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Medium: Conté
MB 085A (Contemporary Life Drawing of Nude Male by Mark Beard)
By Mark Beard
Located in Hudson, NY
Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 085A"
graphite, Conte crayon and charcoal on Arches paper
30 x 18.5 inches unframed
Signed, lower rig...
Category
2010s Contemporary Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
MB 001 (Modern, Academic Style Figurative Life Drawing of Muscular Male Nude )
By Mark Beard
Located in Hudson, NY
Figurative male nude drawing on Arches paper by Mark Beard
graphite, conte crayon and charcoal on Arches paper
22 x 15 inches unframed
Contemporary figurative life study drawing of ...
Category
2010s Modern Conté Figurative Drawings and Watercolors
Materials
Conté, Graphite
Figure Drawing by Mark Beard (Stoic, Muscular Male Nude Charcoal Life Drawing)
By Mark Beard
Located in Hudson, NY
Academic life drawing of male nude with charcoal and graphite by Mark Beard
graphite, Conte crayon and charcoal on Arches paper
30 x 19.5 inches unframed
Signed, lower left
Strong f...
Category
2010s Contemporary Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
MB 827 (Contemporary Life Drawing of Two Nude Males by Mark Beard)
By Mark Beard
Located in Hudson, NY
Academic life drawing of two nude males with charcoal and graphite by Mark Beard, "MB 827"
graphite, Conte crayon and charcoal on Arches paper
29.75 x 21.75 inches unframed
Signed, l...
Category
2010s Contemporary Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
MB 023 (Figurative Life Drawing of Handsome Male Nude by Mark Beard)
By Mark Beard
Located in Hudson, NY
Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 023"
graphite, Conte crayon and charcoal on Arches paper
30.5 x 17.5 inches unframed
Signed, lower le...
Category
2010s Contemporary Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
MB 702 (Contemporary Life Drawing of Male Nude by Mark Beard)
By Mark Beard
Located in Hudson, NY
MB 702 (Contemporary Life Drawing of Male Nude by Mark Beard)
graphite, Conte crayon and charcoal on Arches paper
30 x 19 inches unframed
Con...
Category
2010s Contemporary Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
Erika in Gesture II,
by James Cobb, Drawing
Located in Oklahoma City, OK
This framed 21" x 19" academic drawing by artist James Cobb, 'Erika in Gesture II,' captures a female model in a standing pose. Facing away from the viewer...
Category
2010s Academic Conté Figurative Drawings and Watercolors
Materials
Conté, Graphite
MB 005 (Modern, Traditional Style Figurative Life Drawing of Muscular Male Nude)
By Mark Beard
Located in Hudson, NY
Figurative nude drawing on Arches paper
graphite, conte crayon and charcoal on Arches paper
22 x 15 inches unframed
Contemporary figurative life study drawing of a reclining male nu...
Category
2010s Modern Conté Figurative Drawings and Watercolors
Materials
Conté, Graphite
MB 018 (Figurative Life Drawing of Handsome Male Nude by Mark Beard)
By Mark Beard
Located in Hudson, NY
Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 018"
graphite, Conte crayon and charcoal on Arches paper
30 x 19 inches unframed
Signed, lower right
...
Category
2010s Contemporary Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
MB 017 (Figurative Life Drawing of Female Nude by Mark Beard)
By Mark Beard
Located in Hudson, NY
Academic style life drawing of female nude with charcoal and graphite by Mark Beard, "MB 017"
graphite, Conte crayon and charcoal on Arches paper
30 x 22 inches unframed
Signed, lowe...
Category
2010s Academic Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
The Loving Couple
By Charles Angrand
Located in Paris, Île-de-France
Circle of Charles Angrand (1854-1926)
The Loving Couple
Pencil and stump on paper,
30 x 22 cm
Dated "10.4.19" lower left. Trace of a dedication
Otherwise unsigned.
Provenance:
Pr...
