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Medium: Oil Crayon
At the Shore
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment.
A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain."
--Thaddeus Radell
Category
2010s Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon, Mixed Media, Handmade Paper, Graphite
Drawings from Mt Gretna, III
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment.
A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...
Category
2010s Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon, Mixed Media, Handmade Paper, Graphite
Dream
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment.
A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain."
--Thaddeus Radell
Category
2010s Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon, Mixed Media, Handmade Paper, Graphite
Israeli Judaica Original Painting King David and Angel Polish Artist Arie Dubi
Located in Surfside, FL
Dubi Arie (born Poland, 1939)
"A Song in the Garden"
Original mixed media on paper painting,
Hand signed and dated lower left.
This piece depicts people dancing, including a King ...
Category
20th Century Post-Modern Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Oil Crayon, Mixed Media, Watercolor
Getting Ready for the Revolution - Learning How to Ride in the Subway
Located in Fairlawn, OH
Getting Ready for the Revolution - Learning How to Ride in the Subway
Litho crayons on illustrator’s board, c. 1932
Signed: Adolf Dehn (VED) lower right corner (signed by Virginia Dehn, the artist’s widow)
Tilted along the upper edge of the recto in pencil by the artist
Verso inscriptions: “VF 3168.D” in a circle, also annotated in red pencil “32” in a circle and “699
Provenance:
Mary Ryan Gallery, exhibition entitled Adolf Dehn Lithographs, 1927-1940, Nov. 16 to Dec. 12, 1982. The original exhibition notice us affixed to the backing board of the frame
Note: A drawing intended or used in the publication Vanity Fair, for whom Dehn worked in the mid 1920’s to the 1930’s.
Adolf Dehn, American Watercolorist and Printmaker, 1895-1968
Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art.
In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art.
If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques.
Early Years, 1895-1922
For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...
Category
1930s American Modern Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon
“Floating Market”
Located in Southampton, NY
Here for your consideration is an original drawing done with conte crayon with hints of watercolor of a floating market place by the French artist, Rob...
Category
1950s Post-Impressionist Oil Crayon Figurative Drawings and Watercolors
Materials
Conté, Oil Crayon, Archival Paper
$960 Sale Price
20% Off
Inspired by Bernini’s Sculpture “The Rape of Proserpine”, Original Drawing
Located in AIX-EN-PROVENCE, FR
Subject : Lieu Commun - Le bras de Persoperine (Title - FR)
This original colored pencil drawing is inspired by Gian Lorenzo Bernini’s iconic Baroque sculpture “The Rape of Proserpi...
Category
21st Century and Contemporary Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon, Charcoal, Archival Paper, Graphite
Expressionist Color Drawing Cobalt Glass Vintage Frame Modernist Ben Zion WPA
Located in Surfside, FL
Expressionist ink and pastel crayon drawing of flowers in vase.
Framed in a vintage cobalt blue glass original frame
Hand signed and dated
Framed it measures 13.5 X 10.5
The actual ...
Category
1950s Expressionist Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Oil Crayon, Pastel, Ink
Israeli Judaica Original Painting, "Temptation" Dancing Polish Artist Arie Dubi
Located in Surfside, FL
Dubi Arie (born Poland, 1939)
"The Temptation"
Image: 11 3/4" x 10"
Original mixed media on paper painting,
Hand signed and dated lower right and signed and titled on reverse. depi...
Category
20th Century Post-Modern Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Oil Crayon, Mixed Media, Watercolor
Leftovers No. 2
Located in Columbia, MO
Grace Ramsey (American, b. 1985)
Grace Ramsey is a self-taught painter based in Charlotte, North Carolina. Before establishing herself as a visual artist, she spent over a decade as ...
Category
21st Century and Contemporary Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon
Leftovers No. 3
Located in Columbia, MO
Grace Ramsey (American, b. 1985)
Grace Ramsey is a self-taught painter based in Charlotte, North Carolina. Before establishing herself as a visual artist, she spent over a decade as ...
