Items Similar to Woodcut Print,
Bible
Biblical Scene Signed Small Edition
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Mimi GrossWoodcut Print,
Bible
Biblical Scene Signed Small Edition
On Hold
$400
On Hold
£305.09
On Hold
€347.43
On Hold
CA$562.12
On Hold
A$613.07
On Hold
CHF 324.76
On Hold
MX$7,349.88
On Hold
NOK 4,136.06
On Hold
SEK 3,782.12
On Hold
DKK 2,595.61
About the Item
Mimi Gross (born 1940) is a New York City born American woman artist.
Mimi Gross's work spans from painting and drawing, films, mail art, book design, costume and set design, indoor and out of doors installations, diorama and sculpture. She is the daughter of the famed Jewish sculptor Chaim Gross. She grew up on the Upper West Side of Manhattan among the artist community of her parents, which included Raphael Soyer, Moses Soyer, Arnold Newman, Max Weber and David Burliuk. From 1963-1976 she was married and collaborated artistically with the artist Red Grooms.
She began exhibiting in Provincetown, MA, an artist colony where she spent her summers with her family, in 1957, including a three-woman show at the Sun Gallery in 1958. She had a solo show at the Provincetown Art Association in 1997, as well as several solo shows in various galleries there.
Mimi Gross met Red Grooms in 1958 in New York, and the two lived and worked together from 1960 to 1976. In the summer of 1961, they traveled from Florence to Venice in a horse-drawn carriage, which Gross painted and decorated. With artist friends, they stopped at villages to stage shadow puppet shows.
Shortly after their experience as traveling puppeteers, Gross and Grooms began collaborating on large-scale 3-D sculptural installations including “The City of Chicago” (1967-68), “Discount Store” (1970-71), Astronauts on the Moon (1972) and “Ruckus Manhattan” (1975-76), built with the assistance of dozens of young artisans.
Their three-dimensional love letters to landmarks such as Central Park, the Apollo Theater, and the Brooklyn Bridge had the potential of flipping the narrative about 1970s New York as a cesspool of crime. Empty spaces were donated to the cause, and their sprawling art project was displayed in various pieces before the exhibition at Marlborough Gallery. “The original installation, where pieces were constructed, was on Pine and Water Street, a big space given to us by Creative Time,” Gross says. (Creative Time has supported public arts projects in New York City since 1974).
Around that time, Alice Neel did two double portraits of Gross and Grooms. When the couple separated, shortly after “Ruckus Manhattan” closed, Neel’s support remained a bright spot. “She was very friendly and encouraging to me,” Gross recalls.
She has collaborated with the dancer Douglas Dunn on more than 25 dances, designing sets and costumes, beginning with Foot Rules in 1978 and most recently tanks under trees (2008) with text by Anne Waldman and Cassations (2012).
She was in the show Sculpture in the 70s: The Figure, Group Show with Alex Katz, George Segal, Mimi Gross, at Pratt Manhattan Center Gallery.
To be a Lady at Norte Maar, Brooklyn NY 2012-2013
Artists included: Alma Woodsey Thomas, Betye Saar, Charmion von Wiegand, Jay DeFeo, Judy Pfaff, Louise Bourgeois, Louise Nevelson, Mira Schor, Ruth Asawa and Viola Frey
New York in the 80s: Selections from the Barry Blinderman Collection
Western Exhibitions West Town, Chicago 2021
Artists included: Andy Warhol, Donald Baechler, Duncan Hannah, Jane Dickson, Keith Haring, Mark Kostabi, Mimi Gross Grooms,Nancy Dwyer,
Raymond Pettibon, Rhonda Zwillinger, Robert Longo.
Her work has some connections to Pop art, Rhino Horn artists and Feminist artists Judy Chicago and Miriam Schapiro but really stands alone as a singular vision.
References:
Canaday, John (31 May 1969). "Art: Young Unknowns at Guggenheim". New York Times.
Tully, Judd (1977). Red Grooms and Ruckus Manhattan. Scranton, PA: George Braziller.