Category
1910s Post-Impressionist Conté Figurative Drawings and Watercolors
Materials
Conté, Carbon Pencil
$2,668
MB 824 (Double-Sided Figure Drawing of Handsome Nude Men by Mark Beard)
By Mark Beard
Located in Hudson, NY
Figurative, academic style life drawing of male nude with charcoal and graphite by Mark Beard, "MB 824"
graphite, Conte crayon and charcoal on Arches paper
30.5 x 21 inches unframed
...
Category
2010s Contemporary Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
Figure Drawing by Mark Beard (Muscular Male Nude Charcoal Life Drawing)
By Mark Beard
Located in Hudson, NY
Academic life drawing of male nude with charcoal and graphite by Mark Beard
graphite, Conte crayon and charcoal on Arches paper
30 x 19.5 inches unframed
Signed, lower left
Strong f...
Category
2010s Contemporary Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
"The Artists Wife" Realistic Nude Woman in Conté on Paper by Garth Benton
Located in Soquel, CA
"The Artists Wife" Realistic Nude Woman in Conté on Paper by Garth Benton
Detailed nude drawing by Paul "Garth" Garfield Benton (American, 1940-2012). Po...
Category
1980s American Impressionist Conté Figurative Drawings and Watercolors
Materials
Paper, Conté
Untitled
Located in Dallas, TX
Edmund D. Kinzinger was the Chairman of the Art Department at Baylor University from 1935 to 1950. Previously, Kinzinger was the Director of the Hans Hofmann School of Fine Arts in Munich. Kinzinger left Germany in 1933 because he did not agree with the Nazi government. Kinzinger’s early work in Germany was influenced by Theosophy: a philosophy based on mystical insight into the nature of God. This guided Kinzinger’s art away from representation and towards abstraction. Later, Kinzinger assimilated German Expressionism, French Cubism, and Italian Futurism with his own continuing sense of the mystery of life. While his work incorporated the formal qualities of cubism, there was always a mystical moodiness just below the surface.
"From EDK: The Early Years 1913-1935" by Philip Van Keuren...
Category
1930s Conté Figurative Drawings and Watercolors
Materials
Conté, Paper
Andreas Zisimos
Located in New York, NY
This is a drawing by James Childs offered by CLAMP in New York City.
2004
Signed and titled, recto
Graphite and Conté crayon on paper
12 x 8.25 inches
Category
Early 2000s Contemporary Conté Figurative Drawings and Watercolors
Materials
Conté, Graphite
Untitled
By Mark Beard
Located in New York, NY
This is a drawing of a naked man sitting by Mark Beard.
This work is offered by CLAMP in New York City.
Category
2010s Contemporary Conté Figurative Drawings and Watercolors
Materials
Paper, Conté, Charcoal
$1,000
Seated Woman Figurative Portrait
By Doris Warner
Located in Soquel, CA
Vintage watercolor portrait of a seated female figure with red robe in front of a plant by Doris Ann Warner (American, 1925-2010). Signed "Warner" in the lower left corner. Presented...
Category
1970s American Impressionist Conté Figurative Drawings and Watercolors
Materials
Paper, Conté, Watercolor
$600 Sale Price
20% Off
Pair of antique portraits women period clothes framed drawing red hats 19th
Located in Buffalo, NY
A pair of original red conte crayon drawings in their original frames featuring two young women in period clothing.
Category
1910s Art Deco Conté Figurative Drawings and Watercolors
Materials
Paper, Conté
$551 Sale Price
20% Off
Untitled (Nude Man with Raised Leg)
By Mark Beard
Located in New York, NY
This drawing by Mark Beard is already framed, price includes framing.
Untitled (Nude Man with Raised Leg)
1990
Signed and dated, l.l.
Charcoal with red and white conté crayon on R...
Category
1990s Contemporary Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal
Modernist Conte Crayon Drawing Beach Scene David Burliuk Russian Futurist
Located in Surfside, FL
David Burliuk (Ukrainian, 1882-1967)
Three figure on the beach (Hamptons, Long Island New York)
Conte crayon drawing on paper.
Hand signed lower left.
