Child Interior Drawings and Watercolors

FRUGALNOMICS is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee, Wisconsin. Ge...

Sign by Artist in Lower Right The present work was published as an illustration for Elizabeth Goudge's short story "A Crock of Gold" in the August 1938 issue of Woman's Home Compani...

One of a series of designs we have listed for Geo. M Hammer. To see them - and our other architectural and design-related drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Donald L Hadden (British, 20th century) Design for a Pair of Marquetrie Panels for Geo. M Hammer with two dancing figures 23x31.5cm Watercolour signed and dated 1927 Hadden was a senior designer for Geo M Hammer, designers and retailers of school and ecclesiastical furniture. Their lift-top school desks are particularly well regarded, and always carried their brass name plate. Hammer were renowned for their interior woodwork, they were commissioned to undertake the choir stalls in Sir Basil...

French School 19th Century Episode of the Franco-Prussian war of 1870, a cantonment of soldiers during the siege of Paris Pen and brown ink on paper 15 x 23 cm Annotated on the lower...

With elements of surrealism and fantasy, this is a soft pastel painting on toned archival paper. It is part of an ongoing series of work by the artist depicting humorous observations...

Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet Antonio Petruccelli (1907 - 1994) Santas Feet At Midnight New Yorker c...

A very fine watercolour Jacobean interior scene showing an altar at which a crowd of people are partaking in a Eucharist. A priest blesses the wine and hands it to an elderly man who...

"Animated Discourse" WPA Mid-Century American Scene Modernism Realism Figurative. Chris Ritter (American, 1906 – 1976) "Animated Discourse," 19 x 24 (sight). Watercolor on paper. Si...

Medium: Charcoal on Paper Signature: Signed Lower Left

Jules CAVAILLES Waiting Woman (c. 1965) Original gouache and oil painting on paper Signed bottom right On heavy paper 26 x 18 cm (c. 10 x 7 inch) Authenticated with the estate stamp...

RETREAT ROOM is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee, Wisconsin. Ge...

CALORIE BURNER(THIRD HOUR) is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee,...

Two fashionably dressed ladies sit in a lavish interior. One holds a small dog in her arms, while the other stirs a bowl. Signed to the lower left. Well presented in a gilt-effect fr...

This late 19th century French pen and ink drawing depicts the decoration of Monte Carlo by Lucas and George Clairin (French, 1843-1919). The price inc...

Paul Gattuso attended the Art Students League and worked primarily in New York City. There is an old address with a Bronx, Grand Concourse address. Gattus...

Figures is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions except for aged m...

Maternity is a beautiful original drawing, composed by 4 original China ink scenes, of which the last is watercolored, realized by the French artist Eugéne Morin (1833-1875). Each s...

Hillary Hennes (1919-1993) Watching Over the Fire Pencil drawing 43 x 28 cm Hillary Hennes was a British artist and illustrator. Her father was a curator at the South London Art G...

Medium: Watercolor on Paper Signature: Signed and Dated Illegibly Lower Right Tiny Tim by Charles Dickens

Monotype on paper Dramatic disrupted realism imagery from Tom Bennett’s series of monochromatic monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Works Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

Schoolgirls is a beautiful watercolored ink drawing of the first half of the 20th century, around 1940. The drawing shows an inscription in pencil on the lower right that is hard to...

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

"Playing Dress Up in the Attic" is an original graphite drawing by Sylvia Spicuzza. The artist signed the piece. This artwork features two children playing dress-up. 8" x 5" art 19...

Medium: Watercolor on Board Signature: Signed and Dated Lower Left

Georges Barat-Levraux (1878–1964) Young Girls Reading Pastel on paper, 39 x 31 cm Provenance: Private collection In this tender and intimate scene, Georges Barat-Levraux captures a ...

Watercolour on paper Paper size: 14.25 x 10.25 inches Framed size: 34 x 19 inches Signed lower left

Medium: Pastel on Paper Signature: Signed Lower Left Health Club Baking Powder