Paul Sample

"Into the Ring"

circa 1940

Cut Paper Collage, Signed Lower Right. Hilla Rebay was an avant-garde artist who believed deeply in the power of intuition while creating art. She was the progenitor of The Museu...

Signed LM John Whorf was one of the most accomplished and esteemed watercolorists of the first half of the twentieth century. Creating realist depictions of urban and rural imagery,...

One is Signed Lower and the Other is Signed Lower Right Louis Kronberg (1872 - 1965) Kronberg, often referred to as "the American Degas,"was born in Boston on December 20, 1872. He displayed artistic talent in his elementary school years and while he was only fifteen years old, his brother, who had become an impresario, made it possible for Louis to copy portraits of stage and concert celebrities backstage. Louis came to know Ignaz Paderewski, Boris Chaliapin...

Ashley John is proud to offer this artwork by: Burgoyne A Diller (1906 - 1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller mad...

Looking to Paris 2024 Steven will most likely be on the USA Olympic Boxing Team. Oil on Canvas 30 x 30 Framed This is an original oil painting from emerging Miami artist Carlos Antonio Rancaño...

Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...

Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...

“WRESTLING” is a watercolor by Joseph Golinkin created circa 1940. This piece is painted to the paper's edge and signed in red paint in the upper left. The watercolor paper size is 20 7/8 x 15 ¾ inches. Joseph Webster Golinkin...