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After Raphael (1483-1420) - Mid 20th Century Pastel, Madonna della Sedia

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A very fine early 20th Century copy of Raphael's c.1514 'Madonna della seggiola' in watercolour. Raphael's choice to forgo his linear style and strict geometric form is still clear i...

A delicate and precise study of Raphael's *Madonna of the Fish* (1513) in graphite. Affixed to a blue paper backing. Unsigned. On laid paper.

A fine early 19th century portrait in watercolour depicting Madonna and her child. Presented in a beautiful 19th century frame with foliate and acanthus corner mouldings. Unsigned. O...

A pastel portrait of a nun. She raises one hand to her head and holds a string of rosary beads in the other. Well presented in a wooden frame. Unsigned. On paper. Image size: 36 x 29...

Madonna and Child is a beautiful colored chalk low relief realized in the 19th Century by Anonymous Artist. Frame included: 96x70 cm. Good condition except some minor cracks and lo...

Madonna and Child with St. John the Baptist Italian artist, 18th century, after the earlier painting by Raphael oil on wood panel, framed in an Empire, gilt moulded frame Framed: 23 ...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

Anton Maria Piola (Genoa, 1654 - 1715) circle Madonna and Child Genoese school of the second half of the 17th century Oil on canvas 93 x 74 cm.- In antique frame 110 x 92 cm. (Work with expertise by Dr. Arabella Cifani) In the pleasing work proposed, depicting a classical Nativity scene, the Madonna is immortalised in adoration as she gently holds the sheet on which the Child is lying, with a gesture of protection and pride that facilitates an atmosphere of intimate recollection, in addition to the presence of three cherubs at the top. The stylistic analysis of the canvas can easily be traced back to a painter of the Genoese school and active during the 17th century, specifically with the devotional works from the workshop of Domenico Piola (Genoa, 1627-1703), an absolute protagonist of Genoese Baroque culture. Piola was the owner of the most important city painting workshop of the time, known as 'Casa Piola', where his sons Paolo Gerolamo and Anton Maria also collaborated. His production, which specialised in a type of highly decorative, profane and allegorical paintings, destined for the decoration of Genoese patrician palaces, also included a refined series of works of a religious nature. In particular, the style of our beautiful breast painting...