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Guy Nicod
Martini and Rossi Bitter French Modernist Cocktail Advertising Style with Bottle

$510.67
$851.1240% Off
£372
£62040% Off
€435.19
€725.3140% Off
CA$699.51
CA$1,165.8540% Off
A$763.13
A$1,271.8840% Off
CHF 404.75
CHF 674.5840% Off
MX$9,194
MX$15,323.3340% Off
NOK 5,137.05
NOK 8,561.7540% Off
SEK 4,703.11
SEK 7,838.5140% Off
DKK 3,250.19
DKK 5,416.9840% Off

About the Item

Title: Martini and Rossi Bitter French Modernist Cocktail Advertising Style Painting Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 11.75 x 15.75 inches (height x width) Provenance: Artists estate, France Condition: good overall with minor edge wear and light handling marks to the sheet Description: This original gouache by French modernist Guy Nicod is a striking mid-century design in the style of vintage advertising for the Italian brand Martini Rossi. Executed with bold colour contrasts and simplified forms, the composition celebrates cocktail culture and the timeless appeal of the Martini Bitter aperitif. Dominating the scene is a tall cobalt-blue bottle placed against a vivid red circular backdrop, its vertical form balanced by the horizontal black banner carrying the word “BITTER.” In front, a glass filled with a ruby-red cocktail garnished with an orange peel is placed alongside a whole orange, reinforcing the freshness of the drink. A smaller Martini Rossi bottle is depicted in the top corner, echoing the product’s branding and ensuring the composition’s commercial clarity. Nicod’s use of gouache on paper brings a flat, matte vibrancy perfectly suited to graphic work, with areas of strong red, deep blue, and black offset by clean white lettering. His poster-like design recalls the golden era of European drinks advertising from the 1950s and 1960s, when stylised visuals projected glamour, modern living, and cosmopolitan sophistication. The inscription on the reverse, 365 jours de l’année (“365 days of the year”), suggests the message of year-round enjoyment—a theme consistent with promotional slogans of the period. For collectors of French modernism, vintage bar ephemera, cocktail culture, and European advertising history, this work offers both decorative impact and cultural resonance. Unframed and ready for display, it would suit a stylish interior, home bar, or hospitality space.
  • Creator:
    Guy Nicod (1923 - 2021, French)
  • Dimensions:
    Height: 11.75 in (29.85 cm)Width: 15.75 in (40.01 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Cirencester, GB
  • Reference Number:
    1stDibs: LU509316970162

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Martini and Rossi Bitter French Modernist Cocktail Advertising Style Painting
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Title: Martini and Rossi Bitter Vintage Cocktail Advertising French Modernist Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 15.75 x 11.75 inches (height x width) Provenance: Artists estate, France Condition: good overall condition with light edge wear, gentle handling creases to the margins and minor age toning to the paper; colours remain fresh and well preserved Description: This original gouache advertising design by French modernist artist Guy Nicod was created for Martini Rossi to promote their iconic “Bitter” aperitif. Executed in bold colours and simple yet powerful forms, the composition is both decorative and functional, epitomising the energy of mid-20th-century European commercial art. At the centre of the design stands a tall red bottle of Bitter, its dramatic silhouette set against a glowing red-orange sun and framed by areas of deep black and crisp white. A vibrant cocktail glass filled with Martini Bitter sits prominently in the foreground, complete with a twist of orange peel garnish, while a whole orange beside it reinforces the flavour profile of the drink. Two stylised clouds drift into the scene, softening the graphic edges and adding an atmospheric touch. The strong lettering at the top and bottom — “BITTER” and “MARTINI ROSSI” — is rendered in bold white capitals, giving the design an immediate visual punch. Nicod’s technique with gouache produces opaque, saturated colour fields that make the imagery pop, while the geometric framing and limited palette reflect the aesthetics of 1960s and 70s poster...
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