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Nicholas Kahn Richard Selesnick
Der Fled Maus (Figurative Drawing of Costumed Man with Moon on Teal Paper)

2011

$850List Price

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Horse (Studi per un Equestre) - Drawing by Ludovico De Luigi - 1979
Located in Roma, IT
Pastel drawing realized by Ludovico De Luigi in 1979. Hand signed, dated and titled. Very good condition.
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1970s Modern Figurative Drawings and Watercolors

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Horse (Study for a Bronze) - Drawing by Ludovico De Luigi - 1979
Located in Roma, IT
Pastel and pencil drawing on paper realized by Ludovico De Luigi in 1979. Hand signed and titled. Very good condition.
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Graphite and gouache on handmade paper: The Remains: 9
Located in New York, NY
The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration. Winifred McNeill...
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Whispers Hisses Series: In Panic
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
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Gold Leaf

Whispers Hisses Series: In Knowing
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
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Graphite and gouache on handmade paper: The Remains: 3
Located in New York, NY
The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
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2010s Contemporary Animal Drawings and Watercolors

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Gouache, Handmade Paper, Graphite

Graphite and gouache on handmade paper: The Remains: 4
Located in New York, NY
The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
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Whispers Hisses Series: In Dread
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
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Whispers Hisses Series: In Regret
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
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Graphite and gouache on handmade paper: The Remains: 5
Located in New York, NY
The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
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The Searchers (Figurative Chalk Drawing of a Dog on Vintage Book Pages)
Located in Hudson, NY
Figurative chalk drawing of black Greyhound dog and red birds on vintage collaged book pages 'The Searchers' by Louise Laplante in 2022 chalk on vintage collaged book pages 28 x 46 1/2 inches unframed, 32 x 52 inches in natural wood frame with non-glare plexi This graphic, figurative drawing in black chalk with collaged antique...
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Ancient, Original, Modern Fables with Hares (Graphic Collage with Chalk Paper)
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chalk on vintage collaged paper from a book of fables Artwork measures 60 x 32 inches 65. x 35.5 inches framed, deckle edge paper is floated in n...
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Raven Reads the Lines: Chalk Drawing of Black Bird on Vintage Book Pages
Located in Hudson, NY
Raven Reads the Lines (Chalk Drawing of Black Bird on Vintage Book Pages) by Louise Laplante chalk on vintage collaged book pages. Artwork measures ...
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Hummingbird Augury: Cobalt Blue Pastel Drawing on Handmade Paper w/ Gold Stars
By Nicholas Kahn Richard Selesnick
Located in Hudson, NY
Hummingbird Augury (Circular Cobalt Blue Pastel Drawing of Golden Hummingbird and Stars on Indian Handmade Cotton Paper by Kahn & Selesnick) 11 inch diameter unframed pastel, conte c...
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MB 053 (Figurative Charcoal Drawing of a Muscular Male Nude on Arches Paper)
By Mark Beard
Located in Hudson, NY
Figurative male nude drawing made of graphite, charcoal, and conte crayon on Arches paper 30 x 20 inches, unframed This unique life study drawing of a standing male nude was made...
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Rooftops (Framed 1970 s New York Cityscape Landscape Drawing by William Clutz)
By William Clutz
Located in Hudson, NY
Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...
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