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Thaddeus Radell
Prodigal Son (VIII)

2022

$635
£481.20
€554.52
CA$898.07
A$965.79
CHF 516.41
MX$11,647.20
NOK 6,530.38
SEK 5,950.02
DKK 4,143.51

About the Item

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell
  • Creator:
    Thaddeus Radell (1956, American)
  • Creation Year:
    2022
  • Dimensions:
    Height: 19 in (48.26 cm)Width: 24 in (60.96 cm)Depth: 1.6 in (4.07 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Atlanta, GA
  • Reference Number:
    Seller: 43691stDibs: LU2005211611422

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Drawings from Mt Gretna, III
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At the Shore
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2010s Contemporary Figurative Drawings and Watercolors

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Oil Crayon, Mixed Media, Handmade Paper, Graphite

Dream
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"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell
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