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Fu
una"HARK", Contemporary, Coyote Skull, Kanzan, Flowers, Orange, Pink, Pastel2023
2023
$2,000
£1,514.81
€1,739.51
CA$2,802.86
A$3,048.42
CHF 1,615.55
MX$36,526.40
NOK 20,532.80
SEK 18,810.84
DKK 13,002.14
About the Item
Fu’una’s “HARK” is a contemporary pastel of a coyote skull emerging from behind blossoms of a kanzan, or Japanese flowering cherry tree. Hues of pink dominate the painting, with a black background and teal ground showing through the pastel texture. The word “HARK,” in large orange calligraphic lettering, peaks from behind the flowers. The work is 18 x 24 inches and is mounted on 28 x 22 x .375 inch archival foam board. This piece is signed on the front, lower right, and will be shipped unframed.
Fu’una (Kameko Branchaud) is a representational artist working in paint, pastel, and murals. Her work centers human and animal subjects and often draws from her experience as an American woman of indigenous Chamuru heritage. Her work attempts to process the polarity of indigenous and diasporic identity, and the interrelated influences of history, power, and heritage on the environment and the psyche. Her pop-realism style draws upon Fauvism, street art, and tattoo culture. Her recognizable palette is indulgent in its vividness and satisfyingly sensory. She has lived in five regions of America and uses photography, drawing, and research to connect with her surroundings.
- Creator:Fu una (1987, American)
- Creation Year:2023
- Dimensions:Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Franklin, MA
- Reference Number:Seller: Fu una_HARK1stDibs: LU500316900922
Fu'una
Fu’una (Kameko Branchaud) is a representational artist working in paint, pastel, and murals. Her work centers human and animal subjects and often draws from her experience as an American woman of indigenous Chamuru heritage. Her work attempts to process the polarity of indigenous and diasporic identity, and the interrelated influences of history, power, and heritage on the environment and the psyche. Her pop-realism style draws upon Fauvism, street art, and tattoo culture. Her recognizable palette is indulgent in its vividness and satisfyingly sensory. She has lived in five regions of America and uses photography, drawing, and research to connect with her surroundings.
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