Unframed
Provenance: Bloomsbury Auctions
David Davidovich Burliuk (Дави́д Дави́дович Бурлю́к; 1882-1967) was a Russian poet, artist and publicist of Ukrainian origin associated with the Futurist and Neo-Primitivist movements. Burliuk has been described as "the father of Russian Futurism."
David Burliuk was born on 21 July 1882 in the village of Riabushky (near Lebedyn, Ukraine) in the Kharkov Governorate of the Russian Empire. Burliuk's family was artistically inclined; two of his brothers were talented artists as well, Nikolai and Volodimir Burliuk. The Burliuk family partly descended from Ukrainian Cossacks on their father's side, who held premier positions in the Hetmanate. His mother, Ludmyla Mikhnevich, was of ethnic Belarusian descent.
From 1898 to 1904, he studied at Kazan and Odesa art schools, as well as at the Royal Academy in Munich. His exuberant, extroverted character was recognized by Anton Azhbe, his professor at the Munich Academy, who called Burliuk a "wonderful wild steppe horse". During a time of significant industrialization and political change, movements such as the famed Der Blaue Reiter, a group Burliuk associated with in 1912, while he was in Munich, emphasized a shift away from the classical styles of the past, prioritizing the innovations of the future.
In 1907, he made contact with the Russian art world; he met and befriended Mikhail Larionov, and they are both credited as being major forces in bringing together the contemporary art world. In 1908, an exhibition with the group Zveno ("The Link") in Kiev was organized by David Burliuk together with Wladimir Baranoff-Rossine, Alexander Bogomazov, his brother Volodymyr (Wladimir) Burliuk and Aleksandra Exter. The exhibition was a flop, especially because they were all unknown painters. The Burliuks and Larionov left for the aforementioned brothers' home in Chernianka, also known as Hylea; it was during this stay that their work became more Avant-Garde. That autumn, while visiting Ekster, they organized an exhibition which took place in the street; it was a success, and enough money was raised to go to Moscow.
In 1909, Burliuk painted a portrait of his future wife, Marussia, on a background of flowers and rocks...
Category
Mid-20th Century American Modern Conté Figurative Drawings and Watercolors
Materials
Paper, Conté, Crayon
Dancer (Original Drawing, Charcoal and Conte Crayon)
Located in New Orleans, LA
An exquisitely rendered drawing of a dancer in a moment of pause. What I like best about this drawing is its lack of the usual glamour associated with pictures of ballet dancers. To ...
Category
Late 20th Century Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal
Young man in a toga elegant man Latin American hyperrealist Hockney style
Located in Norwich, GB
Superb original drawing in coloured conté pencils, heightened with white on oatmeal coloured vergé paper by Claudio Bravo. The work was created during the artist's Moroccan period, a...
Category
1970s Modern Conté Figurative Drawings and Watercolors
Materials
Conté, Laid Paper, Color Pencil
Portrait of a Young Woman
Located in Wilton Manors, FL
PORTRAIT of a young woman, 1967
Giuseppe Cavaliere (b.1932)
Conte crayon on paper, sheet measuring 11 x 14 inches.
Signed and dated lower left.
Unframed.
Category
1960s Realist Conté Figurative Drawings and Watercolors
Materials
Conté
“Floating Market”
Located in Southampton, NY
Here for your consideration is an original drawing done with conte crayon with hints of watercolor of a floating market place by the French artist, Rob...
Category
1950s Post-Impressionist Conté Figurative Drawings and Watercolors
Materials
Conté, Oil Crayon, Archival Paper
$960 Sale Price
20% Off
Untitled (Man in Repose Leaning Against Post)
By Mark Beard
Located in New York, NY
Conté crayon on paper
Signed and dated, l.r.
This artwork is offered by ClampArt, located in New York City.
Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...
Category
1970s Realist Conté Figurative Drawings and Watercolors
Materials
Paper, Conté
Old Tree and September Wind Clouds
Located in New York, NY
Old Tree and September Wind Clouds, 1961, by Charles Burchfield (1893-1967)
Conte crayon on paper
13 ½ x 19 ½ inches unframed (34.29 x 49.53 cm)
19 ¾ x 25 ½ inches framed (50.165 x 6...