Category
21st Century and Contemporary Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon
Leftovers No. 4
Located in Columbia, MO
Grace Ramsey (American, b. 1985)
Grace Ramsey is a self-taught painter based in Charlotte, North Carolina. Before establishing herself as a visual artist, she spent over a decade as ...
Category
21st Century and Contemporary Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon
Leftovers No. 5
Located in Columbia, MO
Grace Ramsey (American, b. 1985)
Grace Ramsey is a self-taught painter based in Charlotte, North Carolina. Before establishing herself as a visual artist, she spent over a decade as ...
Category
21st Century and Contemporary Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon
Prodigal Son (VIII)
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment.
A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...
Category
2010s Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon, Mixed Media, Handmade Paper, Graphite
Japanese Art Ukiyo-e Figurative Painting, Hitomoto of the Daimonjiya, Edo period
Located in Segovia, ES
“Hitomoto of The Daimonjiya in Kyô-Machi Itchôme”
Hitomoto holds a bouquet of flowers looking to her left, with a surprised face, and with her mouth aj...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Israeli Judaica Original Painting "The Lovers" in Garden Polish Artist Arie Dubi
Located in Surfside, FL
Dubi Arie (born Poland, 1939)
"The Lovers"
Image: 11 3/4" x 10"
Original mixed media on paper painting,
Hand signed and dated lower right and signed and titled on reverse. depictin...
Category
20th Century Post-Modern Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Oil Crayon, Mixed Media, Watercolor
Expressionist Ink, Pastel, Crayon Drawing Jewish American Modernist Ben Zion WPA
Located in Surfside, FL
Expressionist ink and pastel crayon drawing of beans (carobs, flowers?) in pods
Hand signed.
Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual wo...
Category
Mid-20th Century Expressionist Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Oil Crayon, Pastel, Ink
Drawings from Mt Gretna XXIX
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment.
A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain."
--Thaddeus Radell
Category
2010s Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon, Mixed Media, Handmade Paper, Graphite
Japanese Art Ukiyo-e Figurative Painting, Takashimayaoisha, Edo period
Located in Segovia, ES
Beijing-ga Series XXX (nº 30)
Title: “Takashimaohisa”
Ohisa, along with Okita and Tomimoto Toyohina, were the three most famous beauties of the time. The first two were waitresses...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Next Door Neighbor
Located in Fairlawn, OH
Next Door Neighbor
Oil pastel and ink on handmade paper, 2012
Signed vertically lower left in image (see photo)
Series: 99%
Exhibited: Swarthmore College, List Gallery, Hiden in Pla...
Category
2010s Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon
Japanese Art Ukiyo-e Figurative Painting, Miyahito of The Ôgiya, Edo Period
Located in Segovia, ES
Bijin-ga Series XXXIV (Nº 34)
Title: Miyahito of the Ôgiya
Three quarter portrait of the elegant courtesan Miyahito of the Ôgiya House. This beautifully dressed japanese woman wears a solid grey outer robe, which contrasts with her soft rose kimono and the colored obi with an intricate geometric pattern. Her hair is arranged high atop her head, adorned with several hairpins. A classic Utamaro beauty print recreated with extraordinary taste and subtlety by Mario BGil in this delicate drawing.
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Men Working on Kibbutz Palestine, Israeli Judaica Pastel Drawing
Located in Surfside, FL
From The British mandate Pre State of Israel Palestine Period.
Eliahu Sigad (Eliyahu Sigard), painter, born 1901, Lithuania. Founder of Israeli Painters' Association. Educated in Eur...
Category
1940s Fauvist Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Oil Crayon, Pastel
Colored Drawing with Ceramics and Horse Pop Folk Art 1980s
Located in Surfside, FL
Michael Lucero (born 1953) is an American sculptor. His work has been exhibited in the Carnegie Museum of Art and the Mint Museum. Lucero works with multiple mediums and usually work...