La Rocco, Claudia (October 9, 2012). "Stream of Fancy, Evading Time". New York Times.
Kokoli, Alexandra M. ed., Feminism Reframed, Swartz, Anne, “The Feminist Art Project,” Newcastle, UK, Cambridge Scholars Publishing, 2008, 293-4.
Kirwin, Liza, More Than Words: Illustrated Letters from the Smithsonian’s Archives of American Art, Princeton, NJ, Princeton Architectural Press, 2005, x, 44-46, 188.
"Mimi Gross," The New Yorker, Apr 17, 2000, 20.
Francine A. Koslow, "Mimi Gross at David Brown Gallery," Artforum, November 1988, 149.
Jeffrey Deitch, "Report from Times Square," Art in America, September 1980, 62.
She has had several international exhibitions, including work at the Salander O’ Reilly Galleries, and the Ruth Siegel Gallery, New York City, the Inax Gallery, in Ginza, Tokyo, and Galerie Lara Vincey, in Paris. She has also shown work at the Municipal Art Society and at the Port Authority Bus Terminal in New York. Her anatomically-themed art-work is on permanent display, courtesy the New York City Parks Department, at the Robert Venable Park in East New York.
Her work is included in numerous public collections, including those of the Metropolitan Museum of Art, the Art Institute of Chicago, the Hirschhorn Museum and Sculpture Garden, the Museum of Contemporary Art in Los Angeles, The Brooklyn Museum, the Jewish Museum, le Musee des Art Decoratifs in Paris, the Nagoya Museum of Art, the Onasch Collection in Berlin and the Lannon Foundation, as well as the Fukuoko Bank in Japan and New York’s Bellevue Hospital.
Gross has been the recipient of countless awards and grants including from the New York State Council on the Arts, twice from the National Endowment for Visual Arts, the American Academy
Institute of Arts and Letters, and a “Bessie” for sets and costumes.
She held the McMillan/Stewart Endowed Chair in Painting at the Maryland College of Art in 2010-2011, and has taught at the Art Institute of Chicago, the Rhode Island School of Design, the Penland School of Crafts, Syracuse University, SUNY Purchase, as well as other universities and educational institutions, giving workshops and advising students, as a visiting artist.
Selected Public Collections:
Art Institute of Chicago,
Brooklyn Museum, NYC,NY
Fukuoko Bank, Fukuoko, Japan
Houston Museum of Art, Houston, Texas
Hirshhorn Museum of Painting and Sculpture, Washington, D.C.
Jewish Museum, NYC,NY
Metropolitan Museum of Art, NYC,NY
Musee des Artes Decoratifs, Costume and Fashion Collection, Paris France
Museum of Contemporary Art, Los Angeles, CA
Nagoya Museum of Art, Nagoya, Japan
Onasch Collection, Pottsdam, Berlin
Selected Group Exhibitions:
To be a Lady, 1285 Ave of the Americas, NYC, N
Putting It Together, David Findley Jr. Gallery, NYC
Loft in the Red Zone, Historic House of JP Morgan, Wall St., NYC, NY
50 Years of Art, Architecture, Photography, Film Video Grimaldi Forum, Espace Ravel, Monaco
The Downtown Show: The New York Art Scene, 1974-84,
Grey Art Gallery,NYC, NY; The Andy Warhol Museum, Pittsburgh, PA.;
New Etchings and Monoprints, VanDeb Editions, NY
Generations, A.I.R. Gallery, Brooklyn, NYC,NY
Displacement: Art + Suitcase, Will Travel, Gertrude Stein Gallery, NYC, NY
Remembering Rudy, Tibor de Nagy Gallery, NYC
Raising Miriam’s Cup, Jewish Community Center, Baltimore, MD
List Graphic Publications, The Jewish Museum, NYC, NY
Voices of Conscience: Then and Now, ACA Galleries, NYC,NY
Painting in Poetry, Poetry in Painting: Wallace Stevens
Modern Art,
- Creator:
- Dimensions:Height: 19.5 in (49.53 cm)Width: 12.5 in (31.75 cm)
- Medium:Tissue Paper,Woodcut
- Movement Style:
- Period:
- Condition:woodblock prints on a thin tissue like paper. the image is well away from the margins. the margins all have wear. should mat out fine. we have included the photos. the cover is not included. just the one print.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212934332
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,843 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
More From This Seller
