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PIERRE OLIVIER DUBAUT Portrait - Drawing by Pierre Olivier Dubaut - Mid-20th CenturyMid-20th Century
Mid-20th Century
$359.34
£268.79
€300
CA$495.16
A$544.30
CHF 285.75
MX$6,472.09
NOK 3,669.73
SEK 3,342.72
DKK 2,286.31
About the Item
Pencil drawing on paper realized by Pierre Olivier Dubaut in the mid-20th Century.
Not signed.
The drawing on the reverse side shows a very light first outline of the same figure, confirming it was likely a preparatory sketch.
Dubaut was a French painter, draughtsman, and illustrator. He trained at the École des Beaux-Arts de Paris and became known for his sensitive pencil and ink drawings, watercolours, and paintings.
He travelled extensively, depicting landscapes, everyday scenes, and figures from French rural and coastal life.
Dubaut exhibited at the Salon des Artistes Français and other Paris Salons, earning recognition especially for his draughtsmanship and expressive line.
- Creator:PIERRE OLIVIER DUBAUT (1886 - 1968, French)
- Creation Year:Mid-20th Century
- Dimensions:Height: 10.63 in (27 cm)Width: 7.88 in (20 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1575281stDibs: LU650317169702
Pierre Olivier Dubaut was born in Paris, he had a great predilection for horses, which he represents in many paintings and watercolors. He etched sometimes on the etch and on the stone. He was a member of several artistic societies, he especially admired Theodore Gericault, he had collected a remarkable collection of drawings and watercolors and also some paintings by this painter. He collected also drawings by Delacroix and Guys. In collaboration with the late Duke of Treviso, he was preparing a definitive work on Géricault. In addition, he had also a collection of old Masters drawings. "Pierre Olivier Dubaut is a virtuoso of watercolor, the ideal vehicle for his supple invention and warm spontaneity. With a nimble brush, he seizes without fixing it the life which passes, the fleeting movement, the ephemeral. He suggests the form of an unrepentant, elegant and light stroke: scenes of trenches during the 1914-1918 war, horse races, paddock, polo, bathers seen on the beach of Deauville. Elliptical and limpid washes build the essential. His watercolors appear in several museums, notably in Trouville, Compiègne, Belfort, The Hague..." Gerald Schurr Pierre Cabanne "Dictionnaire des petits maîtres 1820-1920"
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