Category
1980s Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon, Wax Crayon
"Drawing of Fire" - Figurative oil drawing on paper
Located in East Quogue, NY
"Drawing on Fire" by Paul Sierra, Oil stick on paper. Sold with frame. Frame size: 22 x 14 inches.
Hand-signed by the artist. Signature and title on lower front right corner of paper.
At sixteen, Havana-born Paul Sierra moved to Chicago, where he studied at the Art Institute. Although a longtime resident of the Windy City, Sierra's tropical palette is based on childhood memories of Cuba. His trademark vibrant colors provide what has been called a "cultural corridor" between his turbulent Cuban heritage and his adopted country.
Sierra has had more than sixty solo exhibitions in the USA. His work can be found in the collections of The Museum of Contemporary Art and Mary and Leigh Block...
Category
1990s Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Oil Crayon
$680 Sale Price
20% Off
Japanese Art Ukiyo-e Figurative Painting, Bijin Ôkubi, Edo Period
Located in Segovia, ES
Bijin-ga series XXIX (Nº 29)
Title: Bijin Ôkubi
Upper torso portrait of a Japanese beauty, depicted with a graceful hand gesture and an ornate headdress. Her soft round features contrast with the colourful sharp angles of the collars of her kimono.
Her elongated oval face, straight nose and red butterfly lips are typical of the prototype of a beautiful woman, Bijin-ga. Her upper torso and face occupying the central section of the picture show a composition type that became known in time as Large-head pictures, or Okubi-e; compositions with which Utamaro became a model for generations of woodblock artists.
This image is part of the Bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Japanese Art Ukiyo-e Figurative painting, Reflective Love, Edo period
Located in Segovia, ES
Bijing-Ga Series XII (Nº 12)
Title: Reflective Love.
Lovely portrait of a beauty looking over her shoulder.
In Reflective Love (from the Utamaro...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Japanese Art Ukiyo-e Figurative Painting, Hairdresser, Edo period
Located in Segovia, ES
Bijin-ga series II (nº 02)
Title: “Hairdresser”
The interest in this picture is focused on the hairstyles of both women, a hairdresser leaning forward with a bow of intense black color, arranging his client's especially long hair. The ways of gripping both the hair and the comb, making it slide through the ocher-scented kimono of the customer, decorated with sea stars, stand out. Highlighting with great detail the drawing of loose hair on the obi of white lines on a red background, and the kosode of plum color.
This image is part of the Bijin-ga Series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print "Hairdresser" (1798-1799), 39,8 x 26,8 cm. Museum of Fine Arts. Boston-USA.
Utamaro drawn a series of twelve prints whose themes were related to the manual works of women, and this "Hairdresser" is one of them.
Mario BGil reproduces the seal of the censor (Kiwame) and writes his own signature, Mario BGil, in Japanese, with the date 14 (2014).
The mesaurements of the drawing are 76 x 56 cm. (29,92 x 22,05 in.), with a painted surface of 67 x 49,5 cm.
With his work on the bijing-ga series, Mario BGil wanted to embellish, give brilliance and volume to the images presented by japanese artist Kitigawa Utamaro in those beautiful engravings, ennobled with the patina of time, which have served as inspiration. The result obtained is almost life-size portraits, endowed with strong chromaticism and valuable contrasts, all enhanced, in turn, with the volume provided by the weight and rigidity of the paper, and its thick texture (Fabriano Artistico “grana grosso”, 640g/m2; the thickness and hardness of the paper makes it necessary to transport it without rolling).
In this way, Mario BGil pays tribute to his admired artist and offers us a new and enriched vision of this popular facet of oriental art from the 18th and 19th centuries.
ABOUT THE ARTIST
Mario BGil is a self-taught artist who for years has combined his creative activity with his work in the business world, away from commercial art galleries. Man of very diverse interests and great artistic sensitivity, studied Art History and in 2012, a deep interest in oriental art was awakened in him so that he began to study the great masters of Japanese Ukiyo-e prints, who had such an influence on the European avant-garde of the late 19th century.