View AllAmerican Woman Artist Society Doyenne Polly Kraft Large Watercolor Painting
By Polly Kraft
Located in Surfside, FL
Polly Kraft
American (1928-2017)
Umbrella Still Life (1984)
watercolor on paper
signed lower right
29 1/2 x 41 1/2 inches
frame dimensions: 33 x 45 1/4 x 1 1/2 inches, wood frame with acrylic glazing
Provenance: East Hampton Collection
Fischbach Art Gallery New York, NY label affixed verso
Polly Kraft, Known for painting portraits, landscapes, and still-lifes, realist artist Polly Kraft worked in both watercolor and oil. She had the ability to translate a split second glance into a memorable painting.a painter who turned quotidian objects and scenes — a sliced red apple still bearing its seeds, an unmade bed cluttered with mail, a filleted fish vibrant even in death — into works of art resonant with meaning, Her son, Mark Stevens is an art critic who with his wife, Annalyn Swan, co-authored the Pulitzer Prize-winning biography “de Kooning: An American Master”
Mrs. Kraft spent a half-century at the center of the Washington establishment as the wife of Joseph Kraft, the syndicated newspaper columnist, and later, after Kraft's death in 1986, of Lloyd Cutler, the high-powered lawyer who was White House counsel to Presidents Jimmy Carter and Bill Clinton. Her marriages took her into the thick and thicket of social life in the capital — a world, she once remarked, where "politicians were mixed in with intellectuals, mixed in with academics, mixed in with movie stars." She counted among her friends members of the Kennedy family, former Washington Post chairman and publisher Katharine Graham, former Post executive editor Benjamin C. Bradlee and diplomats W. Averell and Pamela Harriman.
Although oft cited as a doyenne of Georgetown hostesses, Mrs. Kraft professed that she relished neither politics nor Washington’s breed of socializing, which at times approached the intensity of a competitive sport.
“When it comes to the poetry of dishevelment, Polly Kraft is one of our more rewarding practitioners,” art critic John Russell wrote in the New York Times in 1981. “She specializes in the domestic pileup — cushions knocked out of shape, books and magazines left askew, hasty departures acted out in verismo style. The point of the paintings lies in the contrast between this archetypal havoc and the order that Mrs. Kraft has imposed upon it.” Classic Americana.
Her paintings, mainly watercolors and oil paintings, appeared at venues including the Corcoran Gallery of Art and Addison/Ripley Fine Art in Washington (she was part of their 40 year retrospective along with
Lou Stovall, Diana Walker...
Category
20th Century Figurative Drawings and Watercolors
Materials
Watercolor
Chicago Modernist Line Drawing Reclining Nude WPA Artist. Exhibited Work
By William S. Schwartz
Located in Surfside, FL
Reclining Nude.Early modernist line drawing, by American artist William S. Schwartz, c. 1940, gouache painting, signed with initials, framed. (size includes frame). Work is reminisce...
Category
Mid-20th Century American Modern Nude Drawings and Watercolors
Materials
Paper, Charcoal
Israeli Modernist Watercolor Painting Safed Synagogue Interior Bezalel School
By Mordechai Avniel
Located in Surfside, FL
Watercolor painting of Shul interior in Tzfas, Safed Israel.
MORDECHAI AVNIEL
Minsk, Belarus, b. 1900, d. 1989
Mordecai Dickstein (later Avniel) was born in 1900 in Minsk, present-day Belarus. He studied fine arts in Yekaterinburg, Russia (1913–19) and at the Bezalel Academy of Art and Design, Jerusalem (1923). Avniel immigrated to Palestine in 1921 where he first worked as a pioneer in citrus plantations near Petah Tikva. In 1923, at the urging of Boris Schatz, he went to Jerusalem to further his art studies at Bezalel. He later taught painting and sculpture at the school, and served a term as director of the Small Sculpture Section of the Sculpture Department (1924–28). From 1935 on, Avniel lived in Haifa. Avniel was also a lawyer and a founding partner of the Haifa firm Avniel, Salomon & Company.
