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Costume for Aida - Tempera and Watercolor - 1920s

1920s

Costume for Aida is an original painting in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the 20th Century. In very good condition....

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th century. In very good condition The ...

Natacha Rambova imaginatively conceives and sketches a costume for Cecil B. DeMille's 1921 movie Fool's Paradise: Paramount. Rendered in Gouache, watercolor, pencil, and metallic s...

Wonderful pair of Italian orientalist signed painting The first artwork Camillo Innocenti Watercolor on paper "The glorious past" Camillo Innocenti (Rome 1871-1961) Watercolor on paper. The back reports title, signature, inscription and date. The work is dated on the back September 16, 1926 Inscribed title: The glorious past, the victorious king, the construction of the temple, the sphinx. The back also reports that the work was given by the artist as a wedding gift in 1955. The second Camillo Innocenti artwork "Victorious Muhammad Ali" Camillo Innocenti (Rome 1871-1961) work on paper, with frame, Victorious Muhammad Ali. Pencil and tempera. Inscription, title, signature, and date on the back. The back reports that the work was given by the artist as a wedding gift in 1955 Thes artworks, never before on the market, comes from a private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. The paintings are also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Camillo Innocenti (14 June 1871 – 4 January 1961) was an Italian painter born in Rome. Biography[edit] After he studied in Lyceum, after 1889 he joined the studios of Antonio Mancini in Rome and Domenico Morelli in Naples. After a visit to Spain in 1901, he painted local folk subjects from Abruzzo (1904) and Sardinia (1908). At the 1903 Venice Biennale, he displayed his divisionist works with an attention to social topics, alongside Giacomo Balla, Enrico Lionne...