Category
1960s American Modern Conté Figurative Drawings and Watercolors
Materials
Paper, Conté
Dancer in Seated Gesture 2,
by James Cobb, Chalk and Conté on Paper, 2021
Located in Oklahoma City, OK
This 11.25 x 15.25 work on paper features a lone, seated, female dancer viewed from the back. The figure is twisting toward the viewer as she begins to look over her right shoulder. Her legs are pulled toward her body with the left leg crossed over the right. The isolation of the seated figure within the ground of the page lends a vulnerable quality to the work.
The 16 x 20 dark brown mat has a window size of 11.25 x 15.25.
Bio:
Jim Cobb, until recently was hanging his work on Canyon Rd in Santa Fe, New Mexico. One-man shows have been hosted in Taos, New Mexico, Norman, Oklahoma and Oklahoma City, Oklahoma. When the Oklahoma Art...
Category
2010s Academic Conté Figurative Drawings and Watercolors
Materials
Chalk, Conté, Paper
Untitled (Woman Resting)
Located in Dallas, TX
Edmund D. Kinzinger was born in 1888, in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service.
Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. Philip Van Keuren...
Category
1930s Modern Conté Figurative Drawings and Watercolors
Materials
Conté, Paper, Pastel
Portrait of a Baby
Located in Wilton Manors, FL
Violet Oakley (1896-1961).
Portrait of a Baby, ca. 1930.
Conte crayon and pencil on laid paper, sheet measuring 11 x 14 inches.
Framed measurement: 13.5 x 16.5 inches.
Signed low...
Category
1930s Realist Conté Figurative Drawings and Watercolors
Materials
Conté, Laid Paper
Statue of Young Boy in Fountain on the Plaza
Located in New Orleans, LA
This very early original red conte drawing is signed "Jack L. Nesbitt, 4/21/34". On the back of the drawing, Nesbitt has written "Quick sketch from fountain on Plaza". Jack was a student of Thomas Hart Benton at the Kansas City Art Institute during this period. The figure on the drawing is of a nude young boy with both arms in the air. A very rare early work by this fine artist.
Jackson Lee Nesbitt, a noted printmaker and painter of the American Scene, dedicated his artistic career to the portrayal of ordinary people going about the business of their lives. A native of Oklahoma, Nesbitt created scenes from the Midwest during the 1930s and 1940s, but in the 1950s, when interest in his work diminished, he moved to Atlanta and established a second career in advertising. Thirty years later, Nesbitt sold his business and resumed his artistic career from Atlanta.
He was born in McAlester, Oklahoma, on June 16, 1913, the only child of LuCena Grant and Howard Nesbitt. The family resided in Muskogee, Oklahoma, where his father owned a commercial printing business. Jack, as Nesbitt was known, helped out in the family business until 1931, when he enrolled at the University of Oklahoma in Norman.
Two years later Nesbitt enrolled at the Kansas City Art Institute in Missouri. As a first-year student, he learned etching from John deMartelly, attended Ross Braught's painting class, and met his future wife, Elaine Thompson, who was a costume design student. Thomas Hart Benton, who joined the faculty in the fall of 1935, quickly became a close friend and mentor to the younger artist.
In 1937 the management of the Sheffield Steel Corporation contacted deMartelly concerning an etching commission. Because Nesbitt was an outstanding student, his teacher suggested him for the job. When Nesbitt arrived at the plant one afternoon, he was taken to the open-hearth furnace area, where he diligently sketched anonymous workers in that dramatic setting until five o'clock the following morning. On the strength of his sketches, he was commissioned to create a series of etchings illustrating different phases of the steel industry. The commission launched Nesbitt's career as a professional artist.
The commission with Sheffield Steel Corporation provided the financial security that enabled Jack and Elaine Nesbitt to marry on June 1, 1938. He graduated from the Kansas City Art Institute about the same time. Working as a freelance artist, Nesbitt augmented his commissioned work with genre scenes of the Midwest, and he routinely went with Benton on sketching trips to rural Arkansas.
