Giuseppe Casciaro

Giuseppe Casciaro, Venetian Figure Study

1927

Portrait of Man is a modern artwork realized in the 1990s and attributed to Emilio Giannelli. Black and white china ink drawing on paper.

Portrait of Man is a modern artwork realized  in the 1990s and attributed to Emilio Giannelli Black and white china ink drawing on paper.

Ink and watercolor drawing realized in the early 20th century. Hand signed lower left. Very good condition.

A strong and witty piece - not only if you love music, concerts or perhaps play a string instrument! Look at the passion of the performers, all with individual faces. Our gouache pa...

Last Metro to Bleeker Street. Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, These are recently produced watercolor paintings base...

GEORGE HOWARD, 9th EARL OF CARLISLE (1843-1911) George Howard with Family and Friends in Fancy Dress, Christmas 1879 Inscribed with initials of sitters and dated u.l.: GH. ERH. MHH...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Guardian, Cowboy And Horseman Of The Camargue, 1970. Pastel On Paper. Signed & Dated Lower Right. Paper size 15.2 inches x 2...

Ronald Maddox. English ( b.1930 - d.2018 ). Landscape Pattern, Glen Lyon, Scotland, 1980. Watercolor. Signed Lower Right. Image size 13.6 inches x 23.6 inches ( 34.5cm x 60cm ). Frame size 20.3 inches x 30.3 inches ( 51.5cm x 77cm ). Available for sale; this original painting is by the former long-standing President of the Royal Institute of Painters in Water Colours, Ronald Maddox, and dates from 1980. The watercolor is presented and supplied in a sympathetic and contrasting contemporary frame to suit the subject coloration (which is shown in these photographs) and behind non-reflective Tru Vue UltraVue® UV70 glass. This vintage piece is in superb condition. It wants for nothing and is supplied ready to hang and display. The watercolor is signed lower right. Provenance: The painting was exhibited at the Royal Institute of Painters in Water Colours at The Mall Galleries at 17 Carlton Terrace, SW.1, London in 1980. The exhibition label from the previous backboard of the painting has been retained and affixed to the rear of the new backboard. Ronald Maddox was an accomplished and successful British artist, designer and illustrator. He was born in Purley, Surrey and studied at St. Albans School of Art from 1945 to 1948. He then served with the Air Ministry Design Service, during which time he attended Regent Street Polytechnic in London from 1949-51, before completing his studies at the London College of Printing. His tutors included Henry Trevick, Raymond Sheppard, and Christopher Saunders. From 1953 to 1962 Maddox worked as an art director for advertising agencies in London. He then worked as a freelance artist illustrator and graphic designer. Between 1972 and 1989 Maddox worked extensively for the Post Office and the Royal Mail, and the Isle of Man postal authority. He designed stamps, stamp book covers, first day presentation packs, posters and charts. His stamps typically feature British architecture, rural life and the countryside. He also produced posters for British Rail and painted pictures that were used as carriage panel prints, and illustrated several books. Maddox’s talents were well recognised and respected in the professional art and design communities. He was elected a member of the Society of Industrial Artists & Designers in 1956 and of the Royal Institute in 1959, in 1989 becoming its president. He was a Fellow of the Chartered Society of Designers and a Fellow of the Society of Architectural Illustrators. Maddox received many awards for his work as an artist and designer, including the Winsor & Newton /RI 150th Anniversary Award in 1981 and the Members’ Award in 1991. He was a Hunting Group Finalist several times and won the Design Council Award in 1973 and the Rowland Hilder Award for the Most Outstanding Landscape in 1990. Maddox excelled at architectural work, reproducing the textures and patterns of buildings, but he is perhaps best known for his topographical art...

Evelyn de Morgan Study of a Standing Female Nude 1855 - 1917 Black chalk and pastel on grey paper Image size: 12 ½ x 19 inches (48.2 x 31.7 cm) Pre-Raphaelite style frame Provenance J.S. Mass & Co., Ltd., London, J.X. Reynolds & Co., Ltd. Once she had graduated from the Slade School of Art, Evelyn continued to draw every day for the rest of her life. Her drawings are enlightening not only for their skill and subject matter, but also for their ability to teach us her working process. From loose compositional sketches, Evelyn swiftly progressed to detailed life studies for the figures in her paintings. Choosing to draw mainly on a grey wove paper in pencil and pastel, Evelyn produced hundreds of figure studies. Her rigorously-examined double studies of clothed and nude figures are particularly fascinating and underline the artist’s obsession with the human form and her desire for accuracy. A deep understanding of anatomy is obvious in this drawing and looking at the work you feel as though you can reach out and feel the muscle and bone under the skin, that you could feel the pulse of life through the soft skin. Evelyn de Morgan Born into a landowning family, from an early age Evelyn De Morgan, née Pickering, demonstrated a precocious artistic talent and a passionate desire to pursue a career as an artist, writing in her diary on her seventeenth birthday ‘Art is eternal, life is short… I have not a moment to lose’ (Evelyn De Morgan’s Diary, 30 August 1872, De Morgan Foundation Archive). Her maternal uncle, the artist John Roddam Spencer-Stanhope encouraged her talents and accompanied her on her first formative journeys to Italy where she discovered the Renaissance masters, particularly Botticelli. Overcoming initial parental opposition, Evelyn enrolled at the newly formed Slade School in 1873, one of the first women to do so. The Slade revolutionised women’s artistic education by allowing female students to study the nude from life alongside their male counterparts. Whilst at the Slade she began to submit work under her middle name Evelyn, rather than her Christian name Mary, as its gender ambiguity offered a chance for her work to be judged on its own merit. One of her tutors, Edward Poynter...

376 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2024 Style: Classic Art Title: Bison Size: 12 x 16 inch, (...