The discovery of Kitagawa Utamaro (1753-1806), a key figure in the metropolitan culture of Edo (now Tokyo), and a point of reference in the history of Japanese engraving...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Japanese Art Ukiyo-e Figurative Painting, Karagoto of the Chojiya, Edo period
Located in Segovia, ES
Bijin-ga Series I (Nº1)
Title: Karagoto of The Chojiya
Head and bust portrait of the beautiful courtesan Karagoto, of the Chojiya House, who appears looking to her left while drying her right ear with the sleeve of her yukata (a fine summer garment, normally made of cotton that was normally used after bathing). The wide sleeve falls from her ear covering her right breast and leaving the left one uncovered.
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Japanese Art Ukiyo-e Figurative painting, Courtesan Hanaôgi, Edo period
Located in Segovia, ES
Bijin-ga Series XXVI (Nº 26)
Title: Hanaôgi of the Ôgiya House
Hanaôgi, one of the most famous courtesans of the Edo period working in the Ôgiya House, an exclusive brothel in the Yoshiwara appears beautifully dressed holding a writing brush on her right hand and a decorated piece of paper in the shape of a “cartuche”, maybe to write a message of love for a client.
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Four Figures and a Shield
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment.
A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain."
--Thaddeus Radell
Category
2010s Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Oil Crayon, Mixed Media, Handmade Paper, Graphite
Japanese Art Ukiyo-e Figurative Painting, Tatsumi Roko, Edo Period
Located in Segovia, ES
Bijin-ga series XXVIII (Nº 28)
Title: Tatsumi Roko
Portrait of Tatsumi Roko, a geisha of the pleasure quarters in the Edo period. The image belongs to the series Renowed Beauties Likened to the Six Inmortal Poets.
The popular top-class geishas of the day , known as “oiran”, were depicted in this type of print. In ukiyo-e woodblock prints, this close-up portrait view of the upper body is known as an okubi-e (bust portrait).
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Japanese Art Ikiyo-e Figurative Painting, Obvious Love Arawaruru Koi, Edo period
Located in Segovia, ES
BIJIN-GA SERIES XVIII (Nº 18)
Title: Obvious Love (Arawaruru Koi)
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print Obvious Love (Arawaruru Koi) (1793-94); 38,8 x 26,2 cm.. Art Institute Chicago, USA.
A sensual woman seems to care little that her kimono is open, exposing a breast. Her hair is in disarray , the hairpin at the front about to fall and she holds one of the hairpins in her left hand. She appears to be looking down outside the frame of the picture, perhaps in mid-conversation. The term “arawaruru” refers to a love so wholehearted that it expresses itself in the lover´s face and mannerisms.
In the 1780's and 90's the publisher Tsutaya Juzaburo and the designer Kitagawa Utamaro worked together on the production of many woodblock prints, most of them of the bijin-ga type. One of their most popular productions was a set of images that purported to depict psychological classifications of women - 'fickle', 'interesting', etc.. Perhaps in response to this success, they then came up with something similar - a set of prints...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Graphite, Crayon, Oil Crayon
Japanese Art Ukiyo-e Figurative painting, Love for a farmer´s wife, Edo period
Located in Segovia, ES
Bijin-ga Series XVII (nº 17)
Title: Love for a farmer´s wife
Sensual portrait of a young and beautiful farmer´s wife. Her cheerful and careless gesture, showing her chest between the open folds of the neckline of his humble dress; the strands of hair falling on her temples, and her smiling gesture denote the state of happiness enjoying love, in a well-deserved break from her hard work.
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Japanese Art Ukiyo-e Figurative Painting, Tomimoto Toyohina, Edo period
Located in Segovia, ES
Bijing-Ga series XXVII (Nº 27)
Title: Tomomoto Toyohina
Tomimoto Toyohina was a much sought-after geisha (entertainer) who performed narrative ballads accompanied by the shamisen. She was one of several non-prostitute beauties, including teahouse waitresses, whom Utamaro depicted repeatedly in the early to mid 1790s. She appears here with a brush in hand, dressed and combed with simple elegance.
