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Francesco Guardi Follower Period Venetian School Ink Picture Capriccio

1780 ca.

$1,921.44
£1,423.11
€1,600
CA$2,628.43
A$2,860.54
CHF 1,516.37
MX$34,414.45
NOK 19,232.42
SEK 17,596.31
DKK 12,192.28

About the Item

Our company has been present on this platform for many years, with numerous sales made and just as many excellent reviews received that you can under our Furniture account. Period Venetian School Ink Picture Capriccio Important ink drawing representing animated landscape with ruins and aqueduct in the background. This important artwork, although it is not signed as is almost always the case with this artist's paintings, is attributed to the circle of the great Venetian painter Francesco Guardi Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dimensions with frame cm 38 x 31 This painting, never before on the market, comes from an important French private collection and is beautified by an original frame in gilded wood, in almost perfect condition and protected by glass. Francesco Lazzaro Guardi (Venice 5 October 1712 – 1 January 1793) was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting. In the early part of his career he collaborated with his older brother Gian Antonio in the production of religious paintings. After Gian Antonio's death in 1760, Francesco concentrated on vedute. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture. Francesco Guardi was born in Venice into a family of nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolò and Gian Antonio were also painters, later inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo. In 1735, Guardi moved to the workshop of Michele Marieschi, where he remained until 1743. His first certain works are from 1738, for a parish at Vigo d'Anuania, in Trentino. In this period he worked alongside his older brother, Gian Antonio. Guardi's painterly style is known as pittura di tocco (of touch) for its small dotting and spirited brush-strokes. This looser style of painting had been used by Giovanni Piazzetta and Sebastiano Ricci, and recalls, in some religious themes, the sweetened sfumato of Barocci's Bolognese style. In this he differs from the more linear and architecturally accurate style of Canaletto's painting. This style, a century later, would make Guardi's works highly prized by the French Impressionists. Canaletto, as a vedutista, concentrated on glamorous urban architecture erected by the Serene Republic; on the other hand, in Guardi, the buildings often appear to be melting and sinking into a murky lagoon. Canaletto's canvases often have intricate linear and brilliant details, and depict Venice in sunny daylight. Guardi paints clouded skies above a city at dusk. These contrasts, however, simplify the facts, since Canaletto often painted the drab communal life and neighborhoods (creating in them some epic artistic qualities), while Guardi did not avoid sometimes painting the ceremonies of Ducal Venice. Ultimately, Guardi's paintings evoke the onset of the dissipation. The citizenry has shrunken to an impotent lilliputian crowd of "rubber-neckers", unable to rescue the crumbling Republic, as for example in the Fire in the Oil Depot in San Marcuola. It was fitting depiction of the rapidly declining empire, which had declined, in Napoleon's assessment, into a "drawing room of Europe" peopled with casinos, carnivals, and courtesans for hire. Under existing legislation, any artwork created over 70 years ago by an artist who has died can requires a license for export regardless of the work’s market price. The shipping may require additional handling days to require the license according to the destination of the artwork.
  • Creation Year:
    1780 ca.
  • Dimensions:
    Height: 6.11 in (15.5 cm)Width: 8.39 in (21.3 cm)Depth: 0.08 in (2 mm)
  • Medium:
  • Movement Style:
  • Circle Of:
    Francesco Guardi (1712 - 1792, Italian)
  • Period:
  • Condition:
  • Gallery Location:
    Roma, IT
  • Reference Number:
    1stDibs: LU2883217196092

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