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Martha WalterLadies of Spain1928
1928
$3,800
£2,887.06
€3,317.84
CA$5,337.57
A$5,809.81
CHF 3,078.41
MX$69,871.71
NOK 39,141.18
SEK 35,868.56
DKK 24,784.07
About the Item
Martha Walter is one of the most formidable and talented American female artists of her time. Her extensive schooling and unprecedented travel around the world, particularly for a woman at the turn of the century, furnished her with a sweeping array of subject matter.
Here in Ladies of Spain, Walter is fortunate to capture the decorative dress of these local women while placing them in their provincial setting. She is doing a tricky composition where the one figure is coming from around a corner and the others are pictured in the mirror. Walters did many charming works depicting intimate doorway and niche spots that showed she was thoroughly entrenched in her visit in places where she got a more intimate view of the people that lived there.
Framed in a classic gold leaf modernist frame - gold leaf and under glass.
Her training with William Merritt Chase is evident in the saturated colors and plein-air subject matter in her early Impressionist work with bold dashing brush strokes in conjunction with total color control and well-organized composition. This style translated into a use of rich saturated colors, combined with a very successful application of black paint. Since black was a pigment extraordinarily difficult to master and often omitted in the general course of American Impressionism. Walter is one of the few American Impressionists who used black in her palette.
Signed in the lower left
Provenance: Estate of the artist
Sheet size: 7 1/2 x 5 1/2 inches
- Creator:Martha Walter (1875-1976, American)
- Creation Year:1928
- Dimensions:Height: 13.25 in (33.66 cm)Width: 11.25 in (28.58 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement Style:
- Period:
- Condition:Lovely condition for its age! Ready to hang.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1413215689742
Martha Walter
Walter was born in Philadelphia in 1875. She enrolled at the Pennsylvania Academy of the Fine Arts, where she studied under William Merritt Chase, who became her primary mentor. At his insistence, she entered a number of Academy student competitions and eventually won a prestigious Cresson Traveling Scholarship in 1908. This award enabled her to travel throughout Europe, where she continued her art education at the Grande Julien in Paris. Soon disenchanted with the academicism of the Parisian schools, Walter set out on her own and began producing plein-air paintings in the manner of the French Impressionists. At the outbreak of World War I, she returned to the United States and took up painting at various East coast beach resorts such as Coney Island and Gloucester. In her beach scenes of this period, colorful bathing suits, gowns and umbrellas punctuate a tranquil, pastel surface. Her expertise in the treatment of light and shadow is evident in her depictions of these settings at various times of day.
In 1922, she spent some months painting the thousands of immigrants kept in the detention hall at Ellis Island. The dreadful, crowded conditions inspired a group of paintings that were exhibited that year in the Galerie Georges Petit in Paris. One was selected for the permanent collection of the Musée de Luxembourg. An exhibition at the Art Club of Chicago in 1941 featured a group of watercolor paintings inspired by the artist's travels through Spain and North Africa. These works were intensely colored visions of such subjects as Algerian street scenes, mosques and Spanish fishermen.
Walter worked well into her nineties, continuing to paint portraits of women and children, beach scenes, gardens and marketplaces. Before her death in 1976, she had exhibited widely, and her works are included in major national and international private and public collections. Hammer Galleries had several exhibitions of her work during her lifetime, the last taking place in 1975 when the artist was one hundred years old.
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