This composition is from a six-print series comprising half-length portraits of famous beauties (Famous beauties of Edo).
Utamaro elevated Tomimoto Toyohina to the status of one of the three most renowned beauties of her age (together with Okita and Ohisa). She was from a prominent family of musicians that provided entertainment in the Yoshiwara. Toyohina’s appeal undoubtedly was as much due to her appearance as to her skills in singing, and Utamaro’s celebration of her would have further elevated the status of an already well-known lineage.
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Japanese Art Ukiyo-e Figurative Painting, The fickle type, Edo period
Located in Segovia, ES
Bijing-ga Series XXII (Nº 22)
Title: THE FLICKLE TYPE
Upper half of the body of a woman in yukata (summer kymono) with part of her chest bare. Depicted just after a bath, she is turning her head and drying her hands with the towel hang on her shoulder. Her just-washed hair is tied around an ornate hairpin, the hair style called bai-mage (spiral-shell chignon).
The unkempt hair of the nape and the movement of the hands one on the other are clear examples of Utamaro's mastery, who had an exceptionally observant eye for women.
The Fickle ( or Fancy-free) Type is flirting with more than one member of the opposite sex
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Japanese Art Ukiyo-e Figurative Painting, Somenosuke of the Matsubaya Edo period
Located in Segovia, ES
Bijin-ga series XXV (Nº 25)
Title: SOMENOSUKE OF THE MATSUBAYA
Somenosuke of house Matsubaya, known as a youthful courtesan who quickly rose through the ranks of popularity is shown producing a concealed letter, glancing about to confirm she is indeed alone.
The highlights of the drawing are the fine carving of the courtesan´s hair-line and the fine dress; an elegant kimono with vivid colors and intricate dessing.
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Japanese Art Ukiyo-e Figurative Painting, Hanamurasaki of the Tamaya, Edo period
Located in Segovia, ES
Portrait of the top-class courtesan Hanamurasaki elegantly combed, and dressed in a simple formal kimono and obi, adorned with symbols of her okiya. She is sitting on her knees in a graceful pose, stretching her arms forward and crossing her fingers with a delicate movement of the wrists.
This image is part of the “bijin-ga series” (Pretty women) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print “Hanamurasaky of the Tamaya”, (from the series: “Array of supreme beauties of the Present Day”, 1794), 36,2 x 25 cm. Museum of Fine Arts. Boston, USA.
The artist reproduces the seal of the censor (Kiwame) and from the original publisher ("Tsutaya", climbing leaf)), between the two, the signature of Mario BGil written in Japanese, with the date 14 (2014).
The mesaurements of the drawing are 76 x 56 cm. (29,92 x 22,05 in.), with a painted surface of 67 x 49,5 cm.
With his work on the "bijing-ga series", Mario BGil wanted to embellish, give brilliance and volume to the images presented by japanese artist Kitigawa Utamaro in those beautiful engravings, ennobled with the patina of time, which have served as inspiration. The result obtained is almost life-size portraits, endowed with strong chromaticism and valuable contrasts, all enhanced, in turn, with the volume provided by the weight and rigidity of the paper, and its thick texture (Fabriano Artistico “grana grosso”, 640g/m2; the thickness and hardness of the paper makes it necessary to transport it without rolling).
In this way, Mario BGil pays tribute to his admired artist and offers us a new and enriched vision of this popular facet of oriental art from the 18th and 19th centuries.
ABOUT THE ARTIST
Mario BGil is a self-taught artist who for years has combined his creative activity with his work in the business world, away from commercial art galleries. Man of very diverse interests and great artistic sensitivity, studied Art History and in 2012, a deep interest in oriental art was awakened in him so that he began to study the great masters of Japanese Ukiyo-e prints, who had such an influence on the European avant-garde of the late 19th century.
