Ito Shinsui

Couple Embracing in Street at Night

1928

Couple Embracing Sumi ink drawing, c. 1928 Signed lower right: Shinsui (early variant signature) Most probably an illustration for one of the four volum...

Thirsty: The Appearance of a Town Geisha - a So-Called Wine-Server - in the Ansei Era Color woodcut, 1888 Signed; Seal: Taiso (see photo) Plate 22 from the series "Thirty-two Aspects...

LOVE FOR A STREET-WALKER Crayon, graphite, pencil on paper. Measurements: (H) 76 x (W) 56 cm. Attractive portrait of an Edo prostitute hurrying through the streets. She wears a black kimono over layers of colored kimono, tucking her hand into the "obi" at her waist. A white scarf is draped over her head, the edge caught between her teeth, and loose wisps of hair framed her face. There is an impressive contrast between the black kimono and the yellow-orange of collars, sleeves and "obi", balancing the composition the pastel pink of the scarf that covers her head. This image is part of the "bijin-ga" series, Pretty Women, drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print "Love for a street-walker" (1795), 37,2 x 24,6 cm. The British Musem. London, UK. The artist reproduces the seal of the censor (Kiwame) and from the original publisher ("Tsutaya", climbing leaf)), between the two, the signature of Mario BGil written in Japanese, with the date 14 (2014). The mesaurements of the drawing are 76 x 56 cm. (29,92 x 22,05 in.), with a painted surface of 67 x 49,5 cm. With his work on the "bijing-ga" series, Mario BGil wanted to embellish, give brilliance and volume to the images presented by japanese artist Kitigawa Utamaro in those beautiful engravings, ennobled with the patina of time, which have served as inspiration. The result obtained is almost life-size portraits, endowed with strong chromaticism and valuable contrasts, all enhanced, in turn, with the volume provided by the weight and rigidity of the paper, and its thick texture (Fabriano Artistico “grana grosso”, 640g/m2; the thickness and hardness of the paper makes it necessary to transport it without rolling). In this way, Mario BGil pays tribute to his admired artist and offers us a new and enriched vision of this popular facet of oriental art from the 18th and 19th centuries. ABOUT THE ARTIST Mario BGil is a self-taught artist who for years has combined his creative activity with his work in the family business, away from commercial art galleries. In 2012, a deep interest in oriental art was awakened in him and he began to study the great masters of Japanese Ukiyo-e prints, who had such an influence on the European avant-garde of the late 19th century. The discovery of Kitagawa Utamaro (1753-1806), a key figure in the metropolitan culture of Edo (now Tokyo), and a point of reference in the history of Japanese engraving...

A rare Japanese Woodblock print by Itō Shinsui (1898-1972) entitled Backstage (or Gakuya 楽屋 in Japanese). Created in Showa 30th year (1955), the print is in a large format of Double ...