Robert Sauterne

Greek Islands - Mixed Media by Robert Sauterne - 20th Century

20th Century

The Seascape is a Watercolor Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) w...

Landscape is a beautiful drawing in watercolor paper realized by Rudolf Hausner (1914-1995). In aged condition a trace of folded. The artwork represen...

Oil on wooden panel realized in the mid-20th Century by Fausta Settimj Good condition.

Landscape is a drawing realized by André Léveillé (1880-1962) in the early 20th Century. Charcoal and watercolor on paper. Good conditions with slight foxing. The artwork is reali...

Dazzling watercolor landscape painting of a small town lining the sparkling mediterranean coast by artist Stephane Magnard, circa 1950. Original ...

Title: Mid-20th Century Watercolour of Coastal Architecture and Sea View in Agrigento by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor on unframed paper Size: 15 in...

A rare ink and watercolor drawing by Carl Palme, dated 1921 and signed “CP 21,” captures the intimate character of Positano’s narrow alleys. Measuring ca. 20 x 24 cm without frame. Inscribed on the back that it´s a preparatory study for a larger oil painting. Early 20th century works by Palme are scarce. Carl Palme (1879–1960): Painter, Printmaker, and Cosmopolitan Artist. He was born in Stockholm in 1879, the son of bank director Henrik Palme and Anna Lavonius. He grew up on the family estate of Svalnäs, now a guest home and senior residence. From an early age, Palme showed a sensitivity to both literature and art, interests that would later merge in his career as painter, draftsman, printmaker, and author. His artistic education began in London at the Slade School of Fine Art (1900–1901), where he was introduced to modern European currents. From 1902 to 1904, he studied in Munich at Wassily Kandinsky’s art school, absorbing early expressions of color and form. In 1907, Palme moved to Paris, where he became the first Swedish student of Henri Matisse. Together with fellow Scandinavian artists, he was instrumental in founding the Académie Matisse, a collective of young painters who rented a large studio in Paris. Matisse himself visited weekly, critiquing their work and shaping what would later become a decisive wave of modernism in Swedish art. Among the group were such notable names as Isaac Grünewald, Sigrid Hjertén, and Einar Jolin...

Signed to the lower right. Part of a pair of Mediterranean scene by the same hand. Presented in a gilt frame. On paper.