Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Mino Maccari
Family Meeting - Drawing by Mino Maccari - Mid-20th Century

Mid-20th Century

$705.18
£527.34
€590
CA$972.22
A$1,067.04
CHF 560.74
MX$12,697.54
NOK 7,167.98
SEK 6,550.11
DKK 4,496.04

About the Item

Family Meeting is a watercolor Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio of 16 August 1970 won by Selva. In 1973 he was awarded the Political Satire Award of Forte dei Marmi, an award born in that year. He died without great fanfare, in silence, at the age of ninety, in Rome on June 16, 1989.
  • Creator:
    Mino Maccari (1898 - 1989, Italian)
  • Creation Year:
    Mid-20th Century
  • Dimensions:
    Height: 7.49 in (19 cm)Width: 9.85 in (25 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.a.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1410621stDibs: LU650312752502

More From This Seller

View All
Family Consultation - Drawing by Mino Maccari - Mid 20th Century
By Mino Maccari
Located in Roma, IT
Family Consultation is an original China Ink and Watercolour realized by Mino Maccari in mid-20th century. Good condition on a yellowed paper. Hand-signed by the artist with pencil...
Category

Mid-20th Century Modern Figurative Drawings and Watercolors

Materials

Watercolor, Ink

Conversation - Drawing by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Conversation is a pen drawing Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rom...
Category

Mid-20th Century Modern Figurative Drawings and Watercolors

Materials

Paper, Charcoal

Conversation - Drawing by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Conversation is a china ink drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome,...
Category

Mid-20th Century Modern Figurative Drawings and Watercolors

Materials

Paper, Ink

Family Reunion - Drawing by Mino Maccari - 1950s
By Mino Maccari
Located in Roma, IT
Family Reunion is a pen Drawing realized by Mino Maccari (1924-1989) in the 1950s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989)...
Category

1950s Modern Figurative Drawings and Watercolors

Materials

Pen

Meeting - Drawing by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Meeting is a watercolor drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, Jun...
Category

Mid-20th Century Modern Figurative Drawings and Watercolors

Materials

Paper, Charcoal

Conversation - Drawing by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Conversation  is a china ink drawing Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1...
Category

Mid-20th Century Modern Figurative Drawings and Watercolors

Materials

Paper, Ink

You May Also Like

"Conversation with Friends" Line Drawing of Three People at a Table Socializing
Located in Austin, TX
Graphite on Natural Toned Paper Art Size: 9 x 6 inches Framed: 15.5 x 18 inches An expressive drawing of three friends sitting around a table rendered in lively gestural lines of gr...
Category

Mid-20th Century Figurative Drawings and Watercolors

Materials

Archival Paper, Graphite

A 1951 Ink on Paper Figure Study of a Conversation by Artist Harold Haydon
By Harold Haydon
Located in Chicago, IL
A ink on paper figure study by artist Harold Haydon depicting a conversation. Artwork size: 12" x 9 1/2". Archivally matted to 14" x 16". Provenance: Estate of the artist. Haro...
Category

1950s American Modern Figurative Drawings and Watercolors

Materials

Ink, Paper

The Conversation
By George Brehm
Located in Fort Washington, PA
Medium: Charcoal on Paper Dimensions: 20.00" x 24.50" Signature: Signed Lower Left
Category

Early 20th Century Figurative Drawings and Watercolors

Materials

Paper, Charcoal

Family Gathering In Provence - Original Lithograph, SIGNED
By Pierre Ambrogiani
Located in Paris, IDF
Pierre AMBROGIANI (1907-1985) Family Gathering in Provence, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 56 cm (c. 14.9 x 22 in) Excell...
Category

Mid-20th Century Expressionist Figurative Prints

Materials

Lithograph

"The Instruction"
By Leone M. Bracker
Located in Fort Washington, PA
Medium: Charcoal on Board Dimensions: 24.00" x 36.00" Signature: Signed Lower Right
Category

Late 19th Century Figurative Drawings and Watercolors

Materials

Charcoal, Board

Mid Century Modern British Listeners by British German illustrator Kapp, 1959
Located in Petworth, West Sussex
Edmond Xavier Kapp (British, 1890 – 1978) Listeners Inkpen Signed, inscribed and date ‘Listeners / Kapp 59’ (lower left) 7.5/8 x 10.1/2 in. (19.4 x 26.7 cm.) Edmond Kapp was born in Islington, London, on 5 November 1890, of American and German Jewish parentage. He gave himself the middle initial ‘X’ – sometimes said to stand for Xavier – to distinguish himself from his father Emil Kapp, who was a wine merchant. However, his parents called him ‘Eddie’ while his wife and friends knew him as ‘Peter’. During his early years, Kapp was continually ill and, while convalescing, entertained himself by drawing at home. As his health improved, he attended Dame Alice Owen’s School, Islington (1903-10), with periods at Berlin University (1909) and L’Institut Français pour les Etrangers, Paris (1909). He then read Languages at Christ’s College, Cambridge (1910-13), though spent most of his time writing and drawing. Kapp took a studio in London, and worked intensively until the outbreak of the First World War, contributing to the Daily News, the Onlooker and other periodicals. During the war, he served as a 2nd Lieutenant in the Royal Sussex Regiment on the Western Front, and then in Intelligence, rising to the position of Staff Captain on Haig’s Staff. Finally, he founded and directed the Neutral Press Counter-propaganda Section. In 1919, Kapp returned to London and, after abortive periods at three art schools, worked alone. In that year, he made his name with an exhibition of caricatures, held at Furst’s Gallery, London, and accompanied by a catalogue introduced by Max Beerbohm. This soon led to contracts with three London periodicals and a book of caricatures, Personalities, published by Martin Secker. Through the 1920s and 30s, his drawings of musicians and other personalities appeared in a wide variety of periodicals, most notably Time & Tide; were collected in further volumes; and were exhibited at the Leicester Galleries. He considered himself to be a ‘character-portraitist’, producing images of psychological not satirical power, and disliking the term ‘caricature’. Between the wars, Kapp developed other aspects of his artistic talents, the desire to study and the search for subject matter often taking him abroad. For instance, work at the British Academy, Rome, under Antonio Sciortino...
Category

Mid-20th Century Modern Figurative Drawings and Watercolors

Materials

Paper, Ink