Beginning in 1939 Nesbitt's work gained widespread recognition. Open Hearth Door, a Sheffield Steel Corporation painting, was chosen to represent Missouri in the American Art Today exhibition at the New York World's Fair. Associated American Artists selected one of his etchings, Watering Place, for an edition of 250 prints that were sold through subscription. Having a print published by the association ensured national distribution, and four more of Nesbitt's works, all of rural southern genre scenes, were later selected by the print publisher.
Over the next decade Nesbitt's work was exhibited in California, Colorado, Illinois, Missouri, New York, and Oklahoma. He was awarded the Eames Prize by the Society of American Etchers in 1946, and his work was included in the book American Prize Prints of the Twentieth Century, by Albert Reese. Major corporations with operations in the Midwest, including Brown and Bigelow, Butler Manufacturing Company, Humble Oil and Refining Company, Omaha Steel Works, Pratt and Whitney...
Category
1930s American Modern Conté Figurative Drawings and Watercolors
Materials
Conté
$371 Sale Price
25% Off
Hairdresser — vintage drawing, original
Superman
artist
Located in Myrtle Beach, SC
Leonard Nowak, 'Hairdresser', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove draw...
Category
1940s Modern Conté Figurative Drawings and Watercolors
Materials
Conté, India Ink
The Thinker? —vintage drawing, original
Superman
artist
Located in Myrtle Beach, SC
Leonard Nowak, 'The Thinker?', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove dra...
Category
1940s Modern Conté Figurative Drawings and Watercolors
Materials
Conté, India Ink
Untitled
By Mark Beard
Located in New York, NY
Charcoal with red and white conté crayon on Rives BFK paper
Signed and dated, recto
This artwork is offered by ClampArt, located in New York City.
Mark Beard, born in 1956 in Salt ...
Category
2010s Realist Conté Figurative Drawings and Watercolors
Materials
Paper, Conté, Charcoal
$1,600
MB 815 (Contemporary Seated Male Nude Figurative Drawing, Charcoal on Paper)
By Mark Beard
Located in Hudson, NY
graphite, conte crayon and charcoal on Arches paper
30 x 19.5 inches unframed
Signed 'Beard 1999' lower left corner
Atelier stamp in lower right corner
Unique figurative life study drawing of a seated male nude in graphite and conte crayon on Arches paper in a style that is at once traditional yet contemporary. Strong facial features and upper body muscles are evidence of the artist's excellent drafting skills. The handsome nude...
Category
1990s Modern Conté Figurative Drawings and Watercolors
Materials
Conté, Charcoal
Untitled (Man Reclining on Tile Floor)
By Mark Beard
Located in New York, NY
Graphite and conté crayon on paper
Signed and dated, l.r.
This artwork is offered by ClampArt, located in New York City.
Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...
Category
1970s Realist Conté Figurative Drawings and Watercolors
Materials
Paper, Graphite, Conté
Untitled
Located in Dallas, TX
Edmund D. Kinzinger was born in 1888, to an upper-middle class family in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service.
Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. Philip Van Keuren...
Category
1930s Cubist Conté Figurative Drawings and Watercolors
Materials
Conté, Crayon, Paper
Mid Century Nude Figure Study of a Black Woman
Located in Soquel, CA
Compelling mid century nude figure study of a black woman reclining by Raul Anguiano (Mexican/American, 1915-2006), 1968. Signed and dated lower left hand corner "R. Anguiano." Presented in wood frame under plexiglass. Image size: 25"H x 34"W. Framed size: 35"H x 43.75"W.
Raúl Anguiano was born in Guadalajara, Jalisco, on February 26th, 1915. He started drawing cubist pictures at the age of 5, taking as his first models movie stars, as Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio.
At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928 to 1933, he studied with the Master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organised the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models: workmen, employees and a few intellectuals like Pita Amor.
In 1934 Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda academy and the UNAM School of Art.
