Ink Figurative Drawings and Watercolors

Also, Not The Point Acrylic ink on paper 6.75 x 6.75 inches 15.5 x 14.5 inches framed 2022

It Smelled Like Earth and was Cold to the Touch Ink and oil pastel on paper

Paul Gavarni (1804-1866) The Puppeteer, Study for "Janvier" Signed lower left Pen and black ink, black ink wash on paper 28 x 20 cm In good condition except some stains particularly ...

This is one of a number of drawings that was accompanied by a signed letter from Augustus Edwin John which read as follows `Alderney Manor/ Nr Parkstone, Dorset / Dear Hodge, I send ...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...

This is one of a number of drawings that was accompanied by a signed letter from Augustus Edwin John which read as follows `Alderney Manor/ Nr Parkstone, Dorset / Dear Hodge, I send ...

As a reflection on the value we give to objects, this series exposes examples of objects that we use daily and for different reasons ended up gaining very high prices. By redrawing t...

Lighthearted Illustration of Outdoor Pursuits This one being cross country hiking signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...

This powerful pen and brown ink wash drawing is a study for an altarpiece depicting The Martyrdom of Saint Bartholomew. Signed and dated 1604, it was painted at the end of his life b...

Pen, ink, marker, pencil, watercolor & colored pencils on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. Hi...

"Prison Portrait" Portrait Drawing 14" x 10" in (1960) by Inji Efflatoun Signed and dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibi...

Early modern black and white sketch by iconic Houston based artist David Adickes. Pulled from a collection of previously undiscovered sketchbooks, this work serves as a peak behind t...

Judith Brenner Sophie Seated 3 Original Figurative Painting Mixed Media on Paper Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Sophie Seated 3 is a contemporary nude painting by Judith Brenner. This is an original drawing from life on paper using acrylic, pan pastel , ink and watercolour pencil. The idea is to capture the essence of the pose using line and wash...

Secret Garden 12, 2020 white ink on black cardboard 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Ashoke Mullick - Untitled - 14 x 17 inches (unframed size) Ink on paper Inclusive of shipment in roll form. Style : Ashoke Mullick is considered one of the leading painters from the...

An original 1946 drawing painted by Royal Academy artist Christopher Sanders. A fine example of a Modern British nude drawing by an artist who exhibited hundreds of times at The Roya...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Born in Hollywood and raised in the urban sprawls of Los Angeles, Julio’s artistic aesthetic was shaped early on by the platinum light and expansive concrete horizons of southern Cal...

New Orleans Sportin House Pen and ink on paper, 1951 Signed in ink, titled and dated in pencil (see photos) Condition: Corners are pasted to support sheet, some staining in image. Im...

This is a beautiful and fine avant-garde finished drawing of a reverent saint by the French female artist, Dora Maar. Dora Maar was a distinctive artist in her own right marked by s...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 19.5 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

This black and white figurative drawing "Dead King 17 [10th Century Norwegian Lord]" is an original ink drawing on archival paper by Kate Glasheen measuring 20.75”h x 16.75”w when fr...

Cell 01, 2019 Black ink on white cardboard (signed) 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm The drawings signed by Alina Aldea reveal the meticulousness and perfection of microscopi...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Mary Knowland Seated Original Nude Drawing Willow Stick and Ink Wash on Paper Image Size: H 51cm x W 30cm Mounted Size: H 71cm x W 48cm x D 0.5cm Sold Unframed Please note that insit...

Artist: Jack Graves III (American, 1988-) Title: "Manhattan (with Linda Evangelista)" *Signed by Graves in pen lower left Year: 2015 Medium: Original Colored Pencil, Colored Pen, and...

Blair Hughes-Stanton – ‘Thetis Laments’ 1952 The watercolour is signed by the artist lower right in pencil 'Blair HS' and dated (19)52. It was exhibited in June 1954 at The Leicester...

Two illustrations from Robert Louis Stevenson's A Child's Garden of Verses (New York: Scribner's, 1905), for III: "To Auntie", Page 116 Two charming line illustrations by Smith from...

Since We Were Children Ink and oil pastel on paper

Sheridan, Noel (Irish, 1936-2006) UNTITLED - SEATED FEMALE NUDE.Ink and wash on paper. 8 1/2 x 6 1/2 inches (image), 18 1/2 x 16 1/2 inches (sheet). Signed. In excellent condition, S...

