Victor Hume Moody

Europa and the Bull, 20th Century British Graphite Drawing, Signed

Graphite on paper Image size: 22 x 26 inches (56 x 66 cm) Mounted and framed William Dring Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth Rothwell...

Charcoal on paper, signed lower left Image size: 15 3/4 x 21 inches (40 x 53.5 cm) Contemporary frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...

Venus is an original artwork realized by an Anonymous French artist in the first years of the Twentieth Century. Pencil on paper. Cardboard passepartout included (cm 49 x 34). Very good conditions. The artwork represents a standing Venus figure realized in pencil. The artists uses chiaroscuro to define the volumes of the statue. The lit parts of the statue are realized with a white pencil. The artwork reproduces an ancient classical female sculpture on a base. The artwork is an academic study to represent the female anatomy...

A delicate academic study by the artist Pierre Neveu (b.1929). Unsigned. On laid.