Edmond Albert Joseph Tyrel de Poix, Landscape With Watermill, Mother Child

c. 1870

US buyers pay no import tariffs on this item. This endlessly charming mid-19th-century English oil painting depicts a rural scene with a family, cattle, pond, and cottage. A mother...

This charming mid-19th-century oil painting depicts a river landscape with a thatched cottage, boatmen, and windmill. It’s reminiscent of works by English artist Edward Williams (178...

This early 19th-century oil painting by Gerrit Hendrik Göbel (1786-1833) presents a tranquil rural landscape, plausibly in the region of Salland. Painted during the formative years o...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

A charming watercolour scene depicting a watermill sat on the verge of a pond. In the distance the houses of a small village can be seen on the horizon. Signed to the lower right. Pr...

R.Ellis English late 19th-century landscape of a Watermill by a Stream and a bridge. Original frame oils on card Signed and dated on the reverse and lower right. Ellis was a la...

This accomplished watercolour study depicts an old stone water mill on the verge of a woodland river. Unsigned. Presented in a wooden frame with a slim gilt slip and a washline mount...

R.Ellis English late 19th century landscape of a Watermill by a Stream Original frame oils on card Signed and dated on the reverse and lower right. Ellis was a landscape painte...