The discovery of Kitagawa Utamaro (1753-1806), a key figure in the metropolitan culture of Edo (now Tokyo), and a point of reference in the history of Japanese engraving...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Japanese Art Ukiyo-e Figurative Painting, Hanazuma of the Hyôgaya House
Located in Segovia, ES
Hanazuma, a beautiful high-class courtesan of the Hyôgaya House, appears sitting sideways on her legs, twisting a letter between her hands at the height of her heart. It is perhaps its message that makes her throw her head back with a beautiful turn of her entire body allowing us to contemplate the frontal details of her kimono and her obi, in green and orange, with beautiful ornaments.
This image is part of the “bijin-ga” series (Pretty women) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print “Hanazuma of the Hyôgaya House”, (1794), 38,8 x 25,9 cm. The Japan Ukiyo-e Museum. Matsumoto, Japan.
The artist reproduces the seal of the censor (Kiwame) and from the original publisher (“Tsutaya”, climbing leaf)), between the two, the signature of Mario BGil written in Japanese, with the date 14 (2014).
The mesaurements of the drawing are 76 x 56 cm. (29,92 x 22,05 in.), with a painted surface of 67 x 49,5 cm.
With his work on the bijing-ga series, Mario BGil wanted to embellish, give brilliance and volume to the images presented by japanese artist Kitigawa Utamaro in those beautiful engravings, ennobled with the patina of time, which have served as inspiration. The result obtained is almost life-size portraits, endowed with strong chromaticism and valuable contrasts, all enhanced, in turn, with the volume provided by the weight and rigidity of the paper, and its thick texture (Fabriano Artistico “grana grosso”, 640g/m2; the thickness and hardness of the paper makes it necessary to transport it without rolling).
In this way, Mario BGil pays tribute to his admired artist and offers us a new and enriched vision of this popular facet of oriental art from the 18th and 19th centuries.
ABOUT THE ARTIST
Mario BGil is a self-taught artist who for years has combined his creative activity with his work in the business world, away from commercial art galleries. Man of very diverse interests and great artistic sensitivity, studied Art History and in 2012, a deep interest in oriental art was awakened in him so that he began to study the great masters of Japanese Ukiyo-e prints, who had such an influence on the European avant-garde of the late 19th century.
The discovery of Kitagawa Utamaro (1753-1806), a key figure in the metropolitan culture of Edo (now Tokyo), and a point of reference in the history of Japanese engraving...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Sign Climbers
Located in New York, NY
A view of SoHo in New York City in the 1980s, this work is oil stick on heavy paper. Sign Climbers was exhibited in Leaps and Voyages, Selected Works 1967-74 in Milan Italy at D.E...
Category
1980s Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Oil Crayon
Japanese Art Ukiyo-e Figurative Painting, The courtese Hinakoto, Edo period
Located in Segovia, ES
Bijin-ga series XXI (Nº 21)
Title: The courtese Hinakoto of the Hyôgorô House of Edo
The courtesan Hinakoto is depicted by smoking tobacco. She takes the pipe delicately in her left hand and, in her right hand, she seems to be holding a “uchiwa” (rigid hand fan) that comes out from the bottom of the drawing, decorated with written calligraphy. Some strands of hair that fall on her temple and her scant clothing show that the painter has surprised her in a relaxed moment in which she does not lose her elegance and slenderness.
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...
Category
2010s Edo Oil Crayon Figurative Drawings and Watercolors
Materials
Paper, Crayon, Oil Crayon, Graphite
Untitled (mama study) II
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Oil Crayon Figurative Drawings and Watercolors
Materials
Gesso, Paper, Oil Crayon, Ink, Mixed Media
Oil Crayon figurative drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Oil Crayon figurative drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Howard Tangye, Viktoriya Kadesnikova, Yanieb Fabre, and Adolf Arthur Dehn. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Oil Crayon figurative drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for figurative drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,595,000, while the average work can sell for $700.
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