Paraguayan Ink Drawings from the Chaco #17 Paper Indigenous Osvaldo Pitoe Cecilia Brunson Projects presents Towards the Past: Memories of the Gran Chaco, the first UK exhibition by...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

This drawing by Frank Girard is created with pigments, Chinese ink, watercolors, acrylic, and colored pencils on 300g/m2 neutral white paper. It is not framed. Through drawings, the...

Paraguayan Ink Drawings from the Chaco #16 Paper Indigenous Osvaldo Pitoe Cecilia Brunson Projects presents Towards the Past: Memories of the Gran Chaco, the first UK exhibition by...

This is one of a number of drawings that was accompanied by a signed letter from Augustus Edwin John which read as follows `Alderney Manor/ Nr Parkstone, Dorset / Dear Hodge, I send ...

House of Dreams, 2013 Ink and colored pencil on paper 16.53 H x 11.69 W in 42 H x 29.7 W cm Signed Raluca Arnăutu creates a zoomorphic world, where an...

ALBERT RUTHERSTON, RWS (1881-1953) The Meeting with Caius Lucius – Illustration for The Tragedie of Cymberline Signed with initials l.r. Pen and ink Unframed 4.5 by 13 cm., 1 ¾ by 5 in. (mount size 39.5 by 33 cm., 15 ½ by 13 in.) Provenance: Estate of the artist Exhibited: London, Sally Hunter Fine Art, Albert Rutherston, Drawings, Theatre Designs and other Treasures, 2016, no.65 The present work was illustrated in Cymbeline, published by Ernest Benn in 1923. The series was a collaboration between Rutherston and Harley Granville-Barker following on from their work together 11 years earlier at the Savoy Theatre and celebrating the quatercentenary of the Shakespeare Folio edition. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke Hall...

This drawing by Frank Girard is created with Gouache, Chinese ink and wash drawing on 180g/m2 neutral white paper. It is not framed. Through drawings, th...

This drawing by Frank Girard is created with Chinese ink and wash drawing on 120g/m2 neutral white paper. It is not framed. Through drawings, the masterf...

This drawing by Frank Girard is created with pigments and ink, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French a...

This work is a modernist study created by the artist in the 1940s. (possibly the 1930s). Erle Loran, (1905-1999), was an American painter and educator who painted for the entirety ...

Cover Illustration for "Now We Are Sick: An Anthology of Nasty Verse" edited by Neil Gaiman and Stephen Jones pen, ink and watercolor on paper signed lower left. Unframed. Image siz...

This drawing depicts a moment from one of the longest trials in US history, when Jean Harris, a headmistress of a school for girls in Virginia, was tried f...

This drawing by Frank Girard is created with pigments and ink, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French a...

JAK  (Raymond Allen Jackson) 1927-1997 "I Think we Should Let the Germans Keep it Next Time" (1992) Visitez La Belle France, Fly Air France 51x59cm Pen, i...

Leonor Fini Portrait, ca. 1960 Ink on paper 14.5 x 10 cm 5 1/2 x 4 in. 37.5 x 33 cm 14 1/2 x 13 in. (Frame included) Unique work Exhibition history: Leonor Fini: Small Faces, Apri...

CHEZ SAGOT EXPOSITION CH. MAURIN 39 BIS RUE DE CHATEAUDUN. Signed pencil drawing with the artist's owl head' stamp circa 1899. Paper size 9 7/8 x 12 3/4" (25 x 32.6 cm). This orig...

"So, We'll Go No More a Roving" (2005) By Anna Pennati Inspired by Lord Byron Italian artist Anna Pennati gives visual expression to one of Lord Byron's most poignant and beloved poe...

Luis Miguel Valdes (Cuba, 1949) 'Splash', 2024 acrylic, ink and watercolor on paper 25.6 x 37.8 in. (65 x 96 cm.) Hand-signed by author _____________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Looking at a different sun', 2024 acrylic, ink and watercolor on paper 25.6 x 37.8 in. (65 x 96 cm.) Hand-signed by author _________________________...

Fan Zeng (Chinese, b. 1938), "Lao Tzu's Exit Map", Ink on Paper, 1993, calligraphy and chop seal marks upper right and chop seal mark lower left. Image: 54.25" H x 27.25" W; whole: 8...

The artist has always liked divas and femmes-fatales. My grandmothers spoke often of these actresses and admired them openly as if they were real. They created a collective imaginati...