Anguiano was a member of the Mexican Artistic Renaissance movement which was started in the 1920's by the Mexican School of Art in which he belonged. This renaissance began with the San Carlos Academy movement -- among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco -- and which emerged out of the students' and teachers' discontent with the traditional paintings methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, explaining the marked critical realism to the painters of the time, including Anguiano himself.
The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 70 meters fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology, and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office.
In 1936 he moved into his surrealist period, which lasted almost a decade. He painted circus performers and prostitutes. The most notable among his works of the time are: The Madame (gouche, 1936), The Clown's Daughter (oil, 1940), the Pink Circus Artist and the Grey Circus Artist (oil, 1941). Also during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating.
In 1937 Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practised a graphic style based on Mexico's folk traditions. This was due to the powerful influence of the recently discovered Jose Guadalupe Posada and Goya.
Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena...
Category
1960s Realist Conté Figurative Drawings and Watercolors
Materials
Paper, Conté, Charcoal
$4,400 Sale Price
20% Off
Portrait of George Arliss in Conte Crayon on Cardstock 1934
Located in Soquel, CA
Stately portrait of George Arliss by Ivan Opffer (Danish, 1897-1980). Mr. Arliss is depicted wearing his signature monocle, looking directly at the viewer. Although this piece appears to be done rapidly, there is a clear confidence in Opffer's work - he was an accomplished portrait artist - and the resemblance to the subject is unmistakable. George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932).
Signed and dated "Ivan Opffer 1934" in the lower right.
Titled "Mr. Arliss" in the lower left.
Presented in a new off-white mat with foamcore backing.
Mat size: 22"H x 16"W
Art size: 17.5"H x 12"W
Ivan Opffer (Danish, 1897-1980) was born in Nyborg, Denmark, on June 4, 1897, to a family of Danish scholars and journalists. His brother was Emil Opffer, a Danish merchant seaman and journalist who was known for his relationship with American writer Hart Crane.
Ivan was raised in Mexico City and New York, where his anarchist father was the editor of a radical Danish-language newspaper. His involvement in painting and drawing began at an early age. At a summer workshop, he met and studied drawing with Winslow Homer, then went on to study at the National Academy of Design and the Art Students League of New York.
When the US entered World War I, Opffer was one of the members of the American Army Camouflage Corps, headed by Homer Saint-Gaudens (whose mother was a relative of Winslow Homer), the son of Augustus Saint-Gaudens. As a camoufleur, Opffer served with other artists and architects, some of whom became well-known, including Barry Faulkner, Sherry Edmundson Fry, Kimon Nicolaides, Robert Lawson, Abraham Rattner, Kerr Eby, and others.
It was this same unit, while still in training in at Camp American University in Washington DC, that launched a camp newspaper called The Camoufleur. Only three issues were published before the unit’s deployment to France in late 1917. In the October 31 issue, a satirical portrait by Opffer of Homer Saint-Gaudens (titled “Our Boss”) was published on page 5.
After the war, Opffer returned to New York, where he became known for his caricatures of leading Modern writers, among them James Joyce, Edgar Lee Masters, Siegfried Sassoon, George Bernard Shaw, Carl Sandburg, G.K. Chesterton, and Thomas Mann.
In the years between the wars, Opffer married Betty à Beckett Chomley, and settled in Paris, where he was a student at the Academie Julliard. He also lived in London and Copenhagen, where his drawings were frequently published in newspapers and magazines. With the outbreak of World War II, he and his family returned to New York and lived in Greenwich Village.
Among his friends in that era were William Butler Yeats, F. Scott and Zelda Fitzgerald...
Category
1930s American Impressionist Conté Figurative Drawings and Watercolors
Materials
Conté, Postcard, Illustration Board
Ballerina in Repose #2,
by James Cobb, Charcoal and Conte Drawing, 2021
Located in Oklahoma City, OK
This framed 13.5" x 13.5" charcoal and conte drawing by artist James Cobb captures a ballerina in a seated, relaxed pose. The work is on toned gray drawing...
