implication, the government) in addressing social distress. The canvas was later exhibited at the Exposition Universelle of 1900.
Pils prepared extensively for this ambitious work, producing numerous compositional sketches, figure studies, and oil sketches. The posthumous studio sale of 1876 included several sheets related to the painting—compositions, nine studies of soldiers, and thirteen drawings of figures in the crowd. As Gabriel Weisberg has noted, Pils relied on carefully staged models to achieve the realism of expression and gesture that his subjects required, thus bringing his practice close to the academic tradition.
The present sheet is a study for the mother and child at the centre of Soldiers Distributing Bread and Soup to the Poor. A smaller preliminary red chalk sketch of the same figure, though without the bowl, is preserved in a private American collection. Pils often drew his models from the poorest quarters of Paris, convinced that “it was in the streets…among the people that one could find types and models; and in this way history painting could become true and human.”
References
Château de Fontainebleau, inv. RF 557; Gabriel P. Weisberg, “Studies for Works in Another Medium,” in Lisa Dickinson Michaux
Gabriel P. Weisberg, Expanding the Boundaries: Selected Drawings from the Yvonne and Gabriel P. Weisberg Collection, exh. cat., Minneapolis, 2008-2009, p.26, fig.8.
Gabriel P. Weisberg, “Early Realist Drawings of Isidore Pils,” Master Drawings, Winter 1990, p.394, fig.7; p.392; pp.392-395; p.398, fig.11.
Lisa Dickinson Michaux
Gabriel P. Weisberg, op. cit., p.24, fig.7, detail illustrated p.2 (dimensions 242 × 140 mm; perhaps once part of a small sketchbook).
L. Becq de Fouquières, Isidore Alexandre Auguste Pils: sa vie et ses œuvres, Paris, 1876, p.26; translated in Gabriel P. Weisberg, The Realist Tradition: French Painting and Drawing 1830-1900, exh. cat., Cleveland and elsewhere, 1980-1982, p.111.
- Creator:Isidore Alexandre Augustin Pils (1813 - 1875, French)
- Creation Year:1852
- Dimensions:Height: 14.3 in (36.3 cm)Width: 10.44 in (26.5 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU2258216942232
Isidore Alexandre Augustin Pils
Isidore-Alexandre-Augustin Pils (1815–1875) was a French academic painter of religious and military subjects. Pils was born in Paris as the son of a soldier François Pils. At the age of twelve, he studied with Guillaume Guillon-Lethière for four years.
In 1831 he became a student at the École des Beaux-Arts and studied under François-Édouard Picot. He competed for the Prix de Rome, which he won in 1838 for a history painting, Saint Peter Healing a Lame Man at the Door of the Temple.
Although in poor health, Pils then spent the customary three years at the French Academy in Rome at the Villa Medici, which then had Jean Auguste Dominique Ingres as its director. While in Italy he visited Naples, Venice, and Florence. Pils's earlier paintings have religious themes. In 1849 he completed his most famous work, Rouget de L'Isle Singing La Marseillaise, which now resides at the Musée historique de Strasbourg. After experiences travelling with French troops through the Crimea, his themes took on military and nationalistic subjects. He later produced many military scenes during the siege of Paris during the Franco-Prussian War of 1870. Pils was appointed professor of painting at the École des Beaux-Arts in 1863 but left the same year for two years in Algeria. In 1868 he was elected to seat #14 of the Académie des Beaux-Arts. Among his students were Adrien Moreau, Paul Adolphe Rajon, Julien Dupré, Luc-Olivier Merson, Ludovic Piette, Édouard Joseph Dantan and László Mednyánszky. Among his other work, Pils painted part of the ceiling of the grand staircase of the Palais Garnier, in four panels titled The Gods of Olympus, Apollo in His Chariot, Triumph of Harmony, and Apotheosis of the Opera, completed the year of his death. The following year he was the subject of a biography by Louis Becq de Fouquières.
Pils died in Douarnenez and is buried in section 54 of Père Lachaise Cemetery. His works are held by different museums in France such as : Musée Condé - Chantilly
Musée National du Château - Compiègne
Musée des Beaux Arts - Bordeaux
Musée Historique - Strasbourg
Palais des Beaux-Arts - Lille
Musée des Augustins - Toulouse etc...
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