Avniel regularly showed his work in group exhibitions of the Painters and Sculptors' Association of Israel. He was awarded the Herman Struck Prize (1952), Tenth Anniversary Prize for Watercolours, Ramat Gan (1958), Histadrut Prize (1961), and First Prize Haifa Municipality (1977). He represented Israel at the 1958 Venice Biennale and the 1962 International Art Seminar at Fairleigh Dickinson University. Avniel was a member of the Artists' Colony in Safed and maintained a studio on Mount Carmel.
Mordechai Avniel is best known for his deft and singular landscape work.
His works are held in numerous museums and collections both in Israel and abroad, including the Metropolitan Museum, New York and the Carnegie Institute, Pittsburgh, PA. Avniel's manipulations of light and colour share much with those of compatriot artists Shimshon Holzman and Joseph Kossonogi.
Education
1913-19 Art School of Katrinburg, Russia
1923 Bezalel School of Art, Jerusalem
Selected exhibitions:
2004: Our Landscape: Notes on Landscape Painting in Israel, University of Haifa Art Gallery, Haifa (online catalogue)
1965: Mordechai Avniel Retrospective, Haifa Municipality Museum of Modern Art, Haifa
1964: Galerie Synthèse, Paris
1962: New York University, New York
1961: Rina Gallery of Modern Art, Jerusalem
The Autumn Exhibition Rina Gallery, Jerusalem
Artists: Dedi Ben Shaul...
Category
20th Century Modern Interior Paintings
Materials
Paper, Watercolor
Rare 1950s Original Syndicated Ink Drawing Cartoon Strip Susie Q Smith Comic Art
Located in Surfside, FL
SUSIE Q. SMITH
Medium: Newspaper comics
Distributed by: King Features Syndicate
First Appeared: 1945
Creators: Linda and Jerry Walter
6.25 X 18.25
Like her contemporaries, Aggie Ma...
Category
1950s American Modern More Art
Materials
Paper, Ink
Israeli Modernist Watercolor Painting Jerusalem Landscape Bezalel School Avniel
By Mordechai Avniel
Located in Surfside, FL
Watercolor painting of Old City of Jerusalem
MORDECHAI AVNIEL
Minsk, Belarus, b. 1900, d. 1989
Mordecai Dickstein (later Avniel) was born in 1900 in Minsk, present-day Belarus. He studied fine arts in Yekaterinburg, Russia (1913–19) and at the Bezalel Academy of Art and Design, Jerusalem (1923). Avniel immigrated to Palestine in 1921 where he first worked as a pioneer in citrus plantations near Petah Tikva. In 1923, at the urging of Boris Schatz, he went to Jerusalem to further his art studies at Bezalel. He later taught painting and sculpture at the school, and served a term as director of the Small Sculpture Section of the Sculpture Department (1924–28). From 1935 on, Avniel lived in Haifa. Avniel was also a lawyer and a founding partner of the Haifa firm Avniel, Salomon & Company.
Avniel regularly showed his work in group exhibitions of the Painters and Sculptors' Association of Israel. He was awarded the Herman Struck Prize (1952), Tenth Anniversary Prize for Watercolours, Ramat Gan (1958), Histadrut Prize (1961), and First Prize Haifa Municipality (1977). He represented Israel at the 1958 Venice Biennale and the 1962 International Art Seminar at Fairleigh Dickinson University. Avniel was a member of the Artists' Colony in Safed and maintained a studio on Mount Carmel.
Mordechai Avniel is best known for his deft and singular landscape work.
