Chalk Interior Drawings and Watercolors

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Italian School, 17th century Study after Bernardino Lanino’s Frescoes in Santa Caterina, Milan Red chalk on paper 297 x 186 mm Annotated on the verso: “Vani” (otherwise unsigned) ...

A unique four panel still-life depicting a snap-shot of the artist's 1970's studio by Noel Howard (American, 20th Century). A drawing within the drawing with colored pencils, some cl...

Jan Goeree (Middelburg 1670 – Amsterdam 1731) Interior of the Nieuwe Kerk, Amsterdam (c. 1724) Red chalk for the architecture, pen and black ink, grey wash on paper Composition reversed in preparation for engraving 25 × 17.5 cm Watermark: Hunting horn, Churchill 318 (dated 1724) Unsigned Provenance Private collection, France Context & Attribution Trained in the studio of Gérard de Lairesse, Jan Goeree was among the finest Dutch engravers of the early eighteenth century, celebrated for his architectural views of Amsterdam. This drawing is a preparatory study for an engraving of the same subject now preserved in a major public collection. The final print—slightly larger—closely follows the reversed composition of this sheet. Subject In the center of the Gothic nave, five bearers carry a catafalque toward a freshly dug grave—a tribute to the naval heroes often buried in the Nieuwe Kerk. This funerary motif, familiar from Dutch painting (e.g. Emanuel de Witte, 1657), evokes the vanitas theme and the transience of earthly life. Technical Analysis Goeree’s use of red chalk for the architecture and ink for the figures reveals his working method: the chalk lines could be used to produce a counterproof restoring the correct orientation of the architecture, while the inked figures remained adjustable before the design was transferred to the copper plate. Place within the Oeuvre Drawings of church...

Anthony Fry (British, 1927-2016) View Through a Window, 1984 Chalk on paper Sight: 18 1/4 x 14 3/4 in. Framed: 25 3/4 x 22 1/4 x 1 1/4 in. Provenance: Private New York Collection Purchased from the below gallery by Reader's Digest, 1984 Browse & Darby, London The Artist Anthony Fry was born on 6 June 1927 in Theydon Bois, Essex, to Dr Lewis Salisbury Fry (1898–1968) and Margaret Mary Fry (1898–1986). Dr Fry was a descendant of the Quaker founders of the Bristol-based chocolate business J.S. Fry & Sons. Fry attended The Downs School, where he was taught English by the poet W.H. Auden and painting by the artist Maurice Feild. He completed his secondary education at Bryanston where he was taught sculpture by Donald Potter and painting by Elizabeth Muntz. Fry went on to study painting at Edinburgh College of Art and Camberwell School of Arts and Crafts under William Coldstream, Victor Pasmore and Lawrence Gowing. In 1950 Fry won the Prix de Rome for his painting The Betrayal, and with the award a two-year scholarship at the British School at Rome. The school's Director of Fine Art Derek Hill...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beau...

Brightly colored interior scene with a green chair by an Michael William Eggleston (American, 20th Century). An interior of room is depicted at a skewed angle, with bold, bright shapes. At the front of the composition is a bright green round chair...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Hilary Hennes (née Hilary Miller) (1919 - 1993) Flowers on a Table Chalks 56 x...

Fortuny Rose, original drawing created with Conté & Pastel on Fabriano watermarked, handmade paper, by Susan Manchester. Museum quality frame included...

France circa 1770 Two lovers surprised in bed Black chalk on paper 13 x 17 cm Modern frame : 34 x 38 cm This drawing had been attributed to Gabriel de Saint Aubin (1724-1780). It's...

"Tree in Court" is a framed conte drawing in black by Laurence Rathsack, signed with his initials. A lone tree stands at the center of a high-walled courtyard. A small amount of light enters from windows high above, which the leafless tree struggles to reach. Art size: 9 1/4" x 5 1/4" Frame size: 17 1/2" x 13 1/2" Painter and Educator, Laurence Rathsack was born and raised in Milwaukee. He studied under Alfred Pelikan while in high school. One of Rathsack’s block prints, River Bridge, can be seen in the book, Milwaukee Senior High School Block Prints. His art mentors at college were Robert von Neumann...

Sanatan Dinda - Ganesha - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame Supported by Artist's Authent...

Sanatan Dinda - Ganesha - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame Supported by Artist's Authent...

William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolour paintings of women. He also worked in oils, tempera and printmaking. He was b...

Pencil and chalk on paper Image size: 8 1/2 x 13 inches (22 x 33cm) This wonderful drawing depicts 'The Cleansing of the Temple', a biblical narrative where Christ expels merchants...