Josine Vignon

Mid Century French Illustration of a Seated Nude Woman Drawing

1950 s

Title: Mid Century French Nude Study Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 25 (height) x 19 (width) Stamped: Ver...

Title: Mid Century French Pencil Profile Study of a Seated Female Nude Artist: Josine Vignon (French 1922-2022) Medium: Pencil and Paper Size: 10.5 (height) x 8.25 (width) Stamp...

Expressive Nude Sketch Josine Vignon (French 1922-2022) signed black biro drawing...

French School watercolour/pen drawing on artist paper painting: 10.5 x 8 inches provenance: private collection, England condition: very good and sound condition

A Finely Drawn, 1930s Modern Figure Study of a Seated Female Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by Haydon demonstrating ...

Nude figure study of a seated female model by an unknown artist (American, 20th Century). Circa 1940. Unsigned. Unframed. Image size: 25"H x 19"W.

Octave Denis Victor Guillonnet (1872 - 1967) A naked young woman seated Charcoal and red chalk on thin paper transfered on cardboard 49 x 39 cm Framed : 55.5 x 45.5 cm Octave Denis...

Elegant mid century figure study in pastel on brown paper depicting a seated nude woman with a hat and rose, by by American artist Louis Nadalini (Italian, 1927-1995). Signed Nadalini upper right. Presented in a simple wood frame, with new mat and new foam core backing. Image size: 29"H x 19.5"W. Signed and dated "Nadalini 85" lower right. Unframed. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...