His works are held in numerous museums and collections both in Israel and abroad, including the Metropolitan Museum, New York and the Carnegie Institute, Pittsburgh, PA. Avniel's manipulations of light and colour share much with those of compatriot artists Shimshon Holzman and Joseph Kossonogi.
Education
1913-19 Art School of Katrinburg, Russia
1923 Bezalel School of Art, Jerusalem
Selected exhibitions:
2004: Our Landscape: Notes on Landscape Painting in Israel, University of Haifa Art Gallery, Haifa (online catalogue)
1965: Mordechai Avniel Retrospective, Haifa Municipality Museum of Modern Art, Haifa
1964: Galerie Synthèse, Paris
1962: New York University, New York
1961: Rina Gallery of Modern Art, Jerusalem
The Autumn Exhibition Rina Gallery, Jerusalem
Artists: Dedi Ben Shaul, Lea Nikel, Yossef Zaritsky,Ephraim Fima Roytenberg, Zvi Meirovich, Aharon Kahana, Avigdor Stematsky, Mordechai Levanon, Yosl Bergner, Israel Paldi...
Category
20th Century Modern Interior Drawings and Watercolors
Materials
Paper, Watercolor
Interior Bouquet of Flowers
By Katherine Librowicz
Located in Surfside, FL
Katarzyna LIBROWICZ
Polish French painter studied at the Academy of Fine Arts in Warsaw and arrived in France in 1937 .
She studied with André Lhote in Montparnasse Paris and exhibi...
Category
20th Century Interior Drawings and Watercolors
Materials
Watercolor
You May Also Like
Background Zahra Zeinali Contemporary drawing girl mask teddy bear dream animal
By Zahra Zeinali
Located in Paris, FR
Charcoal on paper
Unique work
Hand-signed by the artist
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Three Graces with Pearls, multi-cultural nude women, modern classical theme
By Stephen Basso
Located in Brooklyn, NY
Pastel on paper this is a modern interpretation of the thee Graces
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Paper, Pastel
Abstraction #52
- abstract painting - colorful oil on linen
By Eilis Crean
Located in Atlanta, GA
"Abstraction #52" is a colorful abstract painting featuring hues of orange, green and brown. The framed dimensions are 11 by 13 inches.
Eilis Crean is inspired by the works of Honoré-Victorin Daumier, Evie Hone, Patrick Pye, Milton Avery, William Kentridge, Joan Snyder, Jennifer Bartlett, Judy Pfaff and Sarah Sze...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Acrylic, Archival Paper
Abstraction #56
- abstract painting - colorful oil on linen
By Eilis Crean
Located in Atlanta, GA
"Abstraction #56" is a colorful abstract painting featuring hues of blue, mauve, green and red. The framed dimensions are 11 by 13 inches.
Eilis Crean is inspired by the works of Honoré-Victorin Daumier, Evie Hone, Patrick Pye, Milton Avery, William Kentridge, Joan Snyder, Jennifer Bartlett, Judy Pfaff and Sarah Sze...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Acrylic, Archival Paper
"Marketplace Cashier #44" - interior drawing - colorful work on paper - Daumier
By Eilis Crean
Located in Atlanta, GA
"Marketplace Cashier #44" features hues of pink, blue, yellow and black. This work on paper is mounted to a wood panel and framed in a simple wood floater frame. The frame measures 13 by 9.75 inches.
Eilis Crean is inspired by the works of Honoré-Victorin Daumier, Evie Hone, Patrick Pye, Milton Avery, William Kentridge, Joan Snyder, Jennifer Bartlett, Judy Pfaff and Sarah Sze...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Wood, Archival Paper, Color Pencil
"Hospital Worker #3" - interior drawing - colorful work on paper - Daumier
By Eilis Crean
Located in Atlanta, GA
"Hospital Worker #3" features hues of pink, blue, yellow and black. This work on paper is mounted to a wood panel and framed in a simple wood floater frame. The frame measures 13 by 9.75 inches.
Eilis Crean is inspired by the works of Honoré-Victorin Daumier, Evie Hone...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Wood, Archival Paper, Color Pencil