Category
2010s Academic Conté Figurative Drawings and Watercolors
Materials
Chalk, Conté, Charcoal
Portrait of Leopold Myers by Sir William Rothenstein
Located in Soquel, CA
Stately sanguine portrait of Leopold Hamilton Myers (Novelist) by Sir William Rothenstein (English, 1872-1945). Captured in Rothenstein's characteristic style, Myers looks directly at the viewer with a neutral expression. Although this portrait uses only two colors and minimal shading, the likeness of Myers is incredibly well captured. Leo (Leopold) Hamilton Myers (1881 – 1944) was a British novelist. Numerous examples like this one of the writer are in the Tate Museum.
Initialed and dated in the lower right corner ("W.R. 1936")
Inscription on verso indicating materials, subject, and artist.
Presented in a new cream colored mat with foamcore backing.
Mat size: 18"H x 12"W
Paper size: 15.25"H x 10.75"W
William Rothenstein (English, 1872-1945) was born into a German-Jewish family in Bradford, West Yorkshire. His father, Moritz, emigrated from Germany in 1859 to work in Bradford's burgeoning textile industry. Soon afterwards he married Bertha Dux, and they had six children, of which William was the fifth. Rothenstein was knighted in 1931.
Rothenstein left Bradford Grammar School at the age of sixteen to study at the Slade School of Art*, London (1888-1893), where he was taught by Alphonse Legros, and the Académie Julian* in Paris (1889-1893), where he met and was encouraged by James McNeill Whistler, Edgar Degas and Henri Toulouse-Lautrec. Whilst in Paris he also befriended the Anglo-Australian artist Charles Conder, with whom he shared a studio in Montmartre. In 1893 he returned to England to work on "Oxford Characters" a series of lithographic* portraits.
In Oxford he met and became a close friend of the caricaturist* and parodist Max Beerbohm, who later immortalised him in the short story Enoch Soames (1919). During the 1890s Rothenstein exhibited with the New English Art Club* and, in 1900, won a silver medal for his painting The Doll's House at the Exposition Universelle. In 1898 he co-founded the Carfax Gallery in St. James' Piccadilly with John Fothergill. During its early years the gallery was closely associated with such artists as Charles Conder, Philip Wilson Steer, Charles Ricketts and Augustus John. It also exhibited the work of Auguste Rodin, whose growing reputation in England owed much to Rothenstein's friendship and missionary zeal. The gallery was later the home for all three exhibitions of The Camden Town Group*, led by Rothenstein's friend and close contemporary Walter Sickert.
Rothenstein is best known for his portrait drawings of famous individuals and for being an official war artist in both World War I and World War II. He was also a member of the International Society of Sculptors, Painters & Gravers. The style and subject of his paintings varies, though certain themes reappear, in particular an interest in 'weighty' or 'essential' subjects tackled in a restrained manner. Good examples include Parting at Morning (1891), Mother and Child (1903) and Jews Mourning at a Synagogue (1907) - all of which are owned by the Tate Gallery. The National Portrait Gallery owns over two hundred of his portraits. In 2011 the BBC and the Public Catalogue Foundation began cataloguing all of his paintings in public ownership online.
Between 1902 and 1912 Rothenstein lived in Hampstead, London, where his social circle included such names as H.G.Wells, Joseph Conrad and the artist Augustus John. Amongst the young artists to visit Rothenstein in Hampstead were Mark Gertler...
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Danny Galieote has a propensity for capturing the quintessentials of Americana in works that blend realist narratives with a pop sensibility. The works are reminiscent of classic, vintage postcard imagery with an undercurrent of poetic, and often surprising, juxtaposition. The stylistic effect is a blend between the old-school charm of Norman Rockwell, with the unexpected twist of surrealist René Magritte. JoAnne Artman Gallery is pleased to present an exhibition of new works by Danny Galieote with a focus on iconic American summertime scenes.
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Mark Beard, born in 1956 in ...
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Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta.
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Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta.
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Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque.
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Conté figurative drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Conté figurative drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mark Beard, Paul Cadmus, Yvon Pissarro, and Ben Fenske. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Conté figurative drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for figurative drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,595,000, while the